Feeds:
Posts
Comments
Dressage judges see a lot of "faking it" when it comes to extended trot. Illustration by Karen Rohlf from COLLECTIVE REMARKS.

Dressage judges see a lot of “faking it” when it comes to extended trot. Illustration by Karen Rohlf from COLLECTIVE REMARKS.

 

In COLLECTIVE REMARKS, the new book from former Technical Advisor to the US Dressage Team Anne Gribbons, readers are treated to all manner of perspectives, in and around the dressage world. As an FEI 5* judge, Gribbons has officiated at numerous CDIs worldwide and selection trials in the United States, as well as prestigious European shows (Stuttgart, Rotterdam, Aachen), two FEI World Cup Finals, and the 2009 European Championships.

Here Gribbons laments the variety of extended trots to which judges are commonly treated—and they are all “faking it” in one way or another.

 

From COLLECTIVE REMARKS by Anne Gribbons:

Seeing What’s Not There
To begin with, there are no distinct transitions. Sometimes the beginning and end of the extension is so subtle that it is impossible to discern, even when the judge is awake and focusing. In reality, absolutely nothing happens, and you feel like you are a part of the tale “The Emperor’s New Clothes,” pretending to see what isn’t there. That is the bottom of the heap.

The next variety is when the horse hurries through the corner, and instead of coming onto the diagonal in balance and with his haunches “loaded” for takeoff, he is running in front-wheel drive. Arriving out of the corner in that fashion makes the transition “mission impossible.” The honest horse makes a desperate effort to salvage the movement, and by the time he reaches X he is hopelessly lost in forward balance, often irregular, and struggling to reach the end of the diagonal. The less ambitious equine crawls behind the leg and does less and less to go forward, until the movement fades to a working trot before he reaches halfway.

Then we have the “mad run,” in which the horse develops a flat-footed scramble with a hollow back and the hindquarters trailing hopelessly. He reminds you of a bicycle flying by.

The really fascinating extension is the one when the horse’s frame gets shorter for each stride, his back lower, his front legs higher, and his neck tighter. That is almost as hard to accomplish all at once as it is to get an actual extension.

Naturally none of the workouts described just now have much to do with the directives for the movement. So, how would an extension for a “10” look?

 

The Ideal

Let’s start with the transitions: They should be prompt and smooth without the slightest resistance. The horse should proceed accurately from point to point and in a straight line. There will be a clear difference between the extended trot and the medium trot when there is one called for in the test.

Going on to the different aspects of the Training Scale, for a “10”:

  • The rhythm of the trot has to be absolutely regular in a clear two beats from beginning to end with a distinctive moment of suspension.
  • No stiffness or tension can be present for a perfect score for suppleness. The back must swing under the rider, and the completely unconstrained steps must show superb elasticity.
  • The contact has to be light and steady, with the nose more in front of the vertical than at a medium trot. In spite of the ultimate lengthening of the frame, the poll must remain the highest point.
  • To accomplish all this, the requirements of the impulsion are strict: The hind legs are expected to propel the horse forward with very energetic and active steps, while the hind feet touch the ground as much as possible in front of the footprints for the front feet. Front and hind feet reach equally forward, and the front feet touch the ground on the spot toward which they are pointing.
  • Naturally the horse’s straightness is unquestionable, while the very engaged hind legs give the impression of a horse in complete balance, exhibiting freedom of the shoulder and lightness of the forehand found via collection.
  • Under these circumstances the submissiveness is total, and there is no resistance whatsoever evident.

It is doubtful that many of us has experienced this state of bliss for an entire diagonal, but these are the directives if you strive for “excellent.” Naturally there is a range of talent and ability that plays into the score, and there are horses that are superb at collection but have no true ability to become “airborne,” never mind how they struggle. The springs for the suspension just were never installed.

Interesting to observe is that all the way to the top placings in the Olympics, there are horses that lack the ability to use their back in the extended work and who possess almost no elasticity in their gaits or ability to stretch over the topline. What they do have is a tremendous knack for articulation of their joints. They can twist and turn and bend their knees and hocks like performers in Riverdance, and in the “Three Ps” (piaffe, passage, and pirouette) this is a real asset.

Since we have shortened the Grand Prix the extended trot counts for very little. What should be one of our “crown jewels” has been put somewhat on the backburner. Anyone who trained with Colonel Bengt Ljungquist will agree that he would watch this development with a jaundiced eye. I will never forget the endless sessions he had me do on the 20-meter circle, practicing transitions in and out of trot lengthenings. Bengt would insist on the horse becoming “like a rubber band,” and he was relentless about all the features I mentioned above that can lead to a “10.”

 

CLICK IMAGE TO ORDER

CLICK IMAGE TO ORDER

Find more dressage insight in COLLECTIVE REMARKS by Anne Gribbons, available now from the TSB online bookstore, where shipping in the US is FREE.

 

CLICK HERE TO ORDER

 

 

TSB joins The Homes for Horses Coalition in helping a local equine rescue on Make A Difference Day.

TSB joins The Homes for Horses Coalition in helping a local equine rescue on Make A Difference Day.

 

The Homes for Horses Coalition, representing over 300 equine rescues and sanctuaries across the United States, is urging anyone with an interest in horses to volunteer at a local horse rescue facility during the 25th annual Make A Difference Day, the nation’s largest day of community service.

Initiated in 1990, Make A Difference Day encourages Americans to devote time and talent to helping others by doing volunteer work in the community, and millions of citizens participate in community improvement projects of almost every sort including building, painting, repairing, and clean-up.

“Rescues strive daily to effect positive change for at-risk equines in their communities, and they are so often in need of help with short-term labor intensive projects,” says Cindy Gendron, the Coordinator of the Homes for Horses Coalition.  “A committed group working hard for one day can make a huge difference by completing necessary tasks, such as fence repair, building shelters to protect horses from the elements or putting up hay for the winter.”

You can also provide invaluable help by checking out a rescue group’s wish list, shopping for needed items, or making a monetary donation as Trafalgar Square Books is doing for our local Vermont rescue The Hooved Animal Sanctuary (www.hooved.org).

“We are always in need financial help and have several new animals in need of vet and farrier work,” says Deborah Deschamps Baker of the Hooved Animal Sanctuary in Chelsea, Vermont. “Most of our local rescues are full to capacity. I am  receiving 4 to 5 calls weekly from people wanting to give us their horses along with 2 to 3 calls a week with abuse complaints. The Hooved Animal Sanctuary’s Humane Agents investigate all large animal complaints for Orange County and assist other counties when needed. All the daily care and work at the Sanctuary is done with the help of volunteers. Our Humane Agents are also trained volunteers. All donations go to the feed and care of the horses.”

You can make a donation to The Hooved Animal Sanctuary, or volunteer to help, by visiting their website: CLICK HERE.

To find horse rescue in your area, visit the Homes for Horses Coalition website (www.homesforhorses.org) and click on the member page, where you will find contact information for rescues listed by state.

Help a horse…horses help us in so many ways.

 

MakeDiffDay

Stacy Westfall on Roxy. Photo courtesy of Stacy Westfall from HOW GOOD RIDERS GET GOOD.

Stacy Westfall on Roxy. Photo courtesy of Stacy Westfall from HOW GOOD RIDERS GET GOOD by Denny Emerson.

 

Stacy Westfall became the first woman to compete in—and win—the prestigious “Road to the Horse” colt-starting competition in 2006, the same year that she electrified the reining world with a bridleless and bareback championship Freestyle on her black mare “Roxy” (Whizards Baby Doll) at the Tulsa Reining Classic and the All American Quarter Horse Congress. While Stacy continues to compete, she loves to teach and share her knowledge, and tours the country regularly giving clinics and appearing at expos.

In Denny Emerson’s honest, on-target, guaranteed-to-rev-your-engines book HOW GOOD RIDERS GET GOOD, Stacy shared a little about how she came to horses and why she thinks she “got good.” Here’s her advice as to how all of us can one day have the ride of our life (tack optional).

 

Stacy’s life circumstances:

“I grew up in South China, Maine. My mother had ridden as a girl and as soon as our family could afford an equine (when I was about six), a pony named Misty joined the household. This was the same pony on which my mother had learned to ride sixteen years earlier!”

 

She got hooked on horses when:

“From the very beginning, I was one of those kids who reads the Walter Farley Black Stallion books over and over. I would have given anything to be shipwrecked on a desert island with a horse.”

 

Stacy thinks she got good because:

1  “My parents got me a horse when I was about thirteen and from that time on I lived on my horse. I rode her seven miles to work. I took her to local open shows on the weekends and entered every class. That mare and I developed a deep connection.”

2  “My mom was my first teacher, but she didn’t just tell me what to do. She wanted me to figure it out. If my pony did something wrong, like stopping at one of the tiny jumps we had set up, Mom would say, ‘Why do you think Misty did that?’ Her approach got me thinking like a horse, which has really influenced my life. When you can figure out what the horse is thinking and how to communicate with the horse and mold that, you can do almost anything.”

3  “I attended the University of Findlay in Ohio. In its equestrian studies program, I learned traditional training techniques and fundamentals with top instructors, and got into reining with champion trainers. My famous bareback ride is an extension of taking the technical stuff I learned and wrapping it around what my childhood horses taught me about the relationship horses can have with people.”

 

Stacy’s advice to the rest of us:

“It all comes back to attitude and passion. If you go into this because you dream about getting famous on a horse or having a great marketing plan, you’ll never have that connection with the horse. This is something that, if it’s in you, you would do it even if you didn’t get paid—you do it because it’s you. When it’s really cold, or when it’s really hot, or when it’s really hard, do you still want to do it? A favorite quote of mine is: ‘Verily, the lust for comfort murders the passion in the soul, then walks grinning in the funeral.’ (From The Prophet by Kahlil Gibran.) If your passion gives way to the appeal of comfort, you will not succeed at a high level because at some point you’ll need to beat someone with passion—and people with passion who’re willing to work for it like that will be unstoppable.”

 

CLICK IMAGE TO ORDER

CLICK IMAGE TO ORDER

Find out how 22 more of the best riders in the world “got good” and get their tips for “making it” in the horse industry in HOW GOOD RIDERS GET GOOD by Denny Emerson, available from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE TO ORDER NOW

"Cavalletti work is invaluable for all riders and every horse, no matter what stage they are at," say Ingrid and Reiner Klimke in their influential book CAVALLETTI.

“Cavalletti work is invaluable for all riders and every horse, no matter what stage they are at,” say Ingrid and Reiner Klimke in their influential book CAVALLETTI.

 

We’ve all seen them, and most of us have ridden over or through them at one time or another. Whatever your discipline, cavalletti–poles made from wood or synthetic material and raised off the ground at varying heights—are “invaluable for all riders and every horse, no matter what stage they are at,” write Ingrid Klimke and her father the late Dr. Reiner Klimke in the international bestseller CAVALLETTI.

 

Here are 8 reasons why we all should use cavalletti, whether preparing our horses for jumping, the dressage ring, ranch work, or pleasure and trail riding:

1  Cavalletti work develops strength in particular muscles by asking the horse to move in a specific and controlled way. For example, the horse becomes more sure-footed as a result of lifting his feet high to go over the cavalletti, and then placing them back on the ground between the poles.

2  Cavalletti allow more demands to be made on the horse’s legs without compromising the quality of the gaits, namely walk, trot, and canter.

3  They are useful for loosening muscles and relieving stiffness. For example, riding a horse over cavalletti with his neck lowered and stretching forward and downward will help specific back muscles to contract and relax, effectvely loosening any tightness and helping the horse find or regain his natural rhythm.

They improve fitness: Slowly increasing the amount and difficulty of the work over cavalletti increases the efficiency of the horse’s heart and lungs.

Cavalletti help a young or green horse learn to balance with a rider on his back, and they will improve his confidence, particularly in preparation for being ridden over uneven ground.

6  They enable the rider to gain an understanding of the horse’s psyche and how to bring out the best in him: Does he remain calm or become excited as you approach cavalletti or change the pattern or height of the poles? By altering cavalletti exercises, the rider can begin to learn how to control a particular horse’s reactions to certain scenarios.

7  Strategic use of cavalletti can improve the quality of the horse’s walk and trot, the rhythm and regularity of his movement, and build impulsion and cadence over time.

8  Perhaps most importantly: Training with cavalletti adds interest and challenge to your horse’s training session. “Monotony prevents learning,” write the Klimkes. Keep your time with your horse enjoyable for you both!

 

CAVALLETTI is available from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE TO ORDER

 

NEDACavalletti

 

Ingrid Klimke is headlining the 2014 NEDA Fall Symposium at Apple Knoll Farm in Millis, Massachusetts, November 1 & 2. CLICK HERE for more information or to register.

Upward transitions are all about thrust and reach. They reinforce the "Go." Downward transitions are all about engagement. They reinforce the "Whoa."

Upward transitions are all about thrust and reach. They reinforce the “Go.” Downward transitions are all about engagement. They reinforce the “Whoa.”

 

“The purpose of transitions,” says Beth Baumert in her new book WHEN TWO SPINES ALIGN: DRESSAGE DYNAMICS, “isn’t to get into the gait of choice, but rather to do it with grace, in a way that improves the horse. Transitions can improve the connection and collect him.”

Transitions not only make life fun and interesting for the horse, they also put the rider in the position of leader. Here are Beth’s tips for riding good transitions:

  • Make one change at a time.
  • Convert the energy.
  • Monitor the frame.
  • Relax the neck.
  • Monitor the bend.
  • Monitor the rhythm.
  • Monitor the speed.
  • “Look for the possibility”—feel for the right moment to make the transition.

 

Exercise: Looking for the Possibility
“Looking for the possibility” of a transition is all about gaining access to the horse’s hindquarters and keeping connected to them.

Step 1  Do a trot-walk transition and immediately do a leg-yield or shoulder-fore. Then trot off again.

Step 2  Next, halt briefly and do a turn-on-the-forehand or a turn-on-the-haunches. Then trot off again. The turn or movement teaches the horse that he needs to stay connected and listening with his hindquarters in the walk. Even if the turn or the movement isn’t perfect, it improves him, making the next upward transition more supple, engaged, and obedient. It makes the next transition more possible.

Step 3  Do variations of the same theme: Leg-yield or confirm your shoulder-fore before the transition to canter. These transitions help you retain the ability to “Go” in downward transitions, and they help you retain the ability to “Whoa” in the forward work. When the circle of aids is working you can easily adjust your horse within that circle, making anything possible. You want to be in the “land of all possibilities.”

 

Find other great insight and exercises in Beth’s new book WHEN TWO SPINES ALIGN: DRESSAGE DYNAMICS, available now from the TSB online bookstore.

CLICK HERE TO ORDER

 

CLICK IMAGE TO ORDER

CLICK IMAGE TO ORDER

 

Here’s what top riders, trainers, and judges are saying about WHEN TWO SPINES ALIGN: DRESSAGE DYNAMICS:

“Sometimes when I’m teaching I find myself thinking my student really needs to read Beth Baumert’s book. The perspective and the words she’s chosen give a welcomed fresh approach to describing the theories behind training.” —George Williams, Member, US Dressage Team and President, United States Dressage Federation (USDF)

“I absolutely LOVE this book! It grabbed me from the moment I read the words ‘perfect balance’ and ‘that place where two spines meet’—you get such a great visual from this! When teaching, it can be a struggle to help riders who can’t seem to balance themselves. This is where author Beth Baumert provides a valuable tool: She explains why the rider’s balance is the key to the horse’s balance and how a controlled interaction of balance ultimately leads to success and harmony. This book is where the magic begins.” —Debbie McDonald, Two-Time Olympian and USEF Developing Dressage Coach

“Beth Baumert and I are on the same wavelength when it comes to horses and dressage training. Now she has created the best guide I’ve seen for those who really want to grasp the ins and outs of dressage—I’ve never read a book covering all facets of dressage in this detail. With all that is going on in our sport today, I hope that riders—now and in the future—will pursue dressage as it is described here by Beth.” —Henk van Bergen, Former Chef d’Equipe, Dutch National Dressage Team and British National Young Riders Developing Team, and Member, FEI Judges Supervisory Panel

“This book is truly timeless. I can humbly admit that it clarified some subject even for me, after a lifetime of being involved with dressage. It is the equivalent of countless clinics given by some of the best in the world.” —Axel Steiner, FEI 5* Dressage Judge (Retired), USEF “S” Judge, and USDF “L” Program Faculty Member

“Beth Baumert’s book is desperately needed. I see many riders going down the wrong road, often because of a dubious understanding of the term ‘dressage’ and a limited view of its importance. Whatever you are riding—whether hunters, ponies, jumpers—I recommend that you learn about and use dressage in your schooling, if only for reasons of maintaining soundness. I’m lucky that, in my life of riding and teaching, there has never been jumping without flatwork. But that’s in my own little world. Today’s riders are too consumed with cosmetics and competition. Even riders at the top have somehow lost what the Masters knew centuries ago! Every rider needs to know the basic tenets of dressage, and so I recommend When Two Spines Align: Dressage Dynamics. I can’t say enough good about it.” —George Morris, Former Chef d’Equipe, US Show Jumping Team

“This is a great book! It mirrors what I see in Beth Baumert’s students—they all demonstrate a very classical way of riding and training horses. When Two Spines Align: Dressage Dynamics clearly explains the classical foundation of how the rider should balance and sit so that he or she can then educate the horse. Beth has provided a valuable tool for all kinds and levels of riders.” —Bo Jena, Chef d’Equipe, Swedish Dressage Team and FEI 4* Judge

CLICK TO ORDER NOW

Reata Brannaman gives TSB Managing Director some rope-handling pointers.

Reata Brannaman gives TSB Managing Director Martha Cook some rope-handling pointers.

 

A few years ago, TSB Managing Director Martha Cook and I each swung a rope for the first time during our week’s visit to the Padlock Ranch outside Sheridan, Wyoming. I admit, I thought about little other than the fact that the hands around me managed to do this at a flat gallop, and I couldn’t even snag a “sawcow” from a standstill. I promise you, there wasn’t even a shadow of a mathematical equation peering out from the dustiest corners of my mind.

 

TSB Managing Director Martha Cook (right) and Senior Editor Rebecca Didier (left) struggle with the science of roping at the Padlock Ranch in Wyoming.

TSB Managing Director Martha Cook (far right) and Senior Editor Rebecca Didier (far left) struggle to learn the science of roping at the Padlock Ranch in Wyoming.

 

Today’s New York Times Science Section had a this short video about a French student of applied mathematics who took trick roping to a whole new level–actually figuring the exact ratio of loop and the impact of the roper’s hand position. Check it out:

 

Click image to watch the NYT video.

Click image to watch the NYT video.

 

Of course, when it comes down to it, just like for some applied mathematics isn’t “scary code” but poetry, for many handling a rope is just like dancing with a partner. Here’s Buck Brannaman earlier this year at the Dublin Horse Show:

 

Click image to watch Buck Brannaman at the Dublin Horse Show.

Click image to watch Buck Brannaman at the Dublin Horse Show.

 

Not many of us can dance like that.

 

 

7 CLINICS WITH BUCK BRANNAMAN, the acclaimed seven-disc DVD series that brings Buck’s teachings into your living room, is available from the TSB online bookstore, where shipping in the US is free.

CLICK HERE TO SEE THE VIDEO TRAILERS

New-Smyrna-Beach-Florida-1_photo

 

Only a few miles from the beach in Florida is not a bad place to be in January.

Throw in a unique opportunity to learn from and spend time with three top trainers and Road to the Horse alumni as they work with young and developing riding prospects, and you’ve got yourself a really good time!

Join your fellow sun-, fun-, and horselovers at the spacious and well-appointed Pioneer Trail Reserve in New Smyrna Beach, Florida, January 2-4, 2015. Host and TSB author Sean Patrick (2014 and 2015 RTTH Wild Card Contestant) welcomes Jim Anderson, reigning champion and overall winner of the 2014 RTTH competition, and Mary Kitzmiller, winner of over $55,000 in the Extreme Mustang Makeover events and the only woman to have been chosen to compete at the Road to the Horse’s Wild Card Competition in both 2014 and 2015, to his fabulous facility.

 

Pioneer Trail Reserve is a spacious and well-appointed equestrian facility, with a large covered arena and luxurious clubhouse.

Pioneer Trail Reserve is a spacious and well-appointed equestrian facility, with a large covered arena and luxurious clubhouse.

 

Sean, Jim, and Mary will provide in-depth instruction, explanations of their techniques, and up-close-and-personal insight over the course of 18 teaching sessions, featuring colt-starting, preliminary under-saddle work, and more advanced training and maneuvers. Symposium attendees are provided refreshments and a fully catered lunch each day at no additional cost. In addition, separate tickets are available for a VIP dinner on Saturday night, where guests can relax, interact with each other and all three clinicians, and enjoy live music and delicious meal in a beautiful ranch setting.

We caught up with Sean last week and asked him to tell us a little about the event and how it was conceived:

 

TSB: How did you, Mary, and Jim all meet?

Sean: At Road to the Horse 2014, there were eight of us selected to be competitors in the new “Wild Card” part of the event. It was such a nice group of individuals, we all quickly became friends. I’m originally from Canada, Jim is Canadian, and Mary desperately wishes she was, so we had that in common!

 

TSB: When did you conceive of the idea to hold the symposium? How did you come up with the name Three Amigos?

Sean: If I was to design the itinerary of a perfect 3-day clinic, this is it.  I knew Jim was coming down to visit, and Mary had just been to our place for a clinic, so I thought about bringing us all back to the same location and offering a fun, in-depth look at how we each teach horses. I have three colts all needing a start right at that time (January), and this experience will be a wonderful way to get them going. In addition, we all have a gelding from the same ranch (the Four Sixes) and the same group (chosen for last year’s RTTH), so our horses Smokey, Guthrie, and Jack all know each other well.  There will be three sets of “Three Amigos”!

 

This slideshow requires JavaScript.

 

TSB: What does each clinician bring to the table that is unique and/or different?

Sean: Jim is so well schooled by many top horsemen. He’s quite humble, so you won’t always hear about that part. His ability to handle and teach horses is first-class. His 2014 Road to the Horse world championship is proof of his abilities.

Mary has very different experiences than Jim and me. She has also ridden with top horsemen, but has spent time with a lot of tough horses and built her program around that. She’s a student of the bridle horse, gifted in gentling horses, amazing at teaching tricks, and an excellent cow-horse hand.

Then there’s me—I’m just along for the ride!

[Ed. note: Sean's just being modest...he's the author of the bestselling book THE MODERN HORSEMAN'S COUNTDOWN TO BROKE and the DVD set by the same name. Check them out and see what's so special about this guy!]

 

TSB: Tell us a little bit about how symposium attendees will spend their day, and what you feel they will take away that they can apply to their own evolution as horsemen/women.

Sean: The round pen will be set up for the benefit of the three youngsters. Each trainer will spend one hour with each colt, on each day. Since we have three different horses, and trainers, the development of each style with each colt will be different. This is ideal for seeing how we all approach our plan. In the afternoon, topic-based teaching sessions will begin with the three-year-old geldings. The attendees are able to sit closely on the bleachers, ask questions, chat with trainers as they work, mingle with other industry experts, and spend time by the fire with them in the evenings. There is also a VIP dinner with all the trainers on Saturday night. We are encouraging a lot of crowd interaction and know the pace will move quickly and keep people learning and entertained.

 

TSB: If you could choose three words to describe the Three Amigos Symposium, what three words would you choose?

Sean: Intimate, enlightening, engaging.

 

TSB: Are all of you returning to RTTH in 2015?

Sean: Jim won the 2014 Wild Card event and then the championship title. He was invited to come back in 2015 to defend his title.  So he will be at 2015 Road to the Horse against Chris Cox and this year’s Wild Card winner.

Mary was a 2014 Wild Card contestant and was invited back for 2015.  I was also a 2014 Wild Card contestant, and like Mary, invited back to compete again.

So all three of us are heading back to RTTH in one way or another…it’ll be hopefully Mary or I who compete against Jim in the finals!

 

Don’t miss your chance to walk the beach in your boots and start your New Year with new insight into horses, starting them, and taking them that next step! Tickets for the 2014 Three Amigos Symposium and VIP dinner are on sale now CLICK HERE.

 

Screen Shot 2014-09-30 at 11.02.03 AM

 

Airports near the New Smyrna Beach Pioneer Trail Reserve facility include Orlando (MCO) and Daytona Beach (DAB ). Hotel accommodations have been arranged nearby at the new “Hotel of Choice” Country Inn and Suites (with a special nightly “Three Amigos” rate of $69.00), and there are beachfront options for the family on the Atlantic’s beautiful New Smyrna Beach, as well! It is an easy drive to/from Daytona Beach, Disney World, Sea World, and many other major Florida attractions, so it’s no problem to make this a family “post-holiday” vacation, while you slip away each day to work with and witness the best in the horse industry!

 

A portion of the Three Amigos Symposium proceeds will be proudly donated to the “Hope Reins” Therapeutic Riding Program based in New Smyrna Beach at Marcody Ranch. For more information on the event or assistance with ticket sales, please contact the “Three Amigos” event coordinator at events@seanpatricktraining.com or 321-693-5551. Media passes are available.

 

Sean Patrick’s THE MODERN HORSEMAN’S COUNTDOWN TO BROKE book and the DVD SET are available from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE TO SHOP NOW

 

 

Follow

Get every new post delivered to your Inbox.

Join 4,466 other followers