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Posts Tagged ‘horseback riding’

TheHowComeTrick-horseandriderbooks

I don’t know about you, but we can always use a trick or two to get our horse lives (and the rest of our lives) in order. That means get our wheels on straight and our head in the game (and the dishes done, maybe, too, to boot). Lucky for us, we have equestrian sport psychology expert Coach Daniel Stewart on call (a perk in horse book publishing) to provide all kinds of rev-your-engines-type advice. Here’s one we love from his new book FIT & FOCUSED IN 52:

You have good intentions in life, but sometimes life has a crazy way of getting in the way of your good intentions. When things like school, work, family, and a ridiculously short 24-hour day come in between you and your good intentions, it’s time for the “how come” trick.
 
If you’re like most riders, you have a few meaningful tasks you’ve been meaning to do for a while but haven’t yet gotten around to. They can be anything from cleaning your barn or house (really, when was the last time you saw the floor?) to speaking to your trainer about something that’s been worrying you. When you find the task, simply ask yourself, “How come I haven’t done it yet?” Be honest with your answer because it’ll help create the plan to finally achieve it. For example, “How come I haven’t learned to jump yet?” leads to the answer, “Because I don’t have a jump trainer, jump tack, or a jumper.” Armed with this information you can start looking for a trainer in your area with school horses and tack. Yay—the answer to your question is the answer to your problem!
 
FYI
The following “how come” questions don’t qualify for this technique:
 
– How come the word abbreviation is so long?
 
– How come the word phonetic isn’t spelled the way it sounds?
 
– How come the time of day with the slowest traffic is called rush hour?
 
– How come shipments go in cars and cargo goes in ships?
 
– How come the third hand on a watch is called the second hand?
 
Riding Focus Homework
This coming week, think of something related to your riding you’ve been putting off, and ask yourself how come you haven’t done it yet. Think about it for a while and write down your honest answers.

Then, get out of that chair and go do it!

Fit & Focused in 52_2FIT & FOCUSED IN 52 is available now from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information or to order.

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont. 

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OurHorsesOurselves-horseandriderbooks

Photo by Pam White

 

TSB is excited to announce a wonderful upcoming event at the Time Out Foundation—a 35-acre farm in beautiful northwest Connecticut that provides children and teens with the time, space, and experiences they need to create positive change in their lives. On May 20, 2018, from 3-5:00 pm, TSB author Paula Josa-Jones will present a playful, collaborative equine event based on her book OUR HORSES, OURSELVES entitled “3 Horse Tales for the 21st Century.” CLICK HERE to hear Josa-Jones talk about the event and what she hopes it will help achieve in a short interview with Marshall Miles on Robin Hood Radio.

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CLICK TO VISIT ROBIN HOOD RADIO

 

A short time ago, we found some time to chat with Josa-Jones about her book and her work as a choreographer and a dancer. It was wonderful to learn a little more about her hopes for the horse world, as well as her creative process. Here’s what she had to say about OUR HORSES, OURSELVES and the differences between working with human dancers and finding ways to “dance” with horses.

 

TSB: Your book OUR HORSES, OURSELVES: DISCOVERING THE COMMON BODY was published in the fall of 2017. Your perspective as a dancer and choreographer offers a different “way in” to that place of connection with the horse everyone strives for. For those who are unfamiliar with your work, how would you explain the relationship between your life as a dancer and your life as a horsewoman?

PJJ: Movement! Between 60 and 80 percent of our communication is nonverbal, spoken in the bodily languages of movement and touch—including conscious and unconscious movements, gestures, postures, and facial expressions.  The whole encyclopedia of our movement is in fact an intricate web of communication. Horses are in fact masters of the this movement language. They are speaking in it all the time. Every movement is expressive and carries meaning.  Much of their communication has such subtlety that even very experienced horsewomen and men find it difficult to parse. 

My own story is that I rode as a young girl, and then horses left my life and dance became primary.  And then I found myself needing to be around horses and ride again as an adult. Almost immediately I wanted to get out of the saddle and explore moving with them on the ground. I wanted to speak with them in the shared language of movement and see what would happen. As an improviser, I was curious about just being still, listening with my body, and letting movement arise from simply being in their presence rather than from “performing” planned or patterned movements.

I am still doing that.  I would say that I try to dance every aspect of my relationship with my horses, and with the work that I do with students and clients.

 

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Photo by Jeffrey Anderson

TSB: OUR HORSES, OURSELVES provides dozens of gentle exercises and meditations. How can these simple activities, many of them out of the saddle and away from the horse, improve riding, training, and competitive performance?

PJJ: The idea of many of these exercises is to support riders and horse people in having a more holistic, sense of themselves and their bodies, and understanding that this embodied awareness is an essential foundation for all dimensions of horsemanship. Embodiment means experiencing our bodies in a continuous, feeling, conscious way, what I call “body presence,” meaning a moment-to-moment awareness of the flow of thoughts, feelings, sensations, and energies through our bodily selves. 

So instead of fixing the horse—the neck, the jaw, poll, or inside hind—or making small or big adjustments to the position of our legs, or hands, or seat, we start to feel the whole of ourselves in connection with the whole of the horse. This moves our focus from outside (seeing ourselves as an external viewer) to inside (feeling ourselves from within). 

Mindfulness about our bodies and our movement takes practice! We have to notice the details of our movement and bodily sensations in an ongoing way: how you pick up your cup, hold your steering wheel, sit at the computer, get up, shake someone’s hand, pick up your grooming brushes, move around your horse or your house.

Also, the exercises in my book are intended to move us toward a more “awake” expressive, exploratory, curious, and playful experience of our moving selves in relationship to the horse. So much of our movement is functional—about going somewhere and doing something—and we forget to “dance” our lives, or may not even consider that as possible. I want to challenge the unconscious, the habitual, and look for ways to “wake up” and experience each breath, each ride, as unique—as an opportunity to become more awake and engaged.

 

TSB: What is one lesson you hope readers will take away from your book?

PJJ: That we are not separate. The subtitle of my book is “Discovering the Common Body.” I want to emphasize that your body is not separate from my body or from the body of the horse, the praying mantis, the hummingbird, the manatee or the earth itself.
In his book The Songs of Trees, author David George Haskell, says, “Life is embodied network.”  What that means to me is that all living beings are an interconnected, interspecies, bio-similar, cross-pollinating network in a constant flux of adjustment, response, and transformation. Often, however, we are not feeling that ongoing connectedness; we are not orienting toward the pleasurable dimensions of that relationship with others or ourselves.
 
I believe that the horses can help us with that. There is something so precious and profound about entering the mystery and the silence of connection with them that has little or nothing to do with technique or conventional horsemanship, and everything to do with the deep alignment of relationship.

 

TSB: You have choreographed performances for humans and those for horses with humans. What has been most rewarding in your work with dancers on the stage? With those in the arena and on horseback?

PJJ: Each dance has its own intention and necessity at the time that it is created.  That means that the ideas and the movement materials that were a part of that particular dance took on the quality of an obsession, with a specific, intense urgency. For example, I worked over a period of two years on Ghostdance—with my company and in collaboration with a community of dancers in Mexico, and the composer Pauline Oliveros. That happened to include the year that my father was dying, and so that gave the dance a particular edge, and deepened the work in some unexpected and important ways.

I love each dance that I have made. I would have to say that I love the work into being, into form, and that each one leaves its traces—changes me deeply—and makes way for the next work, and the next. The important thing is to let oneself be drawn to the work, like a surfer waiting for that next perfect, inevitable wave.

With the horse dances, RIDE, the first dance that I created with horses, has a special resonance. I think that is because it grew from a community of riders and horse people (I was living on Martha’s Vineyard at the time) and had a velocity and potency that took us all by surprise. Like that wave, again, we all felt we were being carried. I was also a complete beginner in my adult horsemanship and in making dances with horses, and had all the blessings of beginner’s mind, meaning a strong, eager determination but few preconceptions.

 

OurHorsesOurselves3-horseandriderbooks

Photo by Pam White

 

TSB: If you were trapped on a desert island with a horse and a book, what breed of horse would it be and which book would you choose?

PJJ: Probably a Friesian, like my strong, steady, beautiful Sanne.  On the other hand, perhaps an Andalusian, like my feisty, enthusiastic, gorgeous stallion Capprichio. Both?
I will need two books: the complete poems of Mary Oliver and any mystery by Ruth Rendell.

 

TSB: If you could do one thing on horseback that you haven’t yet done, what would it be?

PJJ: Riding an Icelandic pony in Iceland! I have always wanted to know what tolting feels like.

 

TSB: What is the quality you most like in a friend?

PJJ: Enthusiasm and kindness.

 

TSB: What is the quality you most like in a horse?

PJJ: Curiosity. 

 

TSB: What is your greatest fear?

PJJ: Something happening to someone (animals included) that I love. 

 

TSB: What is your greatest extravagance?

PJJ: The horses, always the horses!

 

TSB: If you could change one thing about yourself, what would it be?

PJJ: I am VERY sensitive, like an anemone.  That is a blessing and a curse—a double-edged sword.  I love that my sensitivity allows me to feel everything so deeply, and wish that I were not quite so vulnerable to the cruelties. On the other hand, my outrage fuels my activism.

 

TSB: What’s in your refrigerator at all times? 

PJJ: Avocados, goat milk, and something green.

 

TSB: What is your idea of perfect happiness?

PJJ: I have more than one! Riding out with my horse on a spring morning or a fall afternoon, tasting the air together, feeling each other. Reading a book while listening to the Caribbean ocean. Swimming in the Caribbean ocean. Standing with Sanne’s nose pressed into my shoulder. Sitting on the porch with a cup of tea and my beloved Pam White. 

 

TSB: If you could have a conversation with one famous person, alive or dead, who would it be?

PJJ: Please don’t make me pick ONE!!! Eleanor Roosevelt. Rachel Carson. Harriet Tubman.

 

TSB: What is your motto?

PJJ: I believe in deepening creativity and awareness playfully, through the body, and finding ways to expand understanding and feeling with all sixty trillion cells, not just the ones perched on our necks. That means having a 24/7, wide-awake, multi-sensory, empathetic bodily experience of the world and ourselves.

 

Our Horses OurselvesPaula Josa-Jones’ book OUR HORSES, OURSELVES is available now from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information or to order.

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont. 

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DontLookDown-horseandriderbooks

We’ve all heard it over the years: “Don’t look down!” And maybe, “You look at the ground and that’s where you’ll end up!”

The real reason we shouldn’t look down while we’re riding doesn’t have as much to do with running into things or falling off as it does with the horse’s ability to perform.

You see, our eyes are heavy!

“Many of us have a habit of looking down while we are riding,” explains founder of the International Horse Agility Club Vanessa Bee in her book OVER, UNDER, THROUGH: OBSTACLE TRAINING FOR HORSES. “We look at the ears of our horse, or the ground, or we lean over to see if we are getting it right when learning to move the individual feet of the horse. But our eyes are heavy! Try the following experiment and you’ll begin to appreciate how difficult we  make it for our horses to move when we look down.”

1 Stand on a flat surface and balance your weight evenly through each foot.

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2 Look down at your right foot.

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3 Now lift your right foot off the ground. How easy does it feel?

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4 Now stand up again and balance your weight evenly through both feet.

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5 Look up to the right.

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6 Now lift your foot. Much easier, isn’t it?

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“If you were riding your horse and asking him to lift his right front foot off the ground, imagine how difficult it must be if you suddenly lean over and peer down to see if it is working,” Bee emphasizes. “So look up and feel that foot lifting. It’ll be so much easier for both of you.”

Over Under Through Cover FINAL-horseandriderbooksOVER, UNDER, THROUGH: OBSTACLE TRAINING FOR HORSES is available from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information or to order.

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont. 

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IngridKlimke-horseandriderbooks

German Olympian Ingrid Klimke is an incredible horsewoman and author, and we’ve long admired her ability to balance her equestrian career with her family, as well as her commitment to educate others, just as her esteemed father Reiner Klimke always did. TSB caught up with Ingrid last month and had a chance to ask her a few questions about her new book and the year ahead.

TSB: You recently wrote TRAINING HORSES THE INGRID KLIMKE WAY, which shares many details about your training philosophy and the horses in your stable. In it, readers can really see how much each individual horse means to you. What is one lesson one of your horses has taught you that you feel has changed you, your riding, or how you work with horses?

IK: Abraxxas (“Braxxi”) taught me one really important lesson in my life: Horses, just like human beings, have strengths and weaknesses, and you have to accept that! Braxxi was always mostly great in the dressage and cross-country…but then the show jumping was not always easy. I eventually found there was no other way forward than to accept this and live with it and find other ways to make him strong. His gift to me was only one rail down in his last run at the CCI**** Burghley 2013!

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Ingrid on Braxxi with just a neck ring. Photo by Horst Streitferdt

TSB: It’s a WEG year—what are your hopes for the competition in Tryon, personally and for the German team?

IK: For sure, GOLD for the team and for Bobby (Hale Bob)!

TSB: Anyone who has tried to balance a riding life and a family will look at you with great admiration, as you compete at the very top of the international scene while still managing to be “Mom.” How do you balance your riding and training career with your family? Do you have any tips for the rest of us?

IK: Good organization is the key. With the perfect team and supporters you have the chance to make everything possible. I must give many thanks to my mum Ruth, as she is always there for me. And my barn manager Carmen, as she knows all the horses—and me—better than anybody else! #teamworkmakesthedreamwork

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Ingrid with her family: Andreas, Greta, and Philippa. Photo by Horst Streitferdt.

TSB: If you were trapped on a desert island with a horse and a book, what breed of horse would it be and which book would you choose?

IK: I would choose a blood horse, and I would take the book Ahlerich, which was written by my father.

TSB: What’s in your refrigerator at all times?

IK: Cheese and fruit.

TSB: What is your idea of perfect happiness?

IK: Perfect happiness for me is to gallop on the beach on a fast horse 🙂

TSB: Tell us about the first time you remember sitting on a horse.

IK: When I was two years old my mum put me on the back of a horse in the stable…

TSB: Tell us about the first time you remember falling off a horse.

IK: …that same time with my mum…I fell off on the concrete!

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With daughter Philippa. Photo by Horst Streitferdt.

TSB: What is the quality you most like in a friend?

IK: I like a sense of humor. A good friend also needs to be tolerant so that we can be like we are and stay like we are.

TSB: What is the quality you most like in a horse?

IK: I like ambitious horses with personality 🙂 It’s great when they have a winning spirit. Its also very nice when they are good jumpers.

TSB: If you could do one thing on horseback that you haven’t yet done, what would it be?

IK: I would love to ride across the Rocky Mountains.

TSB: What is your idea of the perfect meal?

IK: Salad and pasta.

TSB: What is your idea of the perfect vacation?

IK: In my perfect holiday I would love to be out in nature with wild animals, on horseback, along with great people. My partner pferdesafari fulfills this dream perfectly!

pferdesafari

Click image above to visit pferdesafari.

TSB: If you could have a conversation with one famous person, alive or dead, who would it be?

IK: Nelson Mandele.

TSB: What is your motto?

IK: Love what you do and do what you love.

 

Train Horse Ingrid Klimke

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Ingrid’s new book TRAINING HORSES THE INGRID KLIMKE WAY is available from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information or to order.

 

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont.

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LovevLimits-horseandriderbooks

I think it is Buck Brannaman who has often likened working with horses to parenthood. And, as a horse person and a mom, I concur it is strikingly similar. Loving someone and yet setting limits and saying “No” can be an exhausting act of balance. You don’t want to err too soft or too hard…and even when you think you might have it right, you cringe when you see that look of hurt in your child’s eyes after he’s been remonstrated; you feel badly when your horse sulks a bit after you push his nose away from your pocket.

Faced with this challenge, many of us wonder how the “magicians” of the horse world do it–how those who so obviously have close connections with their horses manage to find that balance between love and limits.

In GALLOP TO FREEDOM, the book he wrote with his wife, Magali Delgado, renowned horseman Frédéric Pignon explores this topic at length. And seeing as his spellbinding liberty acts were what made the original rendition of Cavalia an international phenomenon (he and Magali toured with their horses as part of the original lineup from 2003 to 2009), you have to think that maybe he’s got something in the mix about right:

I allow absolutely no biting or jostling: this is a rule that I start establishing with a young horse from the first day I work with him. In fact, with one that I do not know, I impose a strict limit as to how close he approaches me. No two horses are the same but as a guide I would suggest a distance of a forearm. Confidence breeds respect and vice versa. In liberty training, if there is mutual confidence between us, I can allow myself to tap the horse on his legs with my whip without causing him to run away—but only if my action is a justified reaction to something wrong or disobedient that he has done.

A common mistake is to do too much “snuggling up” to a horse from the beginning. You should keep the distance appropriate to the stage of your relationship. I don’t immediately let a horse invade my space. Quite apart from the danger of being bitten, it puts you on the wrong footing. Once there is total confidence and respect in both directions it becomes another matter.

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It is not easy to define rule making. It may seem from what I have said that there are few rules and that the horse is encouraged to take the initiative. However, it is the case that rules are not only essential but that the horse functions the better for accepting certain guidelines. Here is the crux of the situation: you must not impose unreasonable rules that the horse feels he cannot accept with a willing spirit.

Man has deprived the horse of his natural state; the horse has been dragged into the world of humans and therefore it is the foundation stone of our relationship that we earn his respect before anything else. He has lost his freedom but we can give him protection, security, and respect. In return, he will give us respect and affection and recognize the behavioral limits that we set together.

In order to become important to a horse, we cannot remain neutral. I have to impose laws and make it absolutely clear what is not allowed. At the same time, I know that horses often crave reassurance even more than liberty so I must provide this. I have to encourage this craving and convince them that I am the person to satisfy the need.

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It has always amazed me how quickly a good chiropractor or osteopath convinces a horse that he is important to him. The horse understands in no time at all that the osteopath will relieve him of his aches and pains and therefore accepts him as a friend. This is why I think it is so important to spend time reassuring a horse and helping him relax rather than treating him with rewards. I often spend a quarter of an hour in the company of a horse, either in his stall or in the field, without asking anything of him. I just rub him gently and caress him and try to show him that there is all the time in the world; I am not going to rush him and I’m not going to make unreasonable demands.

If one of my liberty horses gives another a nip. I give him a tap with my whip. He knows he shouldn’t bite another horse and as long as I tap him with the right amount of strength, he will accept it; he will even put his head on my shoulder as if to say “I know, I know.” But if he only “looks” as though he is going to bite another horse and I give him a sharp tap instead of a warning word, that is not fair and he knows it. He runs away and this time I have to make it up to him by going to him. Even after an hour’s work I may still see in his eye that he is hurt and depressed.

The secret is to deploy the right amount of warning signals when I see a horse has something naughty in mind. “Don’t even think about it,” is a common enough warning between people and I have to find the equivalent for the horse, but it has to be one that he associates with his intention. He then says in effect, “Fair game.”

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For more on Pignon and Delgado’s ideas about establishing a balance between love and limits, check out their bestselling books GALLOP TO FREEDOM and BUILDING A LIFE TOGETHER: YOU AND YOUR HORSE.

CLICK HERE for more information.

And, don’t miss your chance to train with them in person! They are doing a limited number of clinics in the US in March, or you can join them at their farm in Provence in May for a special retreat experience. For more information CLICK HERE.

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont.

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Brain-Training-Tip-21-horseandriderbooks

“We humans like to view ourselves as rational creatures who make reasoned, logical decisions and choices,” says Andrea Waldo in her bestselling book BRAIN TRAINING FOR RIDERS. A former psychotherapist who now focuses on her training business and riding students, Waldo tells it how it is when it comes to managing our brain and stress.

“Ideally, we want our choices to support our long-term goals,” she explains. “But as much as we know that an apple is better than a cookie and that paying the electric bill is more important than the tack shop’s clearance sale, our Lizard Brain couldn’t care less about ‘long-term health’ or ‘financial stability.’ It thinks only about the immediate moment, and it cares about only one thing in this moment: survival.

“Winning the evolution game is about surviving long enough to reproduce and pass on your DNA to the next generation. Up until very recently, humans lived in an environment with lethal threats all around: saber-toothed tigers, poisonous snakes, enemy tribes. Our ancestors that survived long enough to reproduce didn’t survive because they avoided fast food and gluten and balanced their checkbooks every week; they survived because their brains developed a mechanism to get them out of danger as fast as possible. This mechanism is known as the Fight-or-Flight Response (FOFR). Here’s how it works: Imagine you’re grooming your horse and you’re leaning over to brush mud off his belly. Suddenly he kicks up at a fly and you jump out of the way just in time to avoid being kicked yourself. You realize he came dangerously close to nailing you right in the head! Now imagine how you feel: your stomach is quivering, your heart is pounding, your hands are shaking a little, and every muscle is tense. You’ve just been protected by your FOFR.

“When your brain perceives a threat in the environment, the amygdala signals the brain to engage the FOFR. A surge of stress hormones, primarily adrenaline and cortisol, are released into your bloodstream and trigger a rapid series of physiological changes. Your heart beats faster to get more blood to the major muscle groups in your arms and legs, which tense up to prepare to fight or run. You breathe faster to get more oxygen into your bloodstream. You start to perspire. Blood is channeled away from your extremities and momentarily unnecessary organs such as your stomach. This is why you may get cold hands and butterflies in your stomach when you’re nervous, and why you have such a hard time relaxing your muscles enough to deepen your seat and stay tall in the saddle. An important point to note here is that the FOFR can activate when it perceives any threat. It responds whether that threat is physical, such as a kick from a horse, or psychological, such as the worry that you’ll forget your reining pattern. It also gets activated whether the perceived threat is real or imagined. This is why you can feel jittery just picturing your horse bucking you off.

60465_lizard-face“The Lizard Brain can’t tell the difference between something you imagine vividly and something that’s actually happening. On the positive side, you can feel great when you imagine something wonderful; on the down side, you can panic your Lizard Brain by picturing something terrible happening. You can also make your Lizard Brain angry (the fight in Fight or Flight) by imagining a conflict. (Ever re-live an argument with your significant other in your mind and find yourself angry all over again? Hello, Lizard Brain!) One more interesting thing happens during the FOFR. The prefrontal cortex— the Rational Brain that thinks things through logically—shuts down. It’s never even consulted in the Fight-or-Flight process. It’s as if you were flying over southern California at night, and all of a sudden, Los Angeles went totally dark. The FOFR flips a switch, and off goes your Rational Brain. At first glance, this may seem like an evolutionary design flaw. Why on earth would you want your logical thinking capacity disconnected? However, it makes sense when you look at it from a survival perspective: Imagine you’re a caveman a hundred thousand years ago. One morning, you stroll out of your cave and spy a saber-toothed tiger stalking in the bushes. Your Rational prefrontal cortex might say something like this: ‘Oh, hey, a tiger. Or is it a lion? Nope, it has saber teeth, definitely a tiger. What should I do? I could hit it with my club—no, that’s in the cave. I could climb that tree or hide behind that rock, but it might find me. I guess I’d better run—’ CHOMP! By now, the tiger has finished his delightful lunch of cave-human. In life-or-death situations, reasoning and logic simply take too much time. Instead, the amygdala hollers, ‘TIGER! RUN!’ and you live to see another day.

Brain Train for Riders Final

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“This, dear rider, is why you can’t think straight when you’re extremely nervous: your amygdala has hijacked your Rational Brain. You’re not stupid or inept; you’ve just allowed your Lizard Brain to run the show. It thinks you’re being attacked by a tiger, so it tries to get you to safety.”

You can find out how to tame your Lizard Brain in Waldo’s BRAIN TRAINING FOR RIDERS, available from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information.

 

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont. 

 

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Believe it or not, in the TSB offices, shuttered from the frigid air that currently has central Vermonters cornered by a deep freeze, we’re already working on the horse books and DVDs we’ll be releasing Fall of 2018. In an industry where the production calendar races to meet an aggressive series of deadlines and it is necessary to plan new titles well in advance, you often wonder where the time goes… (what DID we do over the last year???) It helps to take a moment before the ball drops (on New Year’s Eve, that is) to revisit the projects of the past twelve months and remind ourselves of the books and DVDs we were proud to publish in 2017.

 

 

EQUUS LOST

A provocative treatise that dares to ask if much of what we think we know about horses is indeed wrong.

50 BEST ARENA PATTERNS AND EXERCISES

A terrific collection of upbeat ideas for essential schooling, adding variety and challenge to everyday workouts.

COLLECTION OR CONTORTION?

Dr. Gerd Heuschmann’s follow-up to his international bestseller Tug of War: A critical examination of flexion and bend on horseback.

THELWELL’S PONY CAVALCADE

An Anniversary Special Collection, featuring three classic books from cartoonist Norman Thelwell.

IS YOUR HORSE 100%? (BOOK)

An introduction to Conformation Balancing (fascia work for horses).

TRAINING HORSES THE INGRID KLIMKE WAY

Olympian Ingrid Klimke’s personal system of bringing a horse along through the stages of progressive development.

THE NEW ANATOMY OF RIDER CONNECTION

Biomechanics pioneer Mary Wanless explores the characteristics of the body’s fascia and  how it not only improves a rider’s balance and coordination, but also enhances “feel,”

THE DRESSAGE SEAT

Classical dressage authority Anja Beran breaks down the physical requirements of the rider’s seat on the horse, as well as its responsibilities during various movements.

SUFFERING IN SILENCE (NEW EDITION)

A revised new edition of Certified Master Saddler and Saddle Ergonomist Jochen Schleese’s book explaining how much better we could ride and how much better our horses could perform if our saddles fit optimally.

THE BIG BOOK OF MINIATURE HORSES

Experienced Miniature Horse breeder Kendra Gale of Circle J Miniature Horses provides the most complete Miniature Horse resource available.

THE ESSENTIAL HOOF BOOK

The first resource of its kind to combine the most current and useful information available, gleaned from the research and wisdom of top hoof experts around the world, with a unique “hands-on” approach.

OUR HORSES, OURSELVES

Dancer and choreographer Paula Josa-Jones offers new insight as to how to achieve a soft, fluid connection with our equine partners.

FERGUS AND THE GREENER GRASS

The opinionated cartoon horse and bona fide social media star is back in an all new comic adventure.

SPORT HORSE SOUNDNESS AND PERFORMANCE

Relying on her veterinary background, in-depth research, and dozens of interviews with top riders and trainers from around the world, Dr. Cecilia Lönnell provides guidelines for nurturing a happy, healthy equine athlete.

HORSES CAME FIRST, SECOND, AND LAST

In his autobiography, renowned equestrian coach Jack Le Goff tells the whole story, from impoverished beginnings in Morocco, to the tragic death of his father, to his successes as a competitive equestrian.

IS YOUR HORSE 100%? (DVD)

The DVD companion to the book by the same name, introducing Conformation Balancing (fascia work for horses).

FIT & FOCUSED IN 52

Coach Daniel Stewart combines his popular rider mental conditioning techniques with ideas for physical conditioning, giving readers quick-hit recommendations for one exercise for the mind, and one for the body, for every week of the year.

CREATIVE DRESSAGE SCHOOLING (NEW EDITION)

Offering a wide variety of ideas to spice up training routines, this paperback edition of the bestselling handbook provides fresh exercises for practicing classical-riding basics.

NEWYEAR17

 

Our very best wishes for a safe, peaceful, and very happy New Year.

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small company based on a farm in rural Vermont.

Here’s what we published in:

2016

2015

2014

2013

2012

2011

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