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Posts Tagged ‘The Girl on the Dancing Horse’

NEDASymposium-horseandriderbooks

A full house at the 2018 NEDA Fall Symposium featuring Charlotte Dujardin.

TSB was, along with hundreds of others, lucky enough to attend the New England Dressage Association Fall Symposium, hosted by Mount Holyoke Equestrian Center in South Hadley, Massachusetts. Despite beginning in the rain and ending in the cold, it was a beautifully organized event. Hats off to those who planned and ran the operations, decorated the facility with fabulous flair, and ensured everyone there a positive and immensely educational experience.

We were thrilled to be able to bring Charlotte’s autobiography THE GIRL ON THE DANCING HORSE to North America early in 2018, following its major release in her home country across the pond. Charlotte graciously signed hundreds of books for appreciative fans over the weekend in South Hadley, and the thrilled recipients of photos and autographs spilled out of the indoor at the end of each day.

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Charlotte Dujardin with TSB Managing Editor Rebecca Didier.

Of most value, though, was Charlotte’s insight when it came to riding and training, and all in the audience—whatever our age, ability, or riding level—had something to gain from watching the lessons each day. We collected 20 of our favorite quotes from the pages of notes we took to share here.

And yes, she really did mention transitions that many times (it was actually many, many more!)

THE GIRL ON THE DANCING HORSE is available from the TSB online bookstore, where shipping in the US is FREE. CLICK HERE for more information.

20QuotesfromCharlotteDujardin-horseandriderbooks

“Does it mean you will ‘make it’ if your horse is big or small or long or short? No, none of that should really matter.”

“Every transition you ride should be a good one, because this is your foundation.”

“Every person is able and capable, whatever horse you ride, of riding good transitions. It is just about being willing to work on it.”

“For young horses, 20 minutes of work is enough. This is hard for one-horse riders because you feel you should do more.”

“Learn to love your right rein as much as you love the left one.”

“We get so ‘precious,’ we are overthinking ‘doing’ dressage, we end up too busy, when all you need to do is get the horse to think forward.”

“How many transitions should you ride in a session? Hundreds.”

“Don’t override. Let your horse make a mistake, then correct it.”

“People say so many things and make dressage so complicated, but it really isn’t. Half-halt and the horse should come back. Touch with the leg and he should GO. It is black and white.”

“It’s not difficult to make good transitions; all it is is discipline.”

“Hot horses need your legs on and easy horses need your legs off, and it is terribly difficult to do.”

“I tend to go for horses that look really basic and normal, but when I get on, I get that feeling…”

“There are four kinds of canter. Why do we get stuck in one kind? We’d rather feel safe.”

“Can I bend it, can I stretch it, can I straighten it, can I collect it? That’s a supple horse.”

“Training never just goes up. It goes up and down continuously.”

“The best stretch you get from the horse is at the end of the session.”

“That’s what we call slap the rider, pat the horse.”

“A good horse has to be able to do two things: sit and push.”

“People are so quick to want to teach the tricks, and then simple things, like cantering the centerline to a square halt can’t be done correctly.”

“The tricks are the easy part. The basics are the things that bite you in the bum all the way out.”

Read more from Charlotte in her book THE GIRL ON THE DANCING HORSE, available HERE.

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont.

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GirlandtheDancingHorse-horseandriderbooks

Charlotte Dujardin and her charismatic horse Valegro burst onto the international sports scene with their record–breaking performance at the 2012 Olympic Games in London. The world was captivated by the young woman with the dazzling smile and her dancing horse. The YouTube clip of their Freestyle performance has since had over 1.7 million views, and Dujardin is considered the dominant dressage rider of her era. When Valegro (affectionately called “Blueberry”) retired from competition at the end of 2016, his farewell performance at the Olympia Grand Hall sold out and the dark bay gelding received a standing ovation.

But what about “before” the stardom? Dujardin’s journey began at the age of two when she first began riding her family’s ponies, and Valegro’s on July 5, 2002, when he was born on Burgh Haamstede, an island in the Netherlands, of dressage horse lineage. Dujardin’s autobiography THE GIRL ON THE DANCING HORSE shares how their two paths would eventually meet, and become one high road to unparalleled success.

Here, in Dujardin’s words, are what she remembers about the first (and second!) time she saw Valegro:

The first time I saw Valegro was at Addington in the summer of 2006. He was being ridden by Carl [Hester], who also owned him, and I can honestly say I was blown away. His canter was huge, absolutely huge, and even though it looked a bit out of control, he looked like he’d be so much fun to ride.

One of the things that immediately jumped out about him was the way he was built: he was a complete and utter powerhouse. Nowadays you see a lot of thoroughbred-type dressage horses with very elegant, long legs, but Valegro was much more of an old-fashioned, stocky stamp – a real-leg-in-each-corner type. He completely filled your eye, but he also had a pretty, dished face like a seahorse’s, and even then he looked like he only wanted to please.

I saw him again, a few months later, at the Nationals, where he won the Shearwater Four-Year-Old Championship. He left the same impression on me as last time – here was a horse that stood out from all the rest. Dez and I were entered for the Elementary class at the Nationals where we finished third, which was a good result because as we were warming up it started to rain. Not just a little bit of rain, but torrential, thundering, lightning, fill-your-boots-up-with-water rain. My boots actually did fill up with water and I could feel it sloshing all round my legs; my saddle was so slippery I couldn’t sit on it, I could hardly hold my reins, and Dez was curling up like a hedgehog because he wanted to get out of it so badly. There wasn’t a single part of me that was dry, the arenas were all underwater and everything and everybody was soaked.

I carried on warming up, trying to make the best of it, but then suddenly the class was suspended: the judges, who were sitting in their cars around the arena, had had their ignitions on so they could use their windscreen wipers, but it had been raining so hard for so long that their batteries had all gone flat.

Girl on Dancing HorseIt was brilliant timing for me. I ran back to the stables, dried Fernandez off and got him a new saddle-cloth, then tried to dry myself. My coat was too wet to put back on, but I managed to borrow someone else’s; I somehow then managed to change my breeches, empty the water out of my boots, pull myself together, get myself back on and still be in the arena by the time the judges were ready to go again. It carried on raining throughout my test and we were sloshing through puddles with water sheeting up around us the whole time – I might as well have been riding on the beach.

 

THE GIRL ON THE DANCING HORSE is available now from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information.

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont. 

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