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TSB author Lynn Palm in a collected jog with an uphill balance.

TSB author Lynn Palm in a collected jog with an uphill balance.

 

The Western Dressage Association® of America (WDAA) lists collection as the sixth step in its Guidelines for Training Progression: Readiness, Balance, Rhythm, Impulsion, Suppleness, Collection, and ultimately, Lightness. There are many different ideas of what “collection” in the horse is—and what it isn’t. The WDAA defines it as follows in its Western Dressage Glossary:

Collection is not to be confused with “headset,” nor with slower or shorter strides. Collected paces have relatively shorter steps and more uphill balance, while the frame is shorter and the neck is stretched and arched upward. The horse should reach calmly to contact with the bit with the nose nearly at, but never behind, the vertical. At collected trot and canter, the support phase of the hind legs is more pronounced than in the other paces of the gait. Collection is achieved by increased weight-bearing of the horse’s haunches, thereby lowering the croup and lightening the forehand to allow the shoulders more freedom. The horse’s stride becomes markedly shorter but gains animation and height.

“Transitions are the first steps taken to teach your horse how to transfer more weight to his hind legs, engage the joints in his hind end, and round his spine, which compacts his body in the way necessary for him to be collected,” writes TSB author Lynn Palm in her terrific Western Dressage primer THE RIDER’S GUIDE TO REAL COLLECTION. “The flexibility of his hind limb joints—hip, stifle, hock, and fetlock—is increased. Transitions also work on the suppleness of his longitudinal muscles; they stretch when the horse goes forward and compress when he slows down, which builds strength and enables him to go forward and slow down with more power.”

As she discusses in YOUR COMPLETE GUIDE TO WESTERN DRESSAGE, Lynn teaches her students that their seat is their primary aid, and rein and leg aids merely support it.

“Think of it this way,” Lynn says. “Your seat is the director. Your leg and rein aids are the supporting cast.”

 

In YOUR COMPLETE GUIDE TO WESTERN DRESSAGE Lynn Palm explains the difference between a "neutral" seat (A) and a seat asking for an upward transition (B).

In YOUR COMPLETE GUIDE TO WESTERN DRESSAGE Lynn Palm explains the difference between a “neutral” seat (A) and a seat asking for an upward transition (B).

 

When you are passively letting your hips follow the horse’s motion, your seat stays in “neutral,” but for an upward transition (walk to jog or jog to lope, for example), you move your seat and hips in a more exaggerated manner, “As though you’re trying to propel a swing higher and higher,” says Lynn, before adding a touch of the leg aid. For a downward transition (jog to walk or lope to jog, for example), you stop your seat and hip movement to restrict your horse’s motion, and then add a whisper of a rein aid.

 

Try this walk-jog-walk transition exercise from THE RIDER’S GUIDE TO REAL COLLECTION to improve your use of your seat while building your horse’s ability to collect, so you can ultimately turn in a better Western Dressage performance:

1  Ask your horse to move in an active, forward, four-beat walk for one full circle.

2 Use your seat to prepare and cue your horse for the upward transition to jog.

3 Jog one full circle. The jog should be an active, square jog, where the hind legs track in line with the front legs, and your horse maintains longitudinal bend on the curved line of travel.

4 Use your seat to prepare and cue your horse for the downward transition to walk.

5 Repeat the exercise in both directions.

During the exercise, Lynn says to think of the horse as a speedboat on the water: When the boat accelerates (the upward transition from walk to jog) the back of the boat goes down because the power is coming from the motor (the horse’s hindquarters) and the front of the boat lifts up (the horse’s forehand lightens). When the boat’s speed is reduced (the downward transition from jog to walk), the motor pushes the back of the boat down and elevates the front so it can slow smoothly and not in a jarring, rough manner. The horse should slow from jog to walk in the same way, with power from behind while elevating his front end.

 

THE RIDER’S GUIDE TO REAL COLLECTION and YOUR COMPLETE GUIDE TO WESTERN DRESSAGE by Lynn Palm are available from the TSB online bookstore, where shipping in the US is FREE.

 

 

LynnP

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QHCongress 2013

TSB author Susan Tinder will present a class based on her bestselling book JUMP COURSE DESIGN MANUAL at the 2013 All American Quarter Horse Congress.

 

This weekend kicks off the 2013 All American Quarter Horse Congress at the Ohio State Fairgrounds in Columbus, Ohio. Congress is the World’s Largest Single-Breed Horse Show, receiving more than 17,000 horse show entries during its three-week schedule and attracting more than 650,000 people to the Columbus area.

Trafalgar Square Books is pleased to announce that Susan Tinder, author of the JUMP COURSE DESIGN MANUAL and owner of the premiere equestrian facility Tolland Falls in Colorado, is giving a class on designing practice courses on Saturday, October 12 at 2:00 p.m. in the Lecture Hall.

Immediately following her presentation, you’ll have a chance to meet Susan, ask her questions, and buy her book, which has garnered rave reviews from esteemed publications such as The Chronicle of the Horse and Practical Horseman and top horsemen such as former US Show Jumping Team Chef d’Equipe George Morris and USEF “R” Judge Geoff Teall. The author meet-and-greet and book signing will take place at the Blue Ribbon Books booth in the Main Exhibit Hall around 3:00 p.m.

This special event at the All American Quarter Horse Congress holds particular meaning for Susan, who grew up in Columbus riding and showing Quarter Horses. We caught up with Susan before she heads to Ohio and asked her about her book, her presentation, and her history with the Quarter Horse breed (not to mention what it is like to have George Morris review your book!)

 

TSB: Your new book JUMP COURSE DESIGN MANUAL has garnered rave reviews from publications such as Practical Horseman and The Chronicle of the Horse, as well as top professionals like Geoff Teall and even George Morris. What inspired you to write the book? Can you tell us a little about how it came to be?

ST: The book came about out of necessity, really. I was paying for a trainer’s time, and we spent most of it moving jumps around and setting up gymnastic exercises before I could begin my lesson. So, I decided to be proactive and set exercises up ahead of time.

Moving jump components around is hard physical work and especially hard when I had to move components multiple times because I was making up the course on the fly! It didn’t take long before I realized that I needed help gathering, moving, and adjusting the fences.  That’s when I knew I had to come up with a better way to communicate how I wanted the course to be set. I started researching course design and found that a book on the topic just didn’t exist, or it existed but it was for designing Grand Prix jumping courses (way out of my league!) Most books on jumping have parts that address course design issues and gymnastics, but I couldn’t find anything comprehensive or appropriate for my level of riding skill.

At first my design education was “trial and error” with professional oversight from my trainer, and I saved all the diagrams that I created in Powerpoint. The book started as a compilation of the course designs and gymnastics that I have set up for myself over the years. I have used most of the courses, and all the gymnastics, from the book in my own program, so I know they can be ridden by just about anybody.

I also found that designing and setting courses by myself was a great learning tool because I had to create the “questions” for the “test” of jumping the course. I was able to practice answering the questions and really work on the ones I was having a problem with through the use of the courses I designed.

I didn’t really start out with the intention of writing a book, but it kept getting longer and longer and I was encouraged by Eliza McGraw to forward the rough manuscript on to you (Trafalgar Square Books) to see if you had an interest in publishing it. And the rest, as they say, is history.

 

TSB: What was it like to hear that George Morris thought your book was “very correct” and that you did “an excellent job”? Have you ever met George or ridden with him?

ST: When you told me that you had sent an advanced copy of the book to George Morris, I felt sick, actually! But then, I figured that George Morris would never read something from a “nobody” like me or, at the very least, he would think it was just awful and not waste his time to say anything about it at all.

I was wrong. As Mr. Morris would say, “You know NOTHING!!”

Yes, I have met Mr. Morris. I have ridden in his clinics. I even fell off in one of his clinics and the photographer published the picture of it in a magazine! I have learned so much from his books, his articles, his videos, and his professional advice. I believe that he has contributed more to our sport than any other individual ever has. He can ride, he can teach, he can demonstrate, he can speak, and he can write. He will leave a great legacy to all of us involved with these wonderful creatures we call horses.

I wrote Mr. Morris a thank you note after he made his gracious comments about my book. I felt it was also an opportunity to tell him how positively he had impacted my riding career and to thank him for all he does for the sport. About a week later, I got a postcard from him, in his own handwriting, saying that “yes, he enjoyed reading my book and he thought that it would be good contribution to a lot of people.” I just stood at the mailbox in disbelief! I was so flattered—his personal note means so much to me—and who in this day and age has the kind of class to actually make the time to hand-write and address a note? I read it to all of my friends and clients at the barn. I plan to frame it and hang it in my office!

 

TSB author Susan Tinder on her Quarter Horse mare, Lady Biddersweet, back in the day!

TSB author Susan Tinder on her Quarter Horse mare, Lady Biddersweet, back in the day!

TSB: You are presenting at the 2013 All American Quarter Horse Congress at the Ohio State Fairgrounds in Columbus, Ohio. Can you tell us a little about your history with Quarter Horses and why this event is important to you, your discipline, and the Quarter Horse breed?

ST: I am originally from Columbus, Ohio, and showed horses throughout the state. I showed during my late teens and early twenties, and in my last year of showing on the circuit I won numerous national All-Around awards and ended the year as Reserve All-Around Amateur for the State of Ohio.

The last show I competed in before “retiring” and selling my mare Lady Biddersweet was at the 1982 All American Quarter Horse Congress. We built the first commercial exhibit booth for the Ohio Amateur Quarter Horse Association in my parent’s garage, and I painted the logo of the foal with the tag line “Young and Growing” for the back wall of the booth. In the booth we displayed all of the old scrapbooks with articles about the association. I also worked in the All American Quarter Horse Congress press box for a couple of years.

In a way, lecturing at the Quarter Horse Congress is sort of coming back full circle for me. Columbus is home and that is where I started riding and got my first taste of what competition was all about.  It is where I learned the basics. But more than that, I see so many things that the Hunter/Jumper industry could learn from our Quarter Horse colleagues, especially how to create incentives for breeding and bringing along and marketing young horses. I also think that the philosophy of Youth Activity classes and judging teams could be a model for equestrian education across all disciplines.

And finally, this lecture is going to be special because I am lecturing on Saturday, October 12th.  This was my dad’s birthday and I know he would have been very proud.  I will also be able to share this with my 92-year-old mother who is planning on being in attendance to hear me speak.

 

TSB: What will you be presenting at Congress and what can people hope to learn from your talk and apply in their own arenas, at home or at their boarding/training facility?

ST: My 45-minute lecture is going to cover the material that TSB made me delete from the book because the manuscript was too long! It will address some of the common questions that I have been asked by people who have read the book and walk though the basics of what to plan for in designing a schooling course. I will then use one course setup to also create gymnastics and practice exercises.

The presentation will demonstrate how you only need about three or four jumps to accomplish your training goals. Following the Congress Presentation, the content of the class will be available on the Tolland Falls’ website at www.tollandfalls.com. In addition, a book signing will immediately follow the presentation at the Blue Ribbon Books booth in the Commercial Exhibit Hall.

 

TSB: If you were trapped on a desert island with a horse and a book, what breed of horse would it be and which book would you choose?

ST: I don’t think the breed of horse would matter.  But I would want one that was calm, friendly, and an easy keeper! If I could choose one of my horses to be with me, I would probably choose my horse Rueben (a Westphalen). Rueben would stand beside me with his chin resting on my shoulder, drooling down my neck (he does this all of the time) and listen to me read A Song of Ice and Fire by George R.R. Martin.

 

A three-year-old Susan on the first "horse" she remembers riding--she remembers him being a lot bigger!

A three-year-old Susan on the first “horse” she remembers riding–she remembers him being a lot bigger!

TSB: Tell us about the first time you remember sitting on a horse.

ST: I think I must have been around three years old and it was an old white farm horse. I was told I cried when I couldn’t take him home.

 

TSB: Tell us about the first time you remember falling off a horse.

ST: I gotta tell you, I have fallen off so many times that a better question would be if I remember the last time I fell off a horse?!!?

 

TSB: What is the quality you most like in a friend?

ST: Acceptance and honesty.

 

TSB: What is the quality you most like in a horse?

ST: Acceptance, forgiveness, and honesty.

 

TSB: If you could do one thing on horseback that you haven’t yet done, what would it be?

ST: I think any day you can do something from the back of a horse, it’s a good day. I just hope I get to have many more of those days.

 

TSB: If you could have a conversation with one famous person, alive or dead, who would it be?

ST: Bertalan deNemethy.

 

TSB: What is your motto?

ST: Aim for the moon, because even if you miss, you will still land in the stars.

 

What They’re Saying About JUMP COURSE DESIGN MANUAL:

 

“I’ve spent time with JUMP COURSE DESIGN MANUAL and find it very correct. Author Susan Tinder did an excellent job putting together a useful collection of courses.” — George Morris, former Chef d’Equipe US Show Jumping Team

 

“Susan Tinder has put together a very thoughtful and thorough manual to help anyone in all aspects of course design. I find the sections designed to help people with their gymnastics and course design for training at home especially helpful — we all find ourselves getting a bit stale with our work at home, and this manual will help us come up with fresh ideas. I love that Ms. Tinder covers all aspects of course design, jump construction, and even storage and maintenance of jumps. I look forward to studying her book in more detail, and putting some of her ideas to use in my own training program.” –Geoff Teall, Trainer, Author, and USEF “R” Hunter and Hunter Equitation Licensed Judge

 

“An incredibly useful book…perfect for taking to the ring…perfect for anyone who does a lot of riding on her own or for the instructor who’s looking for some new ideas to spice up lessons.”  –The Chronicle of the Horse

 

“It would be wise to pick up a copy of JUMP COURSE DESIGN MANUAL before you hurt your back moving standards for the umpteenth time.” –Practical Horseman

 

Click image to order!

Click image to order!

JUMP COURSE DESIGN MANUAL is available from the TSB online bookstore.

CLICK HERE TO DOWNLOAD A FREE EXCERPT OR TO ORDER

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We were all sorts of excited when we first heard that Cindy Meehl, Director of the award-winning documentary BUCK and the instructional DVD series 7 CLINICS WITH BUCK BRANNAMAN, was directing Nashville singer and songwriter Templeton Thompson’s new music video! And now the video for “When I Get That Pony Rode,” which is featured on the 7 CLINICS DVD series and Tempy’s SONGS FROM 7 CLINICS CD, is premiering on CMT.com (CLICK HERE TO WATCH IT NOW!)

Here’s what Tempy had to say about making the video for “When I Get That Pony Rode”:

Singer/songwriter Templeton Thompson during the filming of her new music video.

Singer/songwriter Templeton Thompson during the filming of her new music video.

‘When I Get That Pony Rode’ is one of the songs we re-recorded exclusively for the 7 CLINICS WITH BUCK BRANNAMAN project. It was inspired by Buck’s book, The Faraway Horses. At a point in the book, Buck talks about ‘the consequences of a fast turn,’ and we actually tried writing a song with that title, but it just wasn’t working. And then, magically, like they often tend to do, the title ‘When I Get That Pony Rode’ appeared…the song is for everyone out there working their tails off doing what they LOVE and what they’re passionate about and knowing, really knowing, that they really are going to have somethin’ to show when they ‘get that pony rode.’ The song is a metaphor for that journey and everything that goes with it—the joy and the pain of it all, what ya gotta go through to ‘get there.’

“Making the video with Cindy and her team was AMAZING!! I still can’t believe the opportunity and gift that Cindy has given us…it was an absolute honor to work with the crème de la crème of the music video world.  And, I am such a PROUD mama cowgirl of my big, beautiful Jane and Beau [Tempy’s two Quarter Horses, who appear in the video]. They shined like the diamonds they are on the screen.

“Getting to make the video for ‘When I Get That Pony Rode’ was a dream come true for me.”

CLICK TO ORDER

CLICK TO ORDER

Tempy’s wonderful collection of songs inspired by and written for the 7 CLINICS DVD SERIES are available on the CD SONGS FROM 7 CLINICS, which is available from the TSB online bookstore.

CLICK HERE TO ORDER NOW

And if you haven’t checked out the 7 CLINICS WITH BUCK BRANNAMAN DVD series, be sure to visit the TSB online bookstore to view trailers and order your copy!

Thanks to Jen Stamps for the fabulous photos from the video shoot!

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World famous trainer Lynn Palm on What About Lark

Sand flying. The sound of approaching surf almost drowning the muffled staccato of hooves-on-beach. Bareback and bridleless, your hands buried in your horse’s mane, sun on your skin and wind in your hair–who HASN’T indulged in this riding fantasy?

Although your geographic location may indeed identify surf and beach as purely fantastic, a bridleless romp on horseback that is all about fun and freedom and not at all about hold-on-and-pray-for-your-dear-life is completely within the realm of reality. It all comes down to a little from you (that is, your body control and balance) and a whole lot from that thousand-plus-pound horse of yours (his body control and balance).

World famous horse trainer Lynn Palm (winner of 34 World and Reserve World Championships, and four “Superhorse” titles, among others) maintains that “collection” is the key to getting your horse to be light, balanced, and willing, and ready to take on any riding challenge with you on board. This isn’t just about a headset–this is about changing your horse’s way of going incrementally, and through TOTALLY doable exercises.

Too many of us engage in the push-pull, “kick the horse into the bridle” while sawing his nose down, mistakenly thinking that the result is at all desirable or ideal for the horse. This usually isn’t our fault, as until now collection has been misinterpreted, poorly defined, and badly taught at all levels and in all disciplines. Lynn is striving to change all that through her clinics (catch her at Equine Affaire in Ohio, April 7-10, 2011) and her latest book THE RIDER’S GUIDE TO REAL COLLECTION…on sale this month at the TSB bookstore (along with other great horse training titles–check ’em out HERE).

Lynn performed bridleless at the 2010 World Equestrian Games in Lexington, Kentucky, on her gorgeous stallion Rugged Painted Lark:

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