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Posts Tagged ‘horsemanship’

There’s nothing quite like the amazing array of George-Morris-memes that float around the internet. They are funny and harsh and thoughtful and on point…some of them are probably even true. Here are a few you may not have seen yet that George Morris actually DID say—ponder them, perhaps allow them to help improve your horsemanship. You never know…one day, he might be watching!

Number 21:

ClassGHM

 

Number 20:

AUTO

 

Number 19:

GEORGECLINIC2

 

Number 18:

GHM-HELP

 

Number 17:

precision

 

Number 16:

SITTINGPRETTY

 

Number 15:

GHM-aids

 

Number 14:

GHM-MonMot

 

Number 13: 

GHM-win

 

Number 12: 

ghmdisciplines-insta

 

Number 11:

GHMFEEL

 

Number 10:

Night Owl in Aachen - 1960

 

Number 9:

GHMinspire

 

Number 8:

GHMKICKINPANTS

 

Number 7: 

GHMYOUNGPEOPLE

Number 6:

GHMolympics

 

Number 5: 

STANDARD

 

Number 4: 

hands

 

Number 3: 

Notnatural

 

Number 2:

keepreviewing copy

 

Number 1:

LOFTYDREAM

 

UNRELENTING FINALGeorge Morris has been willing to do whatever it takes to give aspiring riders the right stuff to reach the top, and he has done it for over half a century. Those interested in the real story of his life can get the behind-the-scenes account in his autobiography UNRELENTING, available from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information or to order.

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont.

 

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DontLookDown-horseandriderbooks

We’ve all heard it over the years: “Don’t look down!” And maybe, “You look at the ground and that’s where you’ll end up!”

The real reason we shouldn’t look down while we’re riding doesn’t have as much to do with running into things or falling off as it does with the horse’s ability to perform.

You see, our eyes are heavy!

“Many of us have a habit of looking down while we are riding,” explains founder of the International Horse Agility Club Vanessa Bee in her book OVER, UNDER, THROUGH: OBSTACLE TRAINING FOR HORSES. “We look at the ears of our horse, or the ground, or we lean over to see if we are getting it right when learning to move the individual feet of the horse. But our eyes are heavy! Try the following experiment and you’ll begin to appreciate how difficult we  make it for our horses to move when we look down.”

1 Stand on a flat surface and balance your weight evenly through each foot.

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2 Look down at your right foot.

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3 Now lift your right foot off the ground. How easy does it feel?

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4 Now stand up again and balance your weight evenly through both feet.

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5 Look up to the right.

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6 Now lift your foot. Much easier, isn’t it?

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“If you were riding your horse and asking him to lift his right front foot off the ground, imagine how difficult it must be if you suddenly lean over and peer down to see if it is working,” Bee emphasizes. “So look up and feel that foot lifting. It’ll be so much easier for both of you.”

Over Under Through Cover FINAL-horseandriderbooksOVER, UNDER, THROUGH: OBSTACLE TRAINING FOR HORSES is available from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information or to order.

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont. 

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IngridKlimke-horseandriderbooks

German Olympian Ingrid Klimke is an incredible horsewoman and author, and we’ve long admired her ability to balance her equestrian career with her family, as well as her commitment to educate others, just as her esteemed father Reiner Klimke always did. TSB caught up with Ingrid last month and had a chance to ask her a few questions about her new book and the year ahead.

TSB: You recently wrote TRAINING HORSES THE INGRID KLIMKE WAY, which shares many details about your training philosophy and the horses in your stable. In it, readers can really see how much each individual horse means to you. What is one lesson one of your horses has taught you that you feel has changed you, your riding, or how you work with horses?

IK: Abraxxas (“Braxxi”) taught me one really important lesson in my life: Horses, just like human beings, have strengths and weaknesses, and you have to accept that! Braxxi was always mostly great in the dressage and cross-country…but then the show jumping was not always easy. I eventually found there was no other way forward than to accept this and live with it and find other ways to make him strong. His gift to me was only one rail down in his last run at the CCI**** Burghley 2013!

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Ingrid on Braxxi with just a neck ring. Photo by Horst Streitferdt

TSB: It’s a WEG year—what are your hopes for the competition in Tryon, personally and for the German team?

IK: For sure, GOLD for the team and for Bobby (Hale Bob)!

TSB: Anyone who has tried to balance a riding life and a family will look at you with great admiration, as you compete at the very top of the international scene while still managing to be “Mom.” How do you balance your riding and training career with your family? Do you have any tips for the rest of us?

IK: Good organization is the key. With the perfect team and supporters you have the chance to make everything possible. I must give many thanks to my mum Ruth, as she is always there for me. And my barn manager Carmen, as she knows all the horses—and me—better than anybody else! #teamworkmakesthedreamwork

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Ingrid with her family: Andreas, Greta, and Philippa. Photo by Horst Streitferdt.

TSB: If you were trapped on a desert island with a horse and a book, what breed of horse would it be and which book would you choose?

IK: I would choose a blood horse, and I would take the book Ahlerich, which was written by my father.

TSB: What’s in your refrigerator at all times?

IK: Cheese and fruit.

TSB: What is your idea of perfect happiness?

IK: Perfect happiness for me is to gallop on the beach on a fast horse 🙂

TSB: Tell us about the first time you remember sitting on a horse.

IK: When I was two years old my mum put me on the back of a horse in the stable…

TSB: Tell us about the first time you remember falling off a horse.

IK: …that same time with my mum…I fell off on the concrete!

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With daughter Philippa. Photo by Horst Streitferdt.

TSB: What is the quality you most like in a friend?

IK: I like a sense of humor. A good friend also needs to be tolerant so that we can be like we are and stay like we are.

TSB: What is the quality you most like in a horse?

IK: I like ambitious horses with personality 🙂 It’s great when they have a winning spirit. Its also very nice when they are good jumpers.

TSB: If you could do one thing on horseback that you haven’t yet done, what would it be?

IK: I would love to ride across the Rocky Mountains.

TSB: What is your idea of the perfect meal?

IK: Salad and pasta.

TSB: What is your idea of the perfect vacation?

IK: In my perfect holiday I would love to be out in nature with wild animals, on horseback, along with great people. My partner pferdesafari fulfills this dream perfectly!

pferdesafari

Click image above to visit pferdesafari.

TSB: If you could have a conversation with one famous person, alive or dead, who would it be?

IK: Nelson Mandele.

TSB: What is your motto?

IK: Love what you do and do what you love.

 

Train Horse Ingrid Klimke

Click to Order!

Ingrid’s new book TRAINING HORSES THE INGRID KLIMKE WAY is available from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information or to order.

 

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont.

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CharlotteDujardin-horseandriderbooks

We at TSB are simply thrilled to be the US publisher of Charlotte Dujardin’s autobiography THE GIRL ON THE DANCING HORSE, which will be released in the States on Friday, March 16, 2018.

Charlotte Dujardin and her charismatic horse Valegro burst onto the international sports scene with their record–breaking performance at the 2012 Olympic Games in London. The world was captivated by the young woman with the dazzling smile and her dancing horse. The YouTube clip of their Freestyle performance has since had over 1.7 million views, and Dujardin is considered the dominant dressage rider of her era. When Valegro (affectionately called “Blueberry”) retired from competition at the end of 2016, his farewell performance at the Olympia Grand Hall sold out and the dark bay gelding received a standing ovation.

Dujardin began riding horses at the age of two, but dressage was the domain of the rich–not the life a girl from a middleclass family was born into. Her parents sacrificed to give her as many opportunities as they could, and she left school at 16 to focus on equestrian competition. It was at 22, when she was invited to be a groom for British Olympian Carl Hester, that she met the equine partner that would change her fortune.

THE GIRL ON THE DANCING HORSE shares this story, beginning with Charlotte’s early years restarting naughty ponies and following her equestrian evolution, which eventually led to the Olympic arena and gold medals, as she competed against the best in the world. Readers get an honest look at the road Charlotte took to reach the top, and along the way they gain an intimate understanding of who she is and why she and Valegro were able to connect with each other and develop such an unparalleled partnership.

There are many fascinating details readers learn in the pages of Charlotte’s autobiography. Here are 10 you probably (maybe) didn’t already know:

1 Charlotte grew up battling dyslexia, which led to anxiety at school. But as much as she feared a spelling test, as a child she was never nervous at a horse show. The bigger the crowd, the better. (That changed when she had to memorize dressage tests!)

2 Early in her development as a dressage rider, Charlotte struggled with her sitting trot. So she took up swimming to help develop her core strength, clocking in 50-70 lengths each morning before heading to the barn.

3 Charlotte wears false nails because she wants to disguise her “old lady hands” and arthritic knuckles from years of working and riding outside in the wet and cold.

4 At the barn where she rode with Carl Hester, there was a long concrete driveway that riders would walk the horses up before and after work, and when Charlotte first started at Carl’s, she would always try and finish schooling at the same time as him so they could ride up the driveway together and she could work up the courage to talk to him.

5 Charlotte never rode in a helmet at home and wore a top hat to show until she was bucked off into the wall of the arena one day and ended up in the hospital with a skull fracture. Now she schools and shows in a helmet.

6 Charlotte’s fiancé went to the horse show where they first met intending to find himself a girlfriend. He thought it a likely venue for available young women!

7 The first time Charlotte and Valegro competed against Carl was in a Prix St Georges class at the Royal Windsor Horse Show in May 2009. Charlotte and Valegro won.

8 In 2010 Charlotte lost a bet (by winning a test with Valegro) and had to jump into a hot tub in her riding clothes.

9 Valegro loves performing. There are never monsters lurking in corners or waiting in the flowerpots to get him. He’s always focused and always reliable.

10 Before the Olympics in Rio, Charlotte had a feeling it should be Valegro’s final competition. She wanted him to finish at the top where everybody would remember him as the best horse there was. She didn’t want him to end his career as an older horse, not able to give what he once could. Retiring him while he was still at his best was what she felt was the right thing to do.

Girl on Dancing HorseThe first 100 people to order THE GIRL ON THE DANCING HORSE from the Trafalgar Square Books online bookstore will receive an autographed copy! Plus, shipping in the US is FREE.

CLICK HERE to order your copy now.

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small company based on a farm in rural Vermont. 

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LovevLimits-horseandriderbooks

I think it is Buck Brannaman who has often likened working with horses to parenthood. And, as a horse person and a mom, I concur it is strikingly similar. Loving someone and yet setting limits and saying “No” can be an exhausting act of balance. You don’t want to err too soft or too hard…and even when you think you might have it right, you cringe when you see that look of hurt in your child’s eyes after he’s been remonstrated; you feel badly when your horse sulks a bit after you push his nose away from your pocket.

Faced with this challenge, many of us wonder how the “magicians” of the horse world do it–how those who so obviously have close connections with their horses manage to find that balance between love and limits.

In GALLOP TO FREEDOM, the book he wrote with his wife, Magali Delgado, renowned horseman Frédéric Pignon explores this topic at length. And seeing as his spellbinding liberty acts were what made the original rendition of Cavalia an international phenomenon (he and Magali toured with their horses as part of the original lineup from 2003 to 2009), you have to think that maybe he’s got something in the mix about right:

I allow absolutely no biting or jostling: this is a rule that I start establishing with a young horse from the first day I work with him. In fact, with one that I do not know, I impose a strict limit as to how close he approaches me. No two horses are the same but as a guide I would suggest a distance of a forearm. Confidence breeds respect and vice versa. In liberty training, if there is mutual confidence between us, I can allow myself to tap the horse on his legs with my whip without causing him to run away—but only if my action is a justified reaction to something wrong or disobedient that he has done.

A common mistake is to do too much “snuggling up” to a horse from the beginning. You should keep the distance appropriate to the stage of your relationship. I don’t immediately let a horse invade my space. Quite apart from the danger of being bitten, it puts you on the wrong footing. Once there is total confidence and respect in both directions it becomes another matter.

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It is not easy to define rule making. It may seem from what I have said that there are few rules and that the horse is encouraged to take the initiative. However, it is the case that rules are not only essential but that the horse functions the better for accepting certain guidelines. Here is the crux of the situation: you must not impose unreasonable rules that the horse feels he cannot accept with a willing spirit.

Man has deprived the horse of his natural state; the horse has been dragged into the world of humans and therefore it is the foundation stone of our relationship that we earn his respect before anything else. He has lost his freedom but we can give him protection, security, and respect. In return, he will give us respect and affection and recognize the behavioral limits that we set together.

In order to become important to a horse, we cannot remain neutral. I have to impose laws and make it absolutely clear what is not allowed. At the same time, I know that horses often crave reassurance even more than liberty so I must provide this. I have to encourage this craving and convince them that I am the person to satisfy the need.

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It has always amazed me how quickly a good chiropractor or osteopath convinces a horse that he is important to him. The horse understands in no time at all that the osteopath will relieve him of his aches and pains and therefore accepts him as a friend. This is why I think it is so important to spend time reassuring a horse and helping him relax rather than treating him with rewards. I often spend a quarter of an hour in the company of a horse, either in his stall or in the field, without asking anything of him. I just rub him gently and caress him and try to show him that there is all the time in the world; I am not going to rush him and I’m not going to make unreasonable demands.

If one of my liberty horses gives another a nip. I give him a tap with my whip. He knows he shouldn’t bite another horse and as long as I tap him with the right amount of strength, he will accept it; he will even put his head on my shoulder as if to say “I know, I know.” But if he only “looks” as though he is going to bite another horse and I give him a sharp tap instead of a warning word, that is not fair and he knows it. He runs away and this time I have to make it up to him by going to him. Even after an hour’s work I may still see in his eye that he is hurt and depressed.

The secret is to deploy the right amount of warning signals when I see a horse has something naughty in mind. “Don’t even think about it,” is a common enough warning between people and I have to find the equivalent for the horse, but it has to be one that he associates with his intention. He then says in effect, “Fair game.”

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For more on Pignon and Delgado’s ideas about establishing a balance between love and limits, check out their bestselling books GALLOP TO FREEDOM and BUILDING A LIFE TOGETHER: YOU AND YOUR HORSE.

CLICK HERE for more information.

And, don’t miss your chance to train with them in person! They are doing a limited number of clinics in the US in March, or you can join them at their farm in Provence in May for a special retreat experience. For more information CLICK HERE.

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont.

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In his bestselling book HOW GOOD RIDERS GET GOOD, famed rider, trainer, and coach Denny Emerson details seven areas of choice each of us face during our evolution as equestrians, and how our decisions in those areas transform us from “wannabes” to “gonnabes”…or don’t. He also shares experiences drawn from his lifetime working with horses—competing, learning, and teaching—including this demonstration of one renowned coach’s genius:

JLG

The “genius” Jack Le Goff. Photo courtesy of Denny Emerson.

Sometimes there are coaches so gifted at manipulating the hearts and minds of their players that they transcend ordinary coaching to become legendary figures in their chosen sports.

In my lifetime there have been three of these coaches connected with the United States Equestrian Team: Bertalan de Nemethy and George Morris, both coaches of the USET Show Jumping Team, and Jack Le Goff, who arrived in the United States from his native France in 1970, hired to revive the flagging fortunes of US Eventing.

In July 1974, the US Eventing Squad chosen to compete at the Burghley World Championship Three-Day Event in September flew from New York to London to spend a couple of months leading up to the big event training at a facility in the south of England.

We were, as Stalin said to the Russian troops as they finally invaded German soil, “in the belly of the beast.” Through the late 1960s and well into the 1970s, the English Three-Day Team had crushed all opposition. As we began our tentative challenge to that English might, we were painfully aware that our English hosts were the reigning gold medalists from both the 1970 World Championships and the 1972 Olympic Games.

One quiet summer evening a wave of excitement swept the American camp. Richard Meade, the captain of the English team and the current Olympic goal medalist, was coming to try a horse that someone had brought in as a sales prospect.

All six of us trooped down to the show-jumping arena to watch Richard school this horse, and we were perched on the top rail like six birds on a wire. I looked down the country lane that passed by the schooling area, and who should be strolling toward us but our coach, Jack Le Goff, complete with fishing rod, reel, and high-topped waders.

I was sitting next to our team captain Mike Plumb, and I said something to him like, “Won’t Jack be interested to watch this?”

Mike replied, “He won’t even stop.”

Sure enough, Jack walked right on by, smiled, called out, “Hello, everybody. Hello, Richard,” but didn’t even pause.

Mike knew Jack better than I did, and he also understood Jack’s psychological insight into his riders. Later, I also understood what Jack had done, but I didn’t at the time.

Jack wasn’t going to validate Richard Meade in our minds by paying him the slightest attention. To acknowledge that this gold-medal winner had anything to show that was worth Jack’s time would not have been the way to persuade us that we had what it took to beat the world’s predominant three-day-event team.

Thirty-four years later I told this story to George Morris, another Olympic gold medal coach. “Jack is a genius,” said George, “and you know I don’t say that about many people.”

HowGoodRidersGetGood-horseandriderbooks

The medal ceremony at the 1974 World Championship Three-Day Event at the Burghley Horse Trials. Prince Philip presents the gold medals to the US Team (left to right): Mike Plumb on Good Mixture, Bruce Davidson on Irish Cap, Denny Emerson on Victor Dakin, Don Sachey on a borrowed Cajun as his Plain Sailing was injured. Photo courtesy of Denny Emerson.

Emerson’s book HOW GOOD RIDERS GET GOOD is available from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information.

(And watch for his new book, coming Fall 2018!)

TSB also publishes George Morris’s autobiography UNRELENTING and Jack Le Goff’s HORSES CAME FIRST, SECOND, AND LAST. You can buy them at a special package discount HERE.

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont. 

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TSF

Trafalgar Square Farm

When you are caught up in the never-ending must-dos of book publishing, you can find yourself tired, your creative and entrepreneurial energy tapped, your head spinning and your hands ready to unfurl themselves from the keyboard and (instead) curl themselves around the comforting curves of a glass of wine, fireside. But while the pressure is undeniable, there is always a steadying constant: how thankful we are to get to do what we do and learn more every day about horses, riding, and how to be better at both.

In recognition of tomorrow’s Thanksgiving holiday, here are five lessons we’re thankful to have learned this year from TSB’s amazing authors:

Lesson 1   As horse owners, we don’t have to turn control of our horses’ hoof health to our vets and farriers, and just write the checks whenever they tell us we need to do something. It is possible to gain a much more thorough understanding of the function of the hoof, which will not only help us better comprehend what is required in regular maintenance, it will also help us advocate intelligently on our horses’ behalf when they are injured or unsound. It likely never occurs to most that we can and should learn the ins and outs of the equine hoof beyond the general knowledge absorbed in early barn jobs and from 4-H and Pony Club. But Susan Kauffmann and Christina Cline’s THE ESSENTIAL HOOF BOOK is like a bright light going on in a room that has only been candlelit. It introduces a whole new world of responsible horse care.

Lesson 2  It is time to pay attention to fascia—ours and our horses. Fascia is the gossamer white tissue in the body that connects all the parts, including bones, muscles, and all the different body systems. In IS YOUR HORSE 100%?, equine bodywork practitioner Margret Henkels teaches how the warmth of your hands can release accumulated tension and strain in the horse’s body, and in THE NEW ANATOMY OF RIDER CONNECTION, biomechanics pioneer Mary Wanless explains how working with the fascial lines of the body can drastically improve your riding.

Lesson 3  Even when you reach the very top, the truly great continue to question their techniques, educate themselves, and strive to find new ways to do better by the horse. In TRAINING HORSES THE INGRID KLIMKE WAY, gold-medal Olympian Ingrid Klimke writes: “I train further, question myself, consider the views of others, and remain open to all riding styles. Anyone who cares to be a good rider must first of all work on herself: on her inner bearing, her general attitude toward horses, her physical readiness (of course), and on giving aids clearly and ‘with feel’ for the horse.”

Lesson 4  Many factors contribute to successful performance, but the most vital is discipline. In his long-awaited autobiography HORSES CAME FIRST, SECOND, AND LAST, revered US eventing team coach Jack Le Goff discusses the discipline factor in its many renditions, from the self-discipline necessary to train your horse even when it’s cold or raining outside, to the discipline of organization and making sure you know the rules, to the discipline required to be part of a team, putting personal glory aside with the good of the group in mind. This lesson translates particularly well to every part of life.

Lesson 5  Becoming comfortable in our own skin helps us become more trustworthy and better able to soften physical and mental resistance in others—including our horses. In the singularly fascinating book OUR HORSES, OURSELVES, renowned dancer and choreographer Paula Josa-Jones shares new and unique ways of incorporating meditation and gentle exercises in our self-development as horse people, noting that conscious work to quiet our busy minds and familiarize ourselves with our bodies’ shape and movement can help us find true connection with our horses, on the ground and in the saddle.

Wishing all a wonderful Thanksgiving with lots of time for family, friends, and of course, your horses.

—The TSB Staff

 

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