Feeds:
Posts
Comments

Posts Tagged ‘FEI’

WEGFLO-horseandriderbooks

The Opening Ceremonies for the FEI World Equestrian Games at the Tryon International Equestrian Center in Mill Spring, North Carolina, are set to begin this evening, Tuesday, September 11, at 6:00 pm EST. The World Equestrian Games, or WEG, are held every four years in the middle of the Olympic cycle. And here’s the thing…they are a REALLY BIG DEAL. Why? Because WEG combines eight World-Championship-caliber equestrian events in one place with competitions spanning 13 days: dressage, show jumping, eventing, reining, driving, endurance, para-dressage, and vaulting. We’re talking the VERY BEST equestrians in the world, and the top horses in all these disciplines, here, in the United States, for two weeks.

The importance of WEG to the equestrian industry, and the significance of it being held here in the US this year, rather than in Europe, makes it a little surprising that of all the press suddenly devoted to the Carolinas and a certain imposing Madame Hurricane, little has been mentioned of this major event and how Florence will likely impact it. The athletes from participating countries and their horses have already arrived and are preparing for competition to begin (with dressage, reining, and endurance on Wednesday, September 12), but hundreds of thousands of individuals planning to attend all or part of the competition as spectators have yet to head out by road, air, or rail. It’s like this big communal breath is held as we wait to see where Flo will track and how mean she plans to be. Mill Spring, North Carolina, is on the western side of the state, and the National Weather Service has a station on site at the Tryon International Equestrian Center, keeping close watch on the hurricane as she develops. All efforts are being made to keep the riders, their horses, and their support teams, safe, whatever the days ahead bring in terms of weather. Of course, the rest of us still have to ask if it makes any sense at all to fly toward a hurricane, when millions under mandatory evacuation order along the coastline are trying to get away?

With that pressing question set momentarily aside, we at TSB have been truly excited in the months leading up to WEG to not only attend, but to have the opportunity to support our many wonderful, talented authors who are judging, competing, performing, speaking, and signing books during the event, including: Anne Gribbons, Ingrid Klimke, Charlotte Dujardin, Carl Hester, Phillip Dutton, Doug Payne, Emma Ford, Dan James, George Morris, Yvonne Barteau, Tik Maynard, and Dr. Bob Grisel.

Global Forum NA 14

TSB author and FEI 5* judge Anne Gribbons is President of the Ground Jury for the dressage competition at WEG 2018. Photo by Sharon Packer.

To find most of our books and related book signings at WEG, visit The Chronicle of the Horse (Booth C3-4 in the World Equine Expo Area). Book signings will be arranged as competitors’ schedules allow.

In addition, those visiting with children can find TSB children’s books to explore and enjoy in the BrookeUSA activity area, as well as for sale in the BrookeUSA Shop (Booth B8). 50% of the proceeds from the sales of these books will go to support the mission of BrookeUSA and its sister charity, Brooke, the official charity of the WEG. Brooke is the world’s largest international working equine welfare charity dedicated to improving the lives of horses, donkeys, mules and the people who depend on those animals in the developing world.

Credit Brooke

TSB author and dressage competitor Charlotte Dujardin is a Brooke Ambassador. Her autobiography THE GIRL ON THE DANCING HORSE will be available at The Chronicle of the Horse Shop at WEG. Photo courtesy of Brooke.

TSB author and former Chef d’Equipe of the US Show Jumping Team George H. Morris will be speaking on two occasions on the WEG grounds:

Saturday, September 15, at 10:00 am, at the Equus Theatre.

Saturday, September 22, at 12:00 pm, on the Coca-Cola® Stage.

George Morris will be signing copies of his book UNRELENTING following each talk, with 50% of the proceeds going to support Brooke.

Fans can also meet George at a special celebration of the George Morris Collection and book signing at Dover Saddlery in Mill Spring on Tuesday, September 18, from 4:00 pm to 5:30 pm.

George laughing_1961_11736 copy

TSB author George Morris will speak on two occasions at WEG, as well as participate in a meet-and-greet at Dover Saddlery in Mill Spring. Photo by Tyler Gourley Pictures.

And be sure to stop by the GetSound® Booth (B7-6) to meet Dr. Bob Grisel and hear about his new App to help diagnose lameness in horses, as well as get a copy of his amazing new book EQUINE LAMENESS FOR THE LAYMAN.

We plan to post updates about competition results, author events and signings, and other news here, on Facebook, Twitter, and Instagram—so watch this space! Of course, all of this is pending a crazy-plane-ride toward a hurricane…

See you in Tryon…maybe?

 

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont.

Advertisements

Read Full Post »

TSB caught up with Anne Gribbons, FEI/USEF dressage judge, former Technical Director of the US Dressage Team, and author of the wonderful book of “dressage time travel” COLLECTIVE REMARKS, and we asked for her thoughts on the 2016 Olympic Dressage competition, underway now in Rio de Janeiro. Here are her insights as we begin Day 2. (For Anne’s refreshingly honest and brutally funny perspective on past Olympics and other international competitions, as well as all manner of dressage-related subjects, check out COLLECTIVE REMARKS!)

 

ANNE & STEFAN

Anne Gribbons with Steffen Peters in 2010.

 

After all the misgivings about Brazil not being able to handle the Olympics, it has come out of the starting box with flair. The eventing coverage was fabulous, the cross-country course beautiful and challenging, and the surprises many. Perhaps that is why I will always love combined training the most, because things can change in a heartbeat and each second can present a different landscape. And you can actually be competing, driving home without a ribbon, and still completely elated because the horse jumped so well it made your heart sing. Obviously, this is not the feeling you would have if something  goes awry on the Olympic course, and I am sure both Phillip Dutton and Ingrid Klimke were less than amused after brilliant dressage rides with the odd mishaps they had, which completely changed their standings at the top. 

Now the dressage is on, where the risk is limited and the element of surprise is a rarity. At this level, we expect each equipage to know its lessons well, and few mishaps to occur in the test. What we look for and revel in is the finely tuned communication between horse and rider. We search for  the balance, the self-carriage, the connection between the hand of the rider and the mouth of the horse. Harmony and yet full power when horse  and rider together reach for their ultimate best is what thrills us and keeps us glued to the screen. Watching it at home is a miracle, until it is not. When the streaming  momentarily shuts off, you get rudely pulled back to reality. With impeccable timing, this happens just as your country’s horse enters the ring. 

And I mentioned no surprises? Well, not true the first day when the Dutch star Parzival was retired by his rider who felt he was not quite up to the task. Good horsemanship, but a blow to the Dutch team, while it gave an opening to the Americans. We are talking fractions of a point here, and with no drop score left, the Dutch are more vulnerable. Since Kasey Perry-Glass had a very solid ride once she got past the first five movements when Dublet was busy in the mouth and Kasey was a bit tense, our chances looked even better after her ride. The Germans are powering on, and nobody expects any other team to catch up with them. In spite of one imploding pirouette and another weak one, Dorothee Schneider showed such strength in the rest of her work on Showtime that they gathered over 80%. And the 21-year-old Sönke Rothenberger who went first in the German team on his 10-year-old horse shows all the signs of growing up in a horse family. He admits he gets help from his father, Olympic rider Sven Rothenberger, but insists that his true calling is actually jumping. Well, if dressage is only his sideline, wait until he focuses on it! 

Riding for England, Fiona Bigwood had a very impressive ride on a wonderfully elastic and submissive mare named Orthilia. Imagine coming back from an injury that robs you of sight in one eye and putting on such a spot-on performance where balance and accuracy is of essence. Hats off to this lady who received a well-earned 77-plus% as a forerunner to more great scores expected by the remaining Brits, who are expected to finish in at least silver position. 

And then there is the US with four great quality horses and well prepared riders. Over the last two years all these combinations have gradually become more seasoned. Except for Roosevelt, I know all the team horses very well, and I am well aware of  the capacity of each. We already saw what Dublet was able to do, and believe me, there is so much more in that horse! Verdades is becoming seasoned and stronger and should have no trouble staying as focused on Laura Graves as he usually is in this comparatively quiet atmosphere. I can understand why the Chef D’ Equipe would make that combination the anchor by putting them last, because Legolas can, at times, be a little too fired up and lose concentration. However, Steffen Peters’ masterly riding has overcome that tendency in his shows as lately, and when they are on, he and Legolas can gather many valuable points. 

So, when I am writing this I am, like all of you, keeping my fingers crossed and hopes high for our team. Go USA!

–Anne Gribbons

CLICK IMAGE TO ORDER

CLICK IMAGE TO ORDER

COLLECTIVE REMARKS by Anne Gribbons is available from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information or to order.

 

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont.

Read Full Post »

FutureLast year we shared the best “Santa, Please Bring Me a Pony” Christmas videos (CLICK HERE), and in further support of the More Ponies = More Happiness Movement (there are a still a few shopping days left!), here’s FEI/USEF Dressage Judge Anne Gribbons’ pro-pony take on how to improve US dressage on the international scene in the years ahead (read more from Anne in her fabulously fun book COLLECTIVE REMARKS):

 

The most confounding subject in US dressage is the fact that we have no “pony culture.” I have harped on this subject for years, but the absence of ponies that are ridden and shown in dressage is still a huge hole in our system. As with the lack of public riding schools, it hurts the very roots of our growth.

Kids and ponies belong together; they foster each other, and every child who likes riding ought to be brought up by a pony. They are very good at putting a kid in his or her place without being as large and potentially dangerous as horses, and the whole family can get involved with the “pony scene” at an early stage.

Parents who have “pony kids” are already educated and on board with the equine scene when the time comes for the Junior and Young Rider divisions. When it’s time to move to a horse, they aren’t stunned at the idea of having an equine in the family; it’s just a natural progression. There aren’t enough opportunities available for ponies to shine at our shows, and there aren’t enough ponies out there competing to fill the classes that do exist.

Many countries outside Europe have the same dilemma, and I’ve asked for the question to be discussed in regard to global development at the FEI Sports Forum. Perhaps we can brainstorm some ideas about possible solutions. All I know is that when I judged a CDI in France a couple of years ago, and they had more than forty ponies competing at the show, I was green with envy!

Many ponies bring up several generations of children. Ponies are normally sounder and tougher than horses, they are less demanding to keep and they live and serve a long time. An important aspect of riding, especially for kids, is the socializing. Ponies are easier to kid around with and take for romps in the woods, races in the snow, and swims in the lake. They eat birthday cake and refrain from colicking, they have enough sense not to run into the campfire, and they will find their way back to the barn in the dark. In short: They have some self-preservation. The fun has to be kept in the work, even when dressage is on the agenda, and ponies help with that detail.

 

Anne Gribbons’ COLLECTIVE REMARKS is available from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE to read more.

 

Wishing You a Peaceful Holiday, from the TSB Farm to Yours

Wishing You a Peaceful Holiday, from the TSB Farm to Yours

 

Read Full Post »

CRThoughtsFB JF

Janet Foy is an FEI/USEF dressage judge, popular clinician, and author of the bestselling DRESSAGE FOR THE NOT-SO-PERFECT HORSE and new book DRESSAGE Q&A WITH JANET FOY. She shared this CENTERED RIDING “aha” moment in honor of our 30th Anniversary:

CenteredRidingTree“I still use Sally Swift’s visual of how a rider should sit—like a tall pine tree in the forest. From the waist up, sitting tall and seeking the sun, and from the waist down, stretching deeply to find the water below the surface.”

Share your own CENTERED RIDING  memories and “aha” moments online and tag them #CenteredRiding30! And remember, all CENTERED RIDING books and DVDs are 30% off, the entire month of November.

Trafalgar Square Books, the leading publisher of horse books and DVDs, is a small, privately owned company based on a farm in rural Vermont.

Read Full Post »

pool

The year winding to its close in a flurry of parties and family and (at least here in Vermont) snow often inspires nostalgic glances back while perhaps ambitious resolutions are cast forward. It is a time when those of us who ride or work with horses on a regular basis may evaluate goals met (or not), consider the steps gained with a particular project and where they’ll lead in the months ahead, or perhaps ponder the role that horses play in our lives now, and the one we’d wish for them in the future.

In her book COLLECTIVE REMARKS, FEI and USEF dressage judge Anne Gribbons shares how competing on horseback eventually came to hold less importance, as the satisfaction of figuring out each individual horse while adding to her own “pool of knowledge” gained significance. At TSB, we aim to support those who spend their lives striving to learn more about horses, to appreciate different approaches from different disciplines and schools of philosophy, and to consider new ideas while respecting the tried-and-true of classical equestrianism. As we add to our own “pool of knowledge,” we hope we have a chance to add to yours, too.

All orders from the TSB online bookstore placed before noon on Thursday, December 18, ship FREE in the US in time for Christmas.

SHOP NOW

 

CLICK IMAGE TO ORDER

CLICK IMAGE TO ORDER

 

“Full Circle” from COLLECTIVE REMARKS by Anne Gribbons

When I was a kid and started riding, competition was the farthest thing from my mind. All I wanted was to be around horses, to breathe in their wonderful sweet smell—to me more exhilarating than any other fragrance on earth—and to touch their velvety coat, to look into their sad and all-knowing eyes. Riding them was a privilege and a joy beyond anything else I could desire. In short, I was just like any other horse-crazy kid in the world. Years later, my whole life became involved with horses, and with serious training arrived the need for competition; the fire it lit in my blood was a whole new aspect of riding. Jumping and eventing keeps you on your toes, but even dressage can be exciting when there is a good class and you have a long-term goal in mind.

Today, after many years of competing and after obtaining some of those goals, I must admit that I look at showing differently. The few minutes in the ring still makes my blood run faster (although the reasons may vary from joy to alarm), but the rest of the scene can appear as just “more of the same.” The planning, packing, traveling, loading, fussing, waiting, re-packing, and traveling again is a lot of work, and when I think of all the weekends in my life that were absorbed by horse shows, I sometimes wonder about my sanity….

After all this time, I have almost returned to base. Although, thankfully, more experienced, I am back in the mode where I am totally satisfied staying at home with my horses. The training, which has always been the true motivation for diligently showing up at the barn every day, is the constant that never becomes monotonous, uninteresting, or exactly the same two days in a row. It would be impossible to stay inspired while training horses but for the fact that every single horse has something new to offer, which gives you reason to add to your pool of knowledge and meet the challenge of dealing with that specific individual.

My triumphs today are not measured in ribbons and scores, but in the satisfaction of having a day when a horse who had a problem suddenly catches on and performs a movement with ease, or a particular sequence of exercises feel just like you know they should: no tension, no resistance, and no effort, just horse and rider gliding together. The ultimate satisfac­tion is to look at a horse you have known from the time he was broken and watch him grow more beautiful every year because of the building of his muscles and strength. The finished, happy, and sound Grand Prix horse is a work of art, and all the time it took to bring him there is well worth it. Things of quality take time, and your trained horse does not have to go to the Olympics to give you an enormous amount of pride and joy in your accomplishments together.

 

COLLECTIVE REMARKS is available now from the TSB online bookstore.

CLICK HERE TO ORDER

Read Full Post »

“I do not believe in ‘singing with the choir’ to be popular or stay in the game,” says FEI/USEF Dressage Judge and former Technical Advisor to the US Dressage Team Anne Gribbons. And it is this, Anne’s forthright honesty, hinged noticeably on her ability to sandwich the matter-of-fact between insight and humor, that has gained her respect and stature in the international dressage scene.

We caught Anne between clinics and following the release of her new book COLLECTIVE REMARKS, and asked her about her impressive career, as well as some of its highs and lows. COLLECTIVE REMARKS is available now from the TSB online bookstore (CLICK HERE).

 

TSB: You grew up in Sweden. How did you end up riding dressage horses in the United States?

AG: I had been riding since I was six years old, but my passion was jumping and combined training, and those were the sports in which I first competed in the United States. Of course, getting my basic training in Europe, I had a lot of dressage training “built in.”

I earned a scholarship to CW Post (now LIU Post) on Long Island, and there I met my husband David. On his parents’ property we started Knoll Farm, which became a large riding academy and training facility. However,  on  Long Island the opportunities to train properly for eventing proved a challenge because of the flat terrain and lack of appropriate courses. When Colonel Bengt Ljungquist (later the coach for our 1976 Olympic team) arrived in the United States, I went to him for training with my Thoroughbred Tappan Zee, and then continued to work with Bengt as often as I could for about eight years, until we lost him in 1979.

The more I concentrated on dressage training, the more fascinating it became, and eventually I focused on it completely. Once hooked, I became involved in work for various committees, both in our National Federation and the USDF, and also internationally, serving two, four-year terms on FEI dressage and World Cup committees.

Anne Gribbons' riding career began over fences. Photo courtesy Anne Gribbons.

Anne Gribbons’ riding career began over fences. Photo courtesy Anne Gribbons.

 

TSB: Your equestrian career has included owning/running a riding school, running a breeding establishment, riding competitively on the international level, judging here and abroad, and coaching the US Dressage Team at three different Games, including the Olympics. What parts of your “horse life” do you remember most fondly? Which were the most challenging? The most rewarding?

AG: The most rewarding of all is the moment when a horse in training “gets it,” when a student has a revelation, and when either one suddenly reaches another level of understanding and capability. Luckily, this can occur over and over again, which is why I am still doing this! The highlights of a career sort of blend together after a while, but the horse and/or student that learn, advance, and succeed in their endeavors is the greatest satisfaction of all. Unfortunately, people tend to have a short memory when it comes to remembering who helped them along the way, but horses signal their appreciation and make your day, every day, by simply demonstrating what they now know.

The most challenging point of my career was leading up to the 2012 Olympics, being well aware that the United States did not have what it took in horsepower or depth to have a chance to medal. The preparation was frustrating, especially since I had seen and judged most of our competition and was well aware of the odds.

Before London, we were not able to send a number of  horses to Europe to compete because we had to protect the very few precious candidates we had and could not risk sending them around the world. It was quite a catch-22, and although our team riders were well prepared and did a fabulous job, it was difficult to maintain a “We will win this!” attitude without looking like an ignorant fool.

I loved working toward the World Equestrian Games in Kentucky where we performed better than expected, and of course the Pan Am Games in Mexico were a total triumph for the US team. That made the work toward London even more difficult because I knew what we could accomplish when we had the right opportunities! In the end, our Olympic team ended up in a respectable sixth place, and that was as good as it could have been.

 

Anne with the 2012 Olympic Dressage Team. Photo courtesy Anne Gribbons.

Anne with the 2012 Olympic Dressage Team. Photo courtesy Anne Gribbons.

 

TSB: Although you trained a horse (Metallic) who made it to the Olympic Games under Robert Dover, and you coached the US Dressage Team at the 2012 Games in London, you never rode on the Olympic team yourself. Do you feel regret when you look back that you experienced what for some is competitive riding’s pinnacle, but not in the saddle?

AG: Leasing Metallic was the toughest decision of my life, and I often regret it. It was, however, driven by a medical issue. Right after the Pan American Games in Argentina (1995), I discovered a tumor on the inside of my left thigh. I had two horses that could have qualified to be on the Atlanta (Olympic) team: Metallic and Leonardo II, a Holsteiner stallion who had a successful show season at Grand Prix in Europe in 1993 and in the United States the two years following.

We had a partner in ownership of Leonardo, and when I realized that the tumor was growing and might cause a problem for the Olympics, I had to tell our partner, who then wished to sell the horse. A student of Robert Dover’s bought the stallion, and I continued in semi-denial to work toward the Olympics on Metallic.

By January, the horse was doing fine, and I rode him in his first “official” Grand Prix while getting help from Robert, who had been fond of Metallic for many years. Shortly before our first CDI Qualifier, my leg would sometimes go numb and not react. Of course, I should have dealt with it sooner, but an Olympic dream is hard to give up—and I was also afraid to find out about the nature of the tumor.

Jane Clark had offered to lease Metallic for Robert, and when my fear of malfunction of my leg overcame my ambition, I agreed. Jane was a generous and upbeat co-owner, but waiting until the last minute to make up my mind was not fair to Metallic, and it did not give him and Robert enough time to bond before Atlanta, barely six months away. Standing on the sidelines was emotionally taxing, although I was very happy to see the team get a bronze medal. Of course, I got Metallic back after the Olympics, but I could not ride him for a long time since I finally had the leg operated on and was recovering.

The whole thing was an unfortunate accident of timing…and as we all know, timing is everything in life!

 

Anne riding Metallic in Argentina. Photo courtesy Anne Gribbons.

Anne riding Metallic in Argentina. Photo courtesy Anne Gribbons.

 

TSB: You often write and speak to the subject of American riders needing to train their own horses up through the levels, and for the US to support young talent in an effort to build new teams who can compete internationally. Laura Graves and Verdades have appeared, seemingly out of nowhere, to be strong contenders on the international dressage scene, and they were once students of yours. What about Laura’s work over the years, training her horse from a weanling, has led to her current success? What would you tell other aspiring young riders as they strive to reach their own riding goals?

AG: Like several of our new generation of competitors, such as Adrienne Lyle and Katherine Bateson-Chandler, Laura paid her dues as a working student, exchanging services for training she otherwise could not afford. She arrived at our stable in Orlando in May of 2009 and spent three-and-a-half years total as my student. While I was Technical Advisor and did not judge CDIs, I coached Laura through the small tour. When Laura left to start her own business in late 2012, she and Verdades were working all the Grand Prix movements.

Laura had more than talent and determination plus honest and experienced help in her favor: She had a top quality horse, and that is what truly propelled her out of “nowhere” onto the team. As soon as I saw Verdades, I knew he was special, and although he was green, there was no doubt the combination could go far. There were a few hiccups on the way, but even when Verdades was confused, he always let us work through it because he trusted his rider, and we went about the training in a logical and kind way.

Forever, I have preached the gospel of “You have to train your own for ultimate success.” During the first decades of high performance dressage in this country, it was rare to see an imported ready-made horse. American stars like Keen, Gifted, and Graf George were all “made here” from scratch, and that is the only kind of horse that will ultimately impress abroad and give our team sustainable strength. We have to get back to that kind of thinking, in spite of the fact that it takes time and effort and there are many obstacles in the way.

What I would say to young hopefuls is:

  1. Find as good a young horse as you can get your leg over, and in the best of all worlds, you should own it.
  2. Find a trainer who is knowledgeable, consistent, and makes her/himself available when you need help.
  3. Suffer whatever financial and emotional hardships are required, as long as the horse and you are making progress.
  4. Do not expect immediate success in the show arena; it takes time to become ” noticed” and consistency is part of the game.
  5. Believe in your horse, because he knows when you don’t.
  6. Stay honest and fair to the people around you.
  7. When you reach a goal, remember to give credit where it is due.
  8. The horse business is no peach, and if you aim to make a living training and teaching, you will have “an interesting life,” as the Chinese say. The triumphs are short lived, and you are never any better than your last performance, but if you love horses and cannot live without them, you will never be bored!

 

TSB: Tell us about the first time you remember sitting on a horse.

AG: I was barely six, spending time with my grandfather in Southern Sweden. He was a cavalry officer his whole life, and his idea of teaching riding was bareback on his remounts—their average age was three! I learned a lot about “bailing out,” which is a good thing to know.

 

TSB: Tell us about the first time you remember falling off a horse.

AG: See above! I fell off almost every day, and then I would have to go catch the horse and get back on, and so on. It was like parachute training and came in handy later when breaking young horses or getting in trouble cross-country.

 

TSB: What is the quality you most like in a friend?

AG: Loyalty.

 

TSB: What is the quality you most like in a horse?

AG: Ambition.

 

TSB: If you could do one thing on horseback that you haven’t yet done, what would it be?

AG: Ride in a real race.

 

TSB: If you were trapped on a desert island with a horse and a book, what breed of horse would it be and which book would you choose?

AG: The horse would be like Let’s Dance, the one I am blessed with right now: powerful, tuned in, very intelligent, a bit  cheeky ,and convinced he is the greatest horse on earth. He has me convinced, and that is a good start! My horse is a German-bred Warmblood, but any individual horse that turns you on is a good breed!

The book would be The House of the Spirits by Isabel Allende (Dial Press, 2005).

 

"Any individual horse that 'turns you on' is a good breed!" Photo courtesy Anne Gribbons.

“Any individual horse that ‘turns you on’ is a good breed!” Photo courtesy Anne Gribbons.

 

TSB: What’s in your refrigerator at all times?

AG: Yoghurt and blueberries. And champagne.

 

TSB: What is your idea of perfect happiness?

AG: Health for me and my husband David, and everyone we love. Without health, nothing works. Being able to spend time riding quality horses and having time to read and write.

 

TSB: What is your idea of the perfect meal?

AG: Cooked by my husband: Plain, healthy, and delicious!

 

TSB: What is your idea of the perfect vacation?

AG: Short , busy, and educational.

 

TSB: If you could have a conversation with one famous person, alive or dead, who would it be?

AG: Alan Alda.

 

TSB: What is your motto?

AG: “There is no such thing as a free lunch.”

 

 

CLICK IMAGE TO ORDER

CLICK IMAGE TO ORDER

Take a journey through the American dressage evolution with Anne Gribbons in her new book COLLECTIVE REMARKS.

CLICK HERE TO ORDER

Read Full Post »

JackCR

COLLECTIVE REMARKS by Anne Gribbons features original cartoons by dressage trainer and illustrator Karen Rohlf.

When I was nine and working my first “muck-for-lessons” detail, I had my earliest encounter with the Jack Russell Terrier. The young woman who ran the barn and gave me said lessons had a pair of crazed little dogs: The black-and-white one was “Pie” (short for Piebald) and the brown-and-white one was “Skew” (yes, as you might imagine, for Skewbald), and they happily spent their days torturing hoof trimmings out back by the manure pile or terrorizing my family’s cats, who occasionally made the mistake of tailing me up the hill in the back field that joined our properties.

Being young and a “first generation horse lover,” I didn’t know then what I know now—that Jack Russells are sought, bought, and traded on the horse show circuit like push-button ponies. In her new book COLLECTIVE REMARKS, FEI dressage judge and former Technical Advisor to the US Dressage Team Anne Gribbons explains a little about this phenomenon—what she calls “An Affliction Called ‘Jack Russells.'”

COLLECTIVE REMARKS by Anne Gribbons is available now from the TSB online bookstore, where shipping in the US is FREE.

 

Many of Us Suffer from an Affliction Called “Jack Russells”

Early on, our family always had dogs of “proper” size (at least knee-high) that displayed “normal” dog behavior. The Jack Russell terror in our house started with a phone call from friends who were at a terrier trial and saw these “adorable puppies” just desperate for a good home. At the time, neither my husband nor I had a clue about terrier trials or the fact that a Jack Russell is never desperate for anything.

With a lot of encouragement from people who were really just looking for partners in crime, we agreed to look at the puppy. It was a female, about fist-size. She looked harmless enough, and like all puppies, was irresistible. She moved in and immediately took over operations.

We named her Digger, and that stopped her from ever digging anything. Instead, she concentrated on climbing trees. Her great passion in life was squirrels, and in pursuit of her prey she would hurl herself into the trees and tear up the branches in complete oblivion to the fact that this was not a dog thing to do.

If she ever downed a squirrel, I’m sure it was from a heart attack, since the creatures certainly never expected the dog to follow them up the tree.

We were forever approached by visitors who would hesitantly ask us if we thought that there was a dog in the tree out front. We would once again drag out the ladder and get Digger down while the people sighed in relief (relief that they weren’t crazy).

 

Scary Jack

Don’t think for a minute that a Jack doesn’t know exactly what it is doing and why. They are truly scary.

One weekend, my mother informed me that she “had a surprise for me.” Strange things happen when Mother visits, and I sure was surprised when she showed up with another Jack Russell puppy. It was a present from my groom, who got a puppy from us for Christmas two years earlier.

Payback is a bitch, but in this case it was a dog, and we named him Chipper.

Chipper had eyes just like Lady in Lady and the Tramp—big, brown and sparkling—and Digger tolerated him, although she found his fascination with fetching balls, sticks, and anything people would throw a bit much. When we lost Digger to sudden heart failure, I thought a breather from the Jacks would be nice, but then our borrowed live-in kid wanted a puppy, and the circus was on again.

At a show in Tampa, Florida, I found Scooter. He was the opposite of the ugly duckling: As a puppy he was adorable, and every day he matured to become more splay-footed, cross-eyed, and long-backed. His final shape is odd, to say the least, but Mother Nature tries to keep things in balance, and Scooter is one of the smartest dogs I have ever met.

He is a hunter to the core. Left to his own devices, he will use the dawn’s early light to pile up half a dozen rats, who find themselves dead before they even wake up in the morning. He never barks, just strikes and kills without a sound—and goes on to the next victim.

Chipper loved to torture Scooter when he was a puppy. He would keep Scooter at bay by growling and snapping and generally demonstrating who was in charge at every opportunity. One day Scooter, now much heavier and certainly twice the length of Chipper, decided he’d had enough. He promptly bit Chipper’s ear off. As my husband dove for the half ear to rescue it, Scooter looked him squarely in the eye and swallowed hard. All gone!

After repeated fights, both dogs were neutered, a feature that only slightly tempered their urge to kill each other but in no way got rid of their basic aggressiveness. Both of them will stand up to a dog any size at the drop of a hat. I think the breed is missing the gene that helps evaluate size because it’s hard to imagine that every Jack Russell was born with a Napoleonic complex.

 

The Trials

Recently, we hosted a regional championship Jack Russell trials, complete with agility, go-to-ground, races, conformation, and some other classes. A glaring omission in the prize list was a class for obedience—what a surprise! The Jacks are the nightmare of every dog school instructor, and perhaps the accepted fact that they “don’t train well” is one of the reasons for the popularity that they enjoy with horse people.

After all, when you spend all day schooling horses, you have little energy left to train the dog. If the dog is known to be virtually untrainable, you can shrug, sigh, and apologize for his unruly behavior while feeling confident that everyone understands that things are beyond your control.

One positive feature is the “easy handling,” which allows you to carry, transport, wash, and hide in hotel rooms this little dog, which will wake up the whole hotel with his sharp barking if the spirit moves him.

The Jacks always stray where they aren’t supposed to be at horse shows, but they rarely get in trouble (although you do). They have a sixth sense about horses and appear to know from birth how to avoid being flattened by their hooves, even while in hot pursuit of game.

A good hunting Jack—which is 99 percent of them—is far better than a cat as a deterrent for rats, since they waste no time playing games. They just carry on like little killing machines, displaying the most ardent bloodthirst and pure joy in hunting. They may look sweet and innocent curled up on the couch, but you can see your little pooch get up, stretch, yawn and say to himself, “Well, I think I’ll go kill something.”

 

Everything but Boring

A few years ago, I ran into a man at Dressage at Devon in Pennsylvania who was posted next to a cage with four Jack Russell puppies. All our relatives and friends had at least one by then, so I wasn’t interested, but I had a German girl with me who went all aflame and ran to call her parents about the possibilities of becoming owned by a Jack Russell.

While she was away, the man with the puppies asked me, “Don’t you want a puppy?”

“Absolutely not,” I said, “I can’t stand them.”

The man hesitated, then leaned closer to me and whispered, “Neither can I. These belong to my wife.”

We then commiserated about the horrors of the breed until we ran out of breath.

“So,” he asked when we were finally through, “how many Jacks do you have?”

I reluctantly admitted to two. He also had two, in addition to the puppies. We each confessed we probably would always have at least one around.

“Why is that?” I asked.

“Because,” said the man, “all other dogs bore me.”

 

In COLLECTIVE REMARKS: A Journey through the American Dressage Evolution: Where It’s Been, Where We Are, and Where We Need to Be, Anne Gribbons shares the best (and in some cases, the worst!) of her personal experiences over the last 40 years as a rider, trainer, breeder, facility owner, sponsor, competitor, instructor, coach, and judge. With almost 70 chapters based on Anne’s popular “Between Rounds” column in The Chronicle of the Horse, readers essentially experience “time travel,” reliving challenges and celebrations alike, with the opportunity to critically ponder the changing face of dressage in the United States over two decades.

Anyone with an interest in dressage, its controversies, its most famous names, and its future in the United States will enjoy Anne’s stories, but the true value is in her ideas for improving our horses, our riders, and our ability to compete on the international scene with success and integrity in the years to come.

Download another FREE excerpt from COLLECTIVE REMARKS by CLICKING HERE.

 

CLICK IMAGE TO ORDER NOW

CLICK IMAGE TO ORDER NOW

 

Read Full Post »

Older Posts »

%d bloggers like this: