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Posts Tagged ‘equine’

HorseSpeakDVDStream-horseandriderbooks

Now you can learn the easy, practical system for “listening” and “talking” to horses in their language instead of expecting them to comprehend ours! Following up her international bestselling book HORSE SPEAK and spring 2018’s HORSES IN TRANSLATION, Sharon Wilsie has teamed up with Trafalgar Square Books to bring you her first instructional video program. HORSE SPEAK: FIRST CONVERSATIONS shows in real time how  Horse Speak™ can be used by any individual who works with horses, whether riding instructor, colt starter, recreational rider, or avid competitor. It promises improved understanding of what a horse is telling you, as well as providing simple replies you can use to tell him that you “hear” him, you “get it,” and you have ideas you want to share with him, too.

HORSE SPEAK: FIRST CONVERSATIONS is available in both DVD and via streaming from the TSB website. It includes:

» A precise introduction to the 4 Gs of Horse Speak.

» In-depth discussion of the 13 Horse Speak Buttons.

» Illuminating case studies of three different horses with contrasting personality types and communication styles.

» Outstanding definitions, descriptions, and highlights to help identify specific aspects of the horse’s language.

Horse Speak is “a landmark achievement along a path that will lead our kind toward greater compassion for our fellow sentient beings,” says Sy Montgomery, author of the New York Times Bestseller The Soul of an Octopus, How to Be a Good Creature, and The Good Good Pig.

“Sharon Wilsie continues to turn the world of horse whispering on its hooves,” notes Catskill Horse Magazine.

Watch the trailer for HORSE SPEAK: FIRST CONVERSATIONS here:

To order the DVD, CLICK HERE.

To download STREAMING, CLICK HERE.

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont. 

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HandyBookHorseTricks-horseandriderbooks

Trick training is becoming more and more common as a supplemental means of engaging the horse, adding interest to standard conditioning regimens, and above all, ensuring you and your horse have fun together, even as you focus on reaching specific goals. It is easy to add a few tricks to your repertoire, and the payoff can be big: just wait until you wow your barnmates with a surprise routine!

Here are the four keys to successfully training your horse tricks, as explained by Sigrid Schöpe in her approachable new manual THE HANDY BOOK OF HORSE TRICKS:

HandyBookHorseTricks3-horseandriderbooks1 PRAISE

Praise is the most important feedback you can give. This can consist of saying “Good!” in a happy voice, a gentle stroke on the neck, or a food treat. In the beginning, it’s often wise to reward even small successes with treats, and later make your praise more verbal and only give treats now and then. After you praise the horse, allow him a short pause to think so that he can process what he’s learned. Praise is so crucial to training that I will frequently remind you about it.

2 IGNORE UNWANTED BEHAVIOR

When the horse doesn’t behave how you want him to, the best strategy is to ignore him. Perhaps he hasn’t understood correctly, or doesn’t yet know what he should do and has, therefore, become insecure. Repeat your signal and praise him as soon as he takes the smallest step toward the correct reaction.

HandyBookHorseTricks2-horseandriderbooks

3 TAKE YOUR TIME

Like people, horses learn very poorly when they’re stressed. If you notice your horse getting nervous, the first thing to do is check in with your own state of mind. Are you calm and relaxed or have you brought the aggravations of your day with you to the barn? What signals might your body be sending without you even realizing it? How is your facial expression? Friendly? Or, is there perhaps a frown there?

Some horses get worked up when they don’t understand what they’re supposed to do. When this happens, go back in your training until you come to a task that your horse can do reliably. When he does it, praise him extensively. Most of the time you can resume the next day and you’ll find the horse is ready for the next step. Sometimes, it simply takes longer to learn a certain trick. You should stay friendly, relaxed, and patient.

4 QUIT AT THE RIGHT MOMENT

With trick training, horses often cooperate with a high level of concentration and enjoy the recognition you give them for a job well done. Despite the enthusiasm on both sides, make sure you do not overwhelm your horse by practicing too much or too long. End your training in a good moment, which will increase the horse’s motivation going forward.

For more clear, concise, illustrated instruction in trick training for horses, check out THE HANDY BOOK OF HORSE TRICKS, available now from TSB, where shipping in the US is FREE.

CLICK HERE for more information or to order.

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small company based on a farm in rural Vermont.

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WEGFLO-horseandriderbooks

The Opening Ceremonies for the FEI World Equestrian Games at the Tryon International Equestrian Center in Mill Spring, North Carolina, are set to begin this evening, Tuesday, September 11, at 6:00 pm EST. The World Equestrian Games, or WEG, are held every four years in the middle of the Olympic cycle. And here’s the thing…they are a REALLY BIG DEAL. Why? Because WEG combines eight World-Championship-caliber equestrian events in one place with competitions spanning 13 days: dressage, show jumping, eventing, reining, driving, endurance, para-dressage, and vaulting. We’re talking the VERY BEST equestrians in the world, and the top horses in all these disciplines, here, in the United States, for two weeks.

The importance of WEG to the equestrian industry, and the significance of it being held here in the US this year, rather than in Europe, makes it a little surprising that of all the press suddenly devoted to the Carolinas and a certain imposing Madame Hurricane, little has been mentioned of this major event and how Florence will likely impact it. The athletes from participating countries and their horses have already arrived and are preparing for competition to begin (with dressage, reining, and endurance on Wednesday, September 12), but hundreds of thousands of individuals planning to attend all or part of the competition as spectators have yet to head out by road, air, or rail. It’s like this big communal breath is held as we wait to see where Flo will track and how mean she plans to be. Mill Spring, North Carolina, is on the western side of the state, and the National Weather Service has a station on site at the Tryon International Equestrian Center, keeping close watch on the hurricane as she develops. All efforts are being made to keep the riders, their horses, and their support teams, safe, whatever the days ahead bring in terms of weather. Of course, the rest of us still have to ask if it makes any sense at all to fly toward a hurricane, when millions under mandatory evacuation order along the coastline are trying to get away?

With that pressing question set momentarily aside, we at TSB have been truly excited in the months leading up to WEG to not only attend, but to have the opportunity to support our many wonderful, talented authors who are judging, competing, performing, speaking, and signing books during the event, including: Anne Gribbons, Ingrid Klimke, Charlotte Dujardin, Carl Hester, Phillip Dutton, Doug Payne, Emma Ford, Dan James, George Morris, Yvonne Barteau, Tik Maynard, and Dr. Bob Grisel.

Global Forum NA 14

TSB author and FEI 5* judge Anne Gribbons is President of the Ground Jury for the dressage competition at WEG 2018. Photo by Sharon Packer.

To find most of our books and related book signings at WEG, visit The Chronicle of the Horse (Booth C3-4 in the World Equine Expo Area). Book signings will be arranged as competitors’ schedules allow.

In addition, those visiting with children can find TSB children’s books to explore and enjoy in the BrookeUSA activity area, as well as for sale in the BrookeUSA Shop (Booth B8). 50% of the proceeds from the sales of these books will go to support the mission of BrookeUSA and its sister charity, Brooke, the official charity of the WEG. Brooke is the world’s largest international working equine welfare charity dedicated to improving the lives of horses, donkeys, mules and the people who depend on those animals in the developing world.

Credit Brooke

TSB author and dressage competitor Charlotte Dujardin is a Brooke Ambassador. Her autobiography THE GIRL ON THE DANCING HORSE will be available at The Chronicle of the Horse Shop at WEG. Photo courtesy of Brooke.

TSB author and former Chef d’Equipe of the US Show Jumping Team George H. Morris will be speaking on two occasions on the WEG grounds:

Saturday, September 15, at 10:00 am, at the Equus Theatre.

Saturday, September 22, at 12:00 pm, on the Coca-Cola® Stage.

George Morris will be signing copies of his book UNRELENTING following each talk, with 50% of the proceeds going to support Brooke.

Fans can also meet George at a special celebration of the George Morris Collection and book signing at Dover Saddlery in Mill Spring on Tuesday, September 18, from 4:00 pm to 5:30 pm.

George laughing_1961_11736 copy

TSB author George Morris will speak on two occasions at WEG, as well as participate in a meet-and-greet at Dover Saddlery in Mill Spring. Photo by Tyler Gourley Pictures.

And be sure to stop by the GetSound® Booth (B7-6) to meet Dr. Bob Grisel and hear about his new App to help diagnose lameness in horses, as well as get a copy of his amazing new book EQUINE LAMENESS FOR THE LAYMAN.

We plan to post updates about competition results, author events and signings, and other news here, on Facebook, Twitter, and Instagram—so watch this space! Of course, all of this is pending a crazy-plane-ride toward a hurricane…

See you in Tryon…maybe?

 

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont.

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HorsesLikeHelicopters-horseandriderbooks

“Softness” is about having the sensitivity we need in order to feel when and if the horse tries to “give.” It is about developing the kind of awareness and feel it takes to know when we are working against our horses, rather than with them.

In his book JOURNEY TO SOFTNESS, renowned horseman and storyteller Mark Rashid shares methods and techniques he has gleaned from decades of work with horses, horse people, and martial artists. In addition, he asked friends, all with different backgrounds, from different walks of life, and from different parts of the country, if they would be willing to contribute thoughts on how the practice of softness has helped them in their respective occupations, as well as with their horsemanship. In this piece by Lee Cranney, an airplane and helicopter pilot of 47 years, we discover how—surprisingly!—horses are like helicopters:

I fly the Sikorsky Firehawk helicopter for the Los Angeles County Fire Department. We fight wildland fires; rescue lost hikers, climbers, and the occasional horse; and fly patients from accident scenes to hospitals.

Even after almost five decades, I continue to enjoy every minute of it. As we fortunate few who get to do what we love are fond of saying, “It sure beats working for a living.”

I have been hanging out with horses for less than a quarter of the time I’ve been flying, and most of that has been with my buddy, Dude, but I have loved every single second of it. If you had suggested to me ten years ago that I would fall in love with a horse, let alone horses plural, I likely would have said you were nuts. When Dude was offered to me free of charge as a two-year-old, I was told that he had “issues.” My first question was, “What’s an issue?” Today, I would take a bullet for him, and I think he knows it.

A lot of what I have spent my life learning does actually apply in many ways to getting along with horses. I would like to share some of that with you.

In my opinion, really good helicopter pilots spend their flying time secure in the knowledge that they can handle whatever is about to go wrong. I believe the same can be said of really good horsemen (not that I am or likely ever will be one). Constantly feeling the whole horse, constantly aware of what holds his attention, intention, and thoughts, his movements, feet, weight, and balance, secure in the knowledge they can handle whatever is about to go wrong.

The similarities between flying helicopters and working with horses are both more basic and much more complex. Helicopters, like all aircraft, have a design gross operating weight that depends on several flight weather conditions, including altitude, temperature, and wind.

From day one of flight school, helicopter pilots have instilled in them the concepts of control touch and pilot technique. These two concepts are, in practice, identical to softness and feel; if I move the cyclic control (the “joy stick” or simply the “stick”) a minutely small amount, the commensurate effect on the main rotor is significantly more. This gives the helicopter amazing maneuverability and versatility but makes it extremely touchy (“squirrelly,” if you will). Experienced pilots will typically rest their right hands on their right thighs and make small, almost imperceptible inputs to the cyclic to achieve desired changes (sounds somewhat like horsemanship, don’t you think?). And, just to make it a little more interesting, any input in any one of the five controls requires a compensating corrective or offsetting control input in all of the others: “Rub your belly, pat your head.”

To illustrate: an average pilot can take off from a hover with the aircraft at the design gross weight for that altitude, temperature, and wind condition. If he ham-fists or over-controls during the maneuver, the aircraft will actually settle back to the ground rather than take off. Normally (and if the pilot in command has ensured that the aircraft is loaded for the conditions), there is a built-in “fudge factor” of power available to compensate and still allow an average pilot to make the takeoff. A pilot who cultivates control touch (softness) and pilot technique (feel) can, in fact, get the same aircraft off the ground smoothly and with less power. Inevitably, in the life of a working helicopter pilot, there will come a time when he needs that control touch and pilot technique to save the aircraft and all on board. Consequently, softness and feel are drummed into us as the way to get the most from our machines in the worst conditions.

Imagine my astonishment when much, much later, I began to experience, on a horse, the effortless beauty of asking for a soft feel, or change of gait, or turn with no touch at all; simply thought, connection, and breath and then we do it. Together. As one. Doesn’t happen all the time, of course, but when it does, it is truly amazing. And almost enough to make a grown man bawl. So, softness and feel equate to pilot technique and control touch. Okay. Makes some sense.

Then there’s this: One day when I was on Dude at a Mark Rashid clinic, he said that I should “ride the whole horse.” I got the concept immediately. We learn to use all five senses to fly an aircraft. (If you wonder about using taste and smell to fly, I’d be happy to explain it to you, but it gets a little overlong.) I was able to translate that awareness of the whole aircraft to a slowly blossoming awareness of the whole horse. Each foot, which way his thoughts, energy, and weight are inclined to go next. To the degree that I can stay aware of it all, I am able to stay ahead of the horse/aircraft. Pilots whose attention stays inside the cockpit tend to be unaware of situations developing around them—weather, other aircraft, fire patterns, and so forth—which sometimes results in disaster. We refer to this as situational awareness (being aware of all around us, both near and far), and it is certainly applicable to horsemanship.

One last thought: Federal aviation regulations require pilots to perform a thorough preflight inspection. This is a fine habit we all strive to cultivate and, it seems to me, a good one for horsemen and -women as well.

JourneytoSoftnessJOURNEY TO SOFTNESS by Mark Rashid is available to order from the TSB online bookstore, where shipping in the US is FREE. 

CLICK HERE to download a free chapter or to order.

 

DID YOU KNOW…

TSB has ONLINE STREAMING options and a generous LOYALTY PROGRAM? Check them out!

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont.

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FutureIsthePast-horseandriderbooks

In 2017 and together with Kenilworth Press in the UK, TSB released the book SPORT HORSE SOUNDNESS AND PERFORMANCE by Dr. Cecilia Lönnell. George Morris was an enthusiastic supporter of the premise of Dr. Lönnell’s book, and so wrote a detailed foreword that makes many points that are of great value to all of those within the horse industry who are striving to do better by the horses we ride, train, and love. Here, in its entirety, is George’s foreword:

I’ve known Cecilia Lönnell for a long time, having shown extensively in Sweden and taught many, many clinics there over the years. I’m very fond of her and fond of that country. To be asked to participate in a book that also features such an illustrious young group of equestrian superstars is a great honor.

What Cecilia has done here is she’s gone back to the past and at the same time shown how knowledge from solid experience is supported by modern equine veterinary research. Nothing here is new, and that, with horses, is always better. I never in my life spent in equestrian sport pretended to reinvent the wheel. I was a copier. I copied Bert de Némethy. I copied Gordon Wright as a teacher. I copied Bill Steinkraus. To this day my whole day is spent trying to understand old, classic principles. Be it teaching, be it riding, be it training, be it care of the horse – that is all I try to do, every day of my life. Gordon Wright used to say, “Nothing is new, we just do it better and quicker than we used to.” And that’s what we get from the best horsemen – it isn’t new, it just might be better and quicker.

Here, Cecilia has encapsulated all the points it takes to produce a horse – be it a pleasure horse or an Olympic horse, it doesn’t matter. The points laid out on these pages are about what is best for the horse. Often in competitive riding, in all disciplines, we go off on tangents that are contrary to the best interests of the horse. Artificial devices, artificial footing – this is not what’s best for the horse.

 

When you talk about horses and you talk about horse sport as Cecilia is, your first consideration is the management of the horse. If you buy a Hickstead or an Azur and send him to a third-rate boarding house, in about two seconds, you’re going to have a third-rate horse. The most important thing is what the great old Virginia horsewoman and trainer of Conrad Homfeld and Joe Fargis Frances Rowe used to call “beautiful care”: how the barn is set up, the bedding of the stall, the feed programme, the vet, the equine dentist, the farrier, the quality of the grooming – it all should be  beautiful care. Many of the riders quoted in this book are more hands-on in terms of stable management than I ever was, but our mission is the same: to give our horses  beautiful care.

The greatest horsemen in the world – and I’m not necessarily talking about riding here – are the English. They always have been. Now I’m not saying the French, the Germans, the Swedes, the Dutch aren’t good horsemen – they’re all great and each is different – but I’ve traveled just about every country in the world and as far as the care and management of the horse, the greatest horsemen in the world are the English. That’s why all the continental riders get English grooms to take care of their horses – horse care is in their blood. Being an American from the Northeast part of the country, I grew up with an offshoot of English horsemanship, and the whole thing is based on  natural: turning horses out, riding through the country. Carl Hester revolutionized dressage because he approached it from a technical, scientific point of view, but allowed his English horsemanship to take it to a different level. We all know he is, yes, a very talented rider, but what really “woke up” the dressage world is that he hacks his horses out, turns his horses out, shows that dressage horses should not be circus animals confined in stalls. He, and many other contributors to this book, assert that this should be the standard.

Bert de Némethy, who was a Hungarian trained in Germany, managed the US equestrian team beautifully during his tenure, and he always had us work our horses on different surfaces – something that Beezie Madden notes as key in this book and is also supported by scientists. We would base at Aachen and Bert would have us ride gymnastics on the turf fields (which are now some of the warm-up rings) but often we also rode in the old dressage ring where the footing was quite deep. I would cheat with my hot horses that were above the bit – I would get them on the bit by tiring them out in that deep sand. But we rode on the roads, we rode on the turf, we rode in sand. Today too many horses are always worked on the same artificial “perfect” footing, as some call it.

After management of the horse, the next most important consideration is selection of a horse for his rider and for his “job.” And this is just as applicable to a school horse as it is to Big Star. The school horse is just as valuable as Big Star. Actually, everyone knows there’s nothing as valuable as a top school horse! Selecting the right horse for a particular rider and a particular job depends on a mix of experience and instinct – some people, even laymen who maybe aren’t so experienced, they have an eye for a horse, whether the best fit for an amateur hunter rider, a top dressage rider, a four-star eventer, whatever. The great thing about this book is that Cecilia has included this kind of information, and it is dispensed by individuals who are current, they are champions, people know them. They’re not people like myself, out of the dark ages. Their advice is all very relevant, and they are all saying the same thing.

Next you get to my pet peeve: the way people ride their horses. The United States historically has always been very weak in dressage. It is an afterthought. In the early days we had Thoroughbred horses that were so courageous and so special that we fudged dressage. Now we’ve finally caught up, and England has caught up, but “fudging dressage” is still haunting the world, because I go all over the world and people are faking it everywhere. Faking it and tying horses down is crippling horses. There was a great about-face five  or six years ago because of Rollkur. Overflexing horses is very damaging to the horse, and luckily, it has taken a swing for the better. However, it is not good enough, especially in the jumpers – event horses and dressage horses have to more or less stay to the correct line because they are judged, but jumpers, they just strap them down, tie them down, put this on them, that on them, and away they go. The sport community – jumpers, eventers, dressage riders, and I mean in every country – must address how we work the horse, that whatever the discipline, it should be according to classical principles. The dressage work for sport horses has been a weak link, probably throughout history. And it still is a weak link. And I will speak up about it. It’s not rocket science. There are books hundreds of years old that tell you how to work a horse!

ARHORS

Like this one!

In addition to not fudging dressage, great riders don’t overjump. The two cripplers of a horse are footing and jumping. Knowing this, all the great riders don’t overjump. We work a horse every day for condition, for discipline, for rideability. A friend of mine, Peder Fredricson (a Swede), he works the horse beautifully, so I will pick him out. He works a horse without auxiliary reins, he’s had a vast background in correct dressage, and I watched him at the Olympics in Rio de Janeiro, where his quality of work was rewarded as he won individual silver. I am closely aligned to Beezie Madden – I know she’s not an overjumper. Laura Kraut is definitely not an overjumper. John Whitaker, my idol of all the people I’ve ever seen, since I started riding – he’s my idol of idols – he hacks out, he walks on roads, he doesn’t overjump his horses. I was a driller when I was young. I drilled horses and was a culprit of overjumping. That’s how I know that overjumping is the kiss of the death. At best a horse gets stale, at worst he gets sore or lame.

These three important points – management, selection, and how we ride – are the topics Cecilia has pulled together in this book under the auspices of the superstars and scientists of today, giving old information credibility. And in some ways it’s all old news…but it’s forgotten news. Lots of young people today, they’re so competition-oriented, they forgot the whole point. Horse show horse show horse show. Ranking ranking ranking. I wouldn’t still be doing this sport the way I still do it, teaching and riding, if that was all it was. That is very, very limited. These “desperate housewives” and “weekend warriors,” as I call them, have not yet been influenced to understand the point. And that is the point of this book. When I was under the tutelage of Bert de Némethy, we were a very classy group of young guys – we could afford to live well. But we learned from him and our other trainers in those days, the point was the daily work, the dressage, the beautiful care. The horse show was just an occasional test that showed us where we were in relation to the other people; then we went home and took care of our horses, schooled our horses. But a lot of people at horse shows today, all over the world – it’s not just one country – they’ve lost the plot of what this is about. It’s not just about rankings, points, and selection for championships – that’s the icing on the cake.

Cecilia has done a great service to the sport: What she has gathered here is so correct, all going back to the past, but couched in modern perspective. People say about me, “Oh, he’s old fashioned. The sport has passed him.” Well, the greatest compliment I can get as a horseman is that I’m old-fashioned. The sport has not passed me; there’s nothing different about working a horse the classical way, about caring for him as suits his nature. The future is the past.

–George H. Morris

 

SportHorseSoundnessFinal-horseandriderbooksSPORT HORSE SOUNDNESS AND PERFORMANCE is available from the TSB online bookstore, where shipping in the US is FREE. 

CLICK HERE for more information or to order.

And if you are interested in more from George Morris, UNRELENTING, his bestselling autobiography, is also available.

CLICK HERE to read more George. 

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont.

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In caring for your horse’s feet, you not only want to see how the left and right halves of the foot are balanced, you also want to evaluate the hoof’s front-to-back balance. We call this dorsopalmar balance when we’re talking about the front feet, and dorsoplantar balance when we’re talking about the hind. You may also see the term anterior/posterior balance, which is the same for both front and hind feet. Farriers and veterinarians may refer to this in shorthand as “DP balance” or “AP balance.”

TheEssentialHoofBook-horseandriderbooks

The foot on the left has poor dorsopalmer balance (DP), with much
more mass ahead of the widest part of the foot (blue line) than behind it
(green line). The foot on the right has nearly perfect DP balance.

What you ideally want to see is a foot with approximately 2/3 of its mass in the back of the foot, behind the true apex of the frog (usually located about 1/2 inch behind the front point of the frog), and 1/3 ahead of the apex. This also equates to a foot that has about 50% of its mass both ahead and behind the axis of rotation of the coffin bone, a point which corresponds to the widest part of the foot. A foot with these general proportions accomplishes two very important things. First, the foot will have a strong base of support, with the hoof set up well under the bony column of the leg, maximizing the hoof’s ability to bear weight and dissipate impact forces. Second, good DP balance allows for a point of breakover that puts minimal strain to the joints and soft tissues.

When the front part of the foot is longer than the back part, this is called dorsopalmar or dorsoplantar imbalance. An alarming number of domestic horses have this kind of imbalance, which most frequently takes the form of long-toe/low-heel syndrome. When a foot has this conformation, breakover will be delayed, which can cause a variety of problems for the horse.

 

horsewalking-horseandriderbooks

Your horse needs you to care about his feet.

Hands-On Exercise

To check out your horse’s feet for front-to-back balance, find the widest point of the foot, then draw a line across it with a marker. Next, measure from that line to the very back point of the heels that touch the ground and jot that measurement down. Lastly, measure from the line forward to the point of breakover (POB), which is the most forward point where the hoof would contact the ground if standing on a flat surface. If there is any bevel in the shoe or toe, the POB is the spot where the bevel starts.

Now compare your measurements. If you find that your horse has more mass in the front part of the foot, talk to your hoof-care provider about it. If he or she is not concerned, it might be advisable to get a second opinion from another provider or your veterinarian. Repeat this exercise on all four feet. You can also use your measurements to compare the left front to the right front, and the left hind to the right hind. Note any disparities and discuss them with your hoof-care provider as well.

THE ESSENTIAL HOOF BOOK by Susan Kauffmann and Christina Cline is available now from the TSB online bookstore, where shipping in the US is FREE.

 

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont.

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55CorrectiveExercises-horseandriderbooks

Have you found yourself trying to resolve one of the following challenges related to your horse’s posture or performance?

• Rebuilding after an injury or extended time off.

• Countering an unspecified weakness that prevents him from doing what you ask.

• Improving stiff, uncoordinated, or short-strided gaits.

• Softening a rigid or hollow topline.

• Lightening heaviness on the forehand.

• Correcting a hindquarter anomaly like locking stifles, an unstable pelvis, or a strong preference to travel one direction versus the other.

 

Or maybe you are wondering whether:

• His resistance to work is due to physical limitation or behavioral issues.

• He is physically capable to do what you’re asking.

• There is a specific source of his weakness or reason for his lack of progress.

• There is a cause for his need of frequent chiropractic adjustments or the way he often feels “not quite right.”

• There are ways you can make his gaits easier and more fun to ride.

 

Over time, horses (like people) acquire postural habits, compensate for soreness and injury, and develop poor movement patterns. This limits performance ability, causes unsoundness and health issues, and ultimately undermines the horse’s overall well-being.

Jec Aristotle Ballou has made a name for herself advocating for the horse and providing sensible instruction in his schooling, conditioning, and care. Her bestselling books and popular clinics are designed to enable any horse person to correctly apply proven principles that bring measurable progress while avoiding boredom and confusion. In her latest book 55 CORRECTIVE EXERCISES FOR HORSES, she provides a collection of mounted and unmounted exercises, demonstrating how we can actively work to improve the horse’s posture and movement, whether he is an active performance or pleasure mount, an aging or older horse that benefits from gentle exercise, or one being rehabilitated following injury, illness, or lack of conditioning.

Ballou’s positive cross–training techniques are free of shortcuts, and her guidelines for analyzing the horse’s posture and way of going help readers gain a new awareness of the equine body. Applicable for all disciplines, this is an integral collection that optimizes how the horse uses his body and helps ensure he stays sounder and healthier for more years of his life.

55 Corrective Exercises for Horses55 CORRECTIVE EXERCISES FOR HORSES is available now from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information or to download a free chapter.

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small company based on a farm in rural Vermont.

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