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Posts Tagged ‘equestrian’

JonathanFieldandHalBreyerfest-horseandriderbooks

Are you packed and ready to head to the Kentucky Horse Park in Lexington, Kentucky, to celebrate the 30th Anniversary of BreyerFest? That’s right, July 12-14, 2019, marks 30 years that Breyer Animal Creations has brought to life a fabulous family festival that combines the excitement of a real horse fair with model horse activities, and this year, TSB author Jonathan Field is a featured performer, along with his wonderful horse Hal. Hal, who was one of the equine stars in Jonathan’s glorious  book THE ART OF LIBERTY TRAINING FOR HORSES, is coming out of retirement and making the trip to this year’s Breyerfest for a very special reason: He now has his very own Breyer model! A very limited supply of the Hal model will be available for sale at BreyerFest.

HalBreyerModelInsta-horseandriderbooks

Hal Breyer model available at BreyerFest 2019. Limited quantities so hurry! Hal model imagery courtesy of Breyer Animal Creations.

Here is Hal’s story as Jonathan told it in THE ART OF LIBERTY TRAINING FOR HORSES:

 

“Hal’s my number one horse, and my best horse friend. We have been through a lot together, learned a lot together, traveled thousands of miles, and quite frankly, I owe a lot of my career to Hal.  

“A Quarter Horse gelding, Hal was given to me when he was three years old. For many reasons, he had been running into problems with training, and was subsequently bought back by his breeder. After returning home, he tried to pin his owner in his stall and threatened to kick her. He bucked when ridden and was always getting into mischief. Hal is a horse that if you don’t come up with something for him to do, he will happily come up with something of his own. And, it’s likely to be troublesome. 

“So Hal came to me to be restarted. After about a month in training, his owner came to watch me with him. After our session, she approached me with tears in her eyes. I thought I had let her down, but they were tears of happiness. She went on to tell me how much Hal had meant to her from the time she raised him. He held a very special place in her heart and she named him after her dad’s initials. The tears came because she was so elated to see Hal look as happy with a person as he had with his dam. I was taken aback, and very glad my customer’s tears were good tears! 

“That day, I thought we were doing well because of my skill, but the reality was I was a young trainer, early in my career. Looking back, I wish I could take credit for Hal making such a change, but I think we were just a good personality match. He taught me more than I taught him. 

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“I was looking for a horse at the time and Hal’s owner was so pleased with what her horse and I had done together that she said she would love to see how far our partnership could go. So she offered Hal to me that day. I accepted, and promised to make her proud of what we would do together. 

“In a lot of ways, Hal and I hit it off right from the start. He was very sensitive, but also worried. He is a ‘thinking kind of horse.’ If he’s going to buck with you, it’s because he got scared first, then says, ‘I bet I could buck this guy off.’ It is more of a plan than a true prey animal flight reaction. 

JonathanFieldHalBreyerfestPIN-horseandriderbooks

Photo by Robin Duncan.

“In the beginning, it was like every little thing meant something too much to Hal. If he got confused or overwhelmed, he would lose confidence and want to flee. If he couldn’t run away, he would kick or buck. He took everything so personally. Even a simple thing, like how fast I approached to catch him, could put too much pressure on him. 

“Gradually, I learned that if I came toward him slowly and respectfully, he quietly waited with no problems. He was just a horse that was born wired sensitive. His confidence was a bit like porcelain: easy to crack. 

“To this day, I still see some of these attributes in Hal from time to time. Now, he is a star and has his own fan club. At the big expos and events where we perform, many people want to go to his stall and see him. Some of my horses eagerly await the attention, with their heads out of their stalls, waiting for a rub. Not Hal.  

“Then, the amazing thing is Hal and I go out to the arena at show time, and he fills the room with joy! As he gallops around looking right at the crowd, it looks like he is having the time of his life—and I believe that he is. 

“Early on, liberty was the best thing for Hal. It gave him the freedom to move and express himself, building his confidence in me and mine in him. As we started to gain some trust and communication, things changed. I began to have the benefits of a supersensitive horse, but with trust to build a partnership. It was then that my riding with him took off.”

Jonathan and Hal 4-horseandriderbooks

Photo by Robin Duncan.

Don’t miss your chance to get a limited edition model of Hal at the 2019 Breyerfest! And read more about Hal and Jonathan Field’s other horses, as well as learn his techniques for teaching a horse how to play with you at liberty in his book THE ART OF LIBERTY TRAINING FOR HORSES, available from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information or to order.

Trafalgar Square Books, the leading publisher of equestrian books and videos, is a small company based on a farm in rural Vermont.

 

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Horse Shoe Picture Frames and Luck Catchers in Horse Fun

Do you know kids who dream of having a horse of their own? A four-legged friend who comes when they call and nickers when they’re nearby? Who doesn’t judge or pick favorites? Who always listens quietly when they need someone to talk to? When a real horse or pony is still in the future and not in the barn outside, playing with plastic horses, doing horsey crafts, and learning about how to ride and care for horses is the next best thing.

Horse Shoe Luck CatcherHere are two simple fun summer projects to make when horses are your favorite thing: a horse-shoe picture frame and a “luck catcher.” Both of these craft ideas are easy and don’t require a lot of set-up or clean-up. They are two of the many projects featured in the book HORSE FUN by Gudrun Braun and Anne Scheller with artwork by award-winning Manga artist Anika Hage.

CLICK HERE to download your FREE PDF instructions!

HORSE FUN is for all horse-crazy kids, whether they ride “now” or “not yet,” combining real horse knowledge with super-fun games, quizzes, crafts, and activities. It teaches the basics of horse care and equitation while keeping learning interesting with equine trivia. Plus, there are lots more craft projects to try! Make tote bags, jewelry, and even a hobby horse to compete in hobby horse shows (all the rage)!

Here’s what one young reader said about HORSE FUN:

Horse Fun Book Review Girl on Mustang

 

HORSE FUN is available from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information or to order.

Trafalgar Square Books, the leading publisher of equestrian books and videos, is a small business based on a farm in rural Vermont.

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FathersFatherhoodHorses-horseandriderbooks

Dads. What a marvelous invention. My own repaired fence, stacked hay, held horses, and drove the antique trailer he’d found for next to nothing to countless 4-H shows, all so I could be a horse girl. Pretty sure, looking back, there were plenty of other things he would have rather been doing, and better ways he probably could have spent his hard-earned money, but I don’t remember him ever complaining.

Thanks, Dad.

We tracked down some of our authors and asked them to share their memories of their fathers…or their own experiences being “Dad.” We’ll let them tell their own stories.

 

David Thelwell, son of popular cartoonist Norman Thelwell, author of PONY CAVALCADE and PONY PANORAMA

“When you are a child, ‘Dad’ is just that person who is always there to support and nurture you, to amuse and annoy you. He’s someone to turn to…and someone to stop you doing what you really want to do.

“When he is gone, you can put his life in perspective and see how important he was to you and what he was as a person.  I am grateful for everything my father did for me and my sister, and now I can understand his legacy and achievements.

“I was lucky—as long as I can remember my dad worked from home, so he was always around, and I could see what work he was doing in the studio. I thought, how great to spend your life drawing and painting, doing something that you enjoy. As I appreciate now, he gave joy and laughter to so many people, for so long. That is something few people ever achieve.”

NormanThelwell-horseandriderbooks

Norman Thelwell at work in his studio. Photo courtesy of David Thelwell.

 

Dan James, author of LONG-REINING WITH DOUBLE DAN HORSEMANSHIP:

“My dad was 99 when he passed away last year. He served in the Second World War, was a stockman, and loved the Outback. He had a lot of very funny statements. One of my favorites was, whenever we complained about working outside in the heat, ‘Well, if you worked a little faster, you would create your own breeze.’

“His name was George James.”

 

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Dr. Bob Grisel, author of EQUINE LAMENESS FOR THE LAYMAN:

“This Father’s Day, I will be thinking about my hero. He is a chinook helicopter pilot flying regular nightly missions in Afghanistan. He is not there to cause anyone harm, but rather is there to help his comrades of all nationalities and provide cultural stability to a torn country. He is the kindest, gentlest, most compassionate ‘warrior’ that I have ever known. He is my hero as well as my son. How can Father’s Day get better than that?”

BobGrisel-horseandriderbooks

Ben Grisel is second from right. Photo courtesy of Dr. Bob Grisel.

 

Florence Le Goff, daughter of renowned equestrian coach Jack Le Goff, author of HORSES CAME FIRST, SECOND, AND LAST:

“When I was a young girl my father and I would enjoy fishing together on his boat. A day on the Essex River was full of fish (and sometimes eels and rays!), lobster retrieval, and driving the boat while he gave you a lesson on ‘red right return.’ Much like our riding sessions, he was a humoristic drill sergeant! He was a master at enlisting you to help launch the boat on the ramp, pull up the lobster pots, and be his ‘Number Two.'”

JackLeGoff-horseandriderbooks

Jack Le Goff fishing with friends. Photo by Florence Le Goff.

 

Jonathan Field, author of THE ART OF LIBERTY TRAINING FOR HORSES:

“Being a father is the priority in my life right now. I aim to lead as an example for my boys to go forward as strong young men, to hold themselves with integrity, and to value others.

“I was so proud of my son Weston the other day when the hockey arena maintenance man told me he had never had a boy come up to him, shake his hand, and thank him after every ice time (which is at least four days a week). I was particularly touched because I never suggested to Weston that he should do this specifically, but just, in a general sense, to look out for the people around you who help you in some way…and thank them.

“This also made me begin to realize that in some ways my work as the guiding hand for a young man is coming to an end…soon we will stand alongside each other, and I will be in a new role as a father.”

 

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Tik Maynard, author of IN THE MIDDLE ARE THE HORSEMEN:

“Being a dad has made me want to be a better son. My dad, at 76, has started eventing again, and now we all go to the horse shows as a family.

“Here are two things that I would not have believed a year ago: Having a kid is more time consuming than having a horse. Having a kid is more rewarding than having a horse.

“I love this saying I heard recently, from Confucius: “You have two lives. The second begins when you understand you only have one.”

 

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Denny Emerson, author of KNOW BETTER TO DO BETTER and HOW GOOD RIDERS GET GOOD:

“Winter or summer, my father’s Morgan, Millers Commander, was a huge source of joy and companionship. What more can we ask of a horse?”

 

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Daniel Stewart, author of FIT & FOCUSED IN 52 and PRESSURE PROOF YOUR RIDING:

“Several years ago I was teaching a 12-day clinic tour of Alaska and asked my father to join me for the trip. I’d work from 8:00 a.m. to 2:00 p.m., and then he and I would spend the rest of the day together, acting like tourists. At some point toward the middle of our trip, he asked if he could read my book RIDE RIGHT; he spent the next few days reading it from cover to cover. When finished I asked him what he thought. While I was expecting something along the lines of ‘Wonderful,’ or ‘Great,’ or ‘I’m so proud of you…’ he simply said, ‘So when are you going to write another?’ When I replied that I didn’t really plan on writing another book, he said I was crazy and that I had much more to teach than what he had read.

“So, long story short, I went straight home and started work on my second book. When I look back on that father-son trip, many memories come to mind, but none of them as inspirational as when he told me that I was crazy for not writing another book!”

 

Jochen Schleese, author of SUFFERING IN SILENCE:

“I often wonder what makes or forms our thoughts; why we feel what we feel, or why we do something for someone else instead of just for ourselves. This year I lost my dad, and although he is not with us anymore, he will always be in my heart. I am his legacy, in so many ways. From the the day I was born he was there for me. He taught me values that I passed on to my children. As a child I often thought, ‘Why is my dad so strict with me?’ only to realize many years later that he did what he did because he loved me and wanted me to be ready for this fast-moving world.

“I believe this should be the job of all of the fathers of this world. Love, protect, and teach your children what is right and what is wrong. Be role models to teach your children love and respect, and teach them to earn trust with fairness and kindness. It should be in each father’s instinct, to protect and provide, to teach and take care of their children and family, so they can survive when they someday lose their father.

“My dad taught us to try to always understand the ‘why’; to be independent with our thoughts; to become leaders and not lemmings; to understand that the person who knows the ‘how’ will always follow the person who understands the ‘why.’

“I am so lucky and happy to have such beautiful children with my wife. My children are truly beautiful—not only outside but more importantly, inside. I always spent as much time as I could with them in their early years—as much as my business travels allowed. Besides the evenings and weekends, I also took Tuesdays off. We called this ‘Family Day’ and spent it doing things together: skiing, swimming, playing board games, reading. In hindsight, children grow up so fast, I feel I should have spent way more time with them. I guess my dad and I are really alike…we live and breathe each day for our family. Nothing makes me more happy than to see such healthy, wonderful, and successful children, and to enjoy the wonderful memories of the time I have had with them. It’s a tribute to the way we brought them up that my kids still love to spend time with us, go on vacations with us, and call us from wherever they are in the world—almost daily.

“One of my many wishes I have as a dad is that my children will always have as wonderful a memory of me as I have of my dad. This year will be my first Father’s Day without him, and although he was just ‘buried’ at sea in the Baltic, I will never lose his love and guidance.”

 

Trafalgar Square Books, the leading publisher of equestrian books and videos, is a small business based on a farm in rural Vermont.

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Whether it was the dawdling pony, ignoring our short, five-year-old legs ricocheting off his sides, or the experienced schoolmaster who knew enough to make us earn a forward ride, we have all struggled to put a horse in front of our leg at one point or another. A common mistake when your walk leaves much to be desired, it would seem, is to actually spend time working on the walk. The short of the long is: Don’t do that.

Christoph Hess, FEI “I” judge in both dressage and eventing, gives us these alternatives to developing a good walk in his book BETTER RIDING WITH CHRISTOPH HESS:

 

A good walk is developed by the rider through correct riding in the basic gaits of trot and canter. This sounds paradoxical at first, but practice shows that a good walk cannot be achieved by always “working” the horse in this gait exclusively. Rather, a good walk is developed by having the horse securely on the rider’s aids, allowing himself to be ridden “through” while stretching and in balance at the basic gaits of trot and canter.

TrainingaGoodWalk-horseandriderbooks

Photo by Peter Prohn

At the walk, the rider can check how rideable her horse really is. She can determine if the horse is supple and relaxed, responding to the driving aids—without the horse being lazy and lethargic—and “seeking” the bit, meaning he is stretching toward the rider’s hand. The rider must always be able to ride forward, and also sideways, at any time. The better and, above all, more responsively the horse accepts the rider’s driving aids, the better the results on the walk will be.

 

HowtoGetaGoodWalkpin-horseandriderbooksRide It Correctly

In dressage tests, the walk scores are given a coefficient of two, which means the walk counts twice. For one, the crucial rhythm, fluidity, and ground cover are scored. For another, the judges pay attention to ensure the rider actually rides the walk and does not just go along as a “passive passenger.” This active riding of the walk is an important criterion for assessing whether or not the rider is on the correct path to training her horse. To accomplish this, the rider applies her driving leg aids at the moment the hind leg on the same side is striking off. This is a process during which the horse ideally “picks up” the driving aid himself. The prerequisite for this is a supple hip joint. At the same time, the rider should follow the nodding of the horse’s head and neck with her hands and have the feeling that the horse is framed between her aids. As this takes place, the horse will stretch forward and downward, opening the angle at his throatlatch, and through this, the line from forehead to nose should come just slightly ahead of the vertical. This is the prerequisite for the horse to establish an even rhythm and achieve ground-covering strides.

Though this sounds easy when put into words, it is really not easy to achieve in practice. In the course of her education, every rider must discover for herself the right feel for riding the walk. On the one hand, she needs to allow the horse to walk on without driving him excessively; on the other hand, she cannot become really passive, which can lead to a considerably worse walk.

RideBetterwithChristophHess-horseandriderbooks

An even walk with a clearly recognizable “V.” This is a visual aid for a clear four-beat rhythm. Under no circumstances should the foreleg and hind leg on the same side come close to moving concurrently. This would indicate a pacing walk. Illustration by Cornelia Koller

 

Trot-Canter Transitions

Doing transitions from trot to canter and canter back to trot is one of the most valuable exercises for effectively improving a horse’s “throughness,” willing cooperation, obedience, and responsiveness to his rider—all necessary for a good walk. I recommend you incorporate these transitions very deliberately into the content of every daily training session. Practice these on a big circle, making sure your horse stays on your driving aids, even as he “shifts up a gear” from trot into canter and then “shifts down a gear” from canter back to trot. On the “downshift,” it is especially important that you maintain the impulsion from the canter as you return to trot, without the trot becoming rushed. You should visualize yourself “cantering into the trot” as you begin to trot. This is only possible when you are supple through your hip joint, following the movement of the new gait, allowing it to carry you along. In order to further optimize your horse’s “throughness,” you should just slightly lengthen the canter strides just before the downward transition to trot, then after the successful transition, just slightly lengthen the first trot strides. As this takes place, the horse must maintain a forward tendency. Under no circumstance, should the transition be from an extended canter into an extended trot (which has a tendency to be a “passage-like” gait). As the actual transition takes place, you must always have the feeling that you could offer a release, typically by moving one or both hands forward along the horse’s neck, or allow the horse to “chew” the reins from your hand.

If you ride the transition from a backward orientation, meaning from short canter strides and/or into short trot strides that lack impulsion, you will not be able to ride a rhythmic, fluid, and efficient walk. At the moment of the transition, take more feel of the horse’s side with your inside calf, which will make the transition so much easier; with a well-trained horse, you will then be able to complete the transition without application of rein aids. You’ll feel, respectively, as if you’re only “listening in closely” to the horse’s mouth with your hands (through your reins). In this way, you will avoid applying inside rein. Doing so blocks the horse’s strikeoff from the inside hind, which leads to a failed transition. The canter-to-trot transition, in particular, has a pivotal significance to harmonious and, thereby, sensitive riding in all three basic gaits.

One more useful tip: a few canter strides before your transition to trot, think leg-yield; if you’re more advanced then think shoulder-fore or shoulder-in. The same applies to the transition from trot to walk.

Ride Better with Christoph Hess REV-horseandriderbooksFor more riding and training tips from Christoph Hess, check out RIDE BETTER WITH CHRISTOPH HESS, available from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information or to order.

 

Are you looking for new ways to rev your riding engines? Jane Savoie’s bestselling equestrian sport psychology book IT’S NOT JUST ABOUT THE RIBBONS is now available in audiobook format!

CLICK HERE to learn more.

Trafalgar Square Books, the leading publisher of equestrian books and videos, is a small company based on a farm in rural Vermont.

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RidersPainFreeBack-horseandriderbooks

Photo by Charles Hilton.

Apparently, equestrians played a key role in popular bar design. Never mind the obvious (sometimes a horse girl needs a drink)—theory has it, back pain, likely related to hours in the saddle, was the key influencer in this equation.

Riders Pain-Free Back-pb

Click for info.

“Back pain affects four out of five people at some time during their lives,” explains retired neurosurgeon and horseman Dr. James Warson in his book THE RIDER’S PAIN-FREE BACK. “It is the leading cause of disability for people between the ages of 19 to 45. Back pain is second only to the common cold for causing adults under 45 to miss work. Furthermore, as we age, low back pain becomes more and more common—affecting half of the population older than 60 at any given time.”

Uplifting, right? But the kicker is, whatever causes the back pain—be it sources outside or within our equestrian pursuits—it ultimately affects our ability to ride, as well as our enjoyment of it. And that, my friends, would surely drive a man to drink.

Drunk Bojack Horseman GIF - Find & Share on GIPHY

So what does all of this have to do with bars?

RidersPainFreeBackpin-horseandriderbooks

Photo by Charles Hilton.

“A posture characteristic of people who have spine problems or pain is a tendency to flex the hips and knees somewhat,” says Dr. Warson. “This takes traction off the nerves—particularly the sciatic nerve—and makes them a little bit more comfortable. Extending the back—especially when standing with a straight leg—may irritate the nerves. This is why people who have severe back problems tend to bend forward somewhat, as well as flexing their hips and knees, in order to get some relief.

“In the ruins of Pompeii are a staggering number of saloons, bordellos, and bathhouses. Each of these entertainment places featured a long, low, stone step that ran in front of what was the equivalent of the bar. Since most of the people who rode horses in that era were either soldiers or politicians, and since the proprietors of the various establishments wanted to keep their elite clientele happy, the low step encouraged the power players to gather around the bar. Riders were generally wealthy and worthy of courting as patrons. Long hours in the saddle, however, contributed to a host of chronic back problems. The low step allowed clients to flex the hip and knee. It would alleviate their pain somewhat, enabling them to stay at the establishment longer—and spend more money.

RidersPainFreeBack2-horseandriderbooks“The bar owners knew that the people who rode in on horseback were probably hurting. They also knew that flexing the hip and knee would make them more comfortable. People standing at the bar could rest their feet on the step and ease some of their chronic pain. If the patrons were feeling no pain, they would tend to hang around longer, and they’d tend to drink more.

“Later on, especially in Europe, the stone steps were replaced with a brass rail, which is commonly seen and still used today at the base of bars almost everywhere.”

There you are, folks…a rider’s reason for that foot rest at the bar. Party people everywhere have equestrians to thank for their hours of comfort, belly-up.

Cheers.

THE RIDER’S PAIN-FREE BACK is available now from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information or to order.

Trafalgar Square Books, the leading publisher of equestrian books and videos, is a small business based on a farm in rural Vermont.

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DressageforNoCountry-horseandriderbooks

In the 1970s, the sport of dressage was still in its infancy in the United States. Unlike the countries of Europe, there was neither an established tradition nor a written history to educate and inspire. A rider intent on learning the discipline had to be prepared to travel, to immerse himself in other cultures, and to care only for what those who had already mastered the art might teach him.

DressageforNoCountryPin-horseandriderbooks

Photo by Rose Caslar Belasik

Paul Belasik was this rider, intent on learning all he could about dressage methodology, and willing and able to compare and contrast the various means for achieving related goals: beautiful movement, “lightness,” connection between two beings. In his new book DRESSAGE FOR NO COUNTRY he shares a lifetime of searching and studying, both through stories of his own adventures and thoughtful essays on the subjects he has pondered during the years he has trained and ridden horses. Beginning in northern New York, and traveling to Portugal, and later, Vienna, Belasik serves as a tour guide of the various dressage “paths” he had the chance to explore, including the German system, the Portuguese art of equitation, and the revered institutions of the Spanish Riding School.

Dressage for No CountryArmed with the knowledge and experience he accrued over time, Belasik debates whether classical dressage and competition dressage are at all compatible. Then, he considers the role of mindfulness, how to become a good teacher, and how to be a good student in today’s horse world, providing the guideposts needed to take dressage–and riding, in general–the next step forward.

DRESSAGE FOR NO COUNTRY is available now from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information or to order, and watch the book trailer below!

Did you know? TSB is streaming some of its most popular equestrian videos! We really are! CLICK HERE to visit our streaming library where we are regularly adding new titles.

Trafalgar Square Books, the leading publisher of equestrian books and videos, is a small business based on a farm in rural Vermont.

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There is something completely timeless about a fat hairy pony, scheming to, in some way, take advantage of its naive young rider. It is a concept so familiar in size, shape, and flavor that all it takes is one word—“Thelwell—to instantly register as an image and a memory for many.

“My father bought her from a dealer near Lucan, a village to the west of Dublin,” remembers renowned trainer and coach Eric Smiley, author of TWO BRAINS, ONE AIM. “She was 12.2 hands, dark brown, and she was called Lucky Lucy. I think the ‘lucky’ bit was only to fool my father into thinking she was a good pony. But, she was very nice…until she wasn’t! She was also very good…until she wasn’t!

“Lucy had to wear a crupper to keep the saddle from sliding forward, otherwise all that could be seen in front of you was this Black Forest of mane with two tiny black tips for ears. When she put her head down to eat you were as likely as not to end up on the grass beside her.

DefinitionofThelwell-horseandriderbooks“This was my first pony and what I learned on.

“I had to avoid her teeth when I fed her and her heels when mucking out, although she was pretty good-humored standing all day at a show. My brother used to get on her and end up facing her tail; she didn’t seem to mind.

“This sort of learning you got from ‘doing.’ The only help we got was ‘Kick!’ ‘Pull!’ ‘Hang on!’ ‘Oh dear!’ This was a process totally uninhabited by technology or political correctness and one captured so wonderfully by that master of understatement: THELWELL. His cartoons captured the essence of ‘having a go’ and enjoying the process. A whole generation grew up enthralled by his insight.”

Did you grow up enjoying Thelwell’s on-point ridicule of the curious state we call equestrianism? Or perhaps you have discovered his work more recently but love its potent mix of nostalgia and irreverence just the same? Share your Thelwell Memories with us…we’d love to hear them!

THELWELL’S PONY PANORAMA, a collection including Gymkhana, Thelwell Goes West, and Penelope, is now available from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information and watch the book trailer below:

Also available, THELWELL’S PONY CAVALCADE, which features Angels on Horseback, A Leg in Each Corner, and Thelwell’s Riding Academy.

CLICK HERE for more information and watch the book trailer below:

Trafalgar Square Books, the leading publisher of equestrian books and videos, is a small business based on a farm in rural Vermont.

 

 

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