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Posts Tagged ‘dressage’

RidingfortheTeam-Sport-Photos-FB

“To win for the USA.” Many young athletes grow up with a goal of reaching the Olympics and the glories of their sport’s highest levels. It is no different for equestrians, whether they ride English, Western, vault, or drive a carriage. From playing with plastic ponies and taking their first riding lessons, to finding success in the arena, thousands of horse lovers hope they can one day represent the United States in international competition.

RIDING FOR THE TEAM, the new book from the United States Equestrian Team Foundation and edited by Nancy Jaffer, chronicles the lives of those who dreamed about competing for their country and “made it,” sharing inspirational stories from the FEI’s eight equestrian disciplines: show jumping, dressage, eventing, driving, vaulting, reining, endurance, and para-dressage.

Readers are immersed in the fascinating histories of the medal-winning riders, drivers, and vaulters who have dominated American equestrian sport over the past 28 years, such as McLain Ward, Karen O’Connor, Debbie McDonald, and Tim McQuay. Get the inside scoop on legendary horses who have become household names, including Flexible, Biko, Verdades, and Gunners Special Nite.

Riding for the TeamOffering exclusive insights, this book gives readers a behind-the-scenes look at the world of top-level equestrian sport. Athletes tell their stories and those of their horses during the years they honed their talent and dedicated their lives to representing their country in the Olympics, World Equestrian Games, World Championships, and Pan American Games. Beautifully illustrated with breathtaking photographs from prestigious competitions held around the world, RIDING FOR THE TEAM not only provides a dazzling record of American equestrian accomplishment, it promises to inspire the next generation of champions.

RIDING FOR THE TEAM is available from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information or to order.

 

Trafalgar Square Books, the leading publisher of equestrian books and videos, is a small business based on a farm in rural Vermont. 

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ItsNotJustAbouttheRibbons-horseandriderbooks

Art by Beth Preston from It’s Not Just About the Ribbons by Jane Savoie.

Collection—what it is and what it isn’t—is regularly debated in most horsey circles. While there is a tendency to segregate ourselves by discipline, the truth is, the base philosophy should really be the same, whatever saddle you ride in or sport you pursue.

In her bestselling reference DRESSAGE 101, renowned dressage coach and motivational speaker Jane Savoie provides down-to-earth discussion around the ever-hot topic of collection and self-carriage, as well as all the exercises anyone ever needs to achieve collection as an “ultimate goal.” She also shares many stories of different riding lives, including this one about Dennis Reis, who once upon a time earned his living on the Professional Rodeo Cowboys Association circuit:

Dressage101-horseandriderbooks

Dennis Reis. Photo by John Carlson.

Dennis was a cowboy who trained horses for a living and discovered he had been doing dressage without knowing it. As his ability to communicate with his animals evolved and his talent was noticed by his neighbors, who were mostly dressage riders, he found himself in the unusual position of being asked to reschool upper-level dressage horses who were brought to him with specific problems. The dressage riders sought him out even though he had no classical training himself.
 
When asked about collection, Dennis is quick to point out that it’s not just a “head-set.” “Collection isn’t conforming to a preconceived notion of a frame or a picture of what it should look like,” he says. “It’s not a reduction in speed or a shortening of frame. It’s a posture that generates deep inside the body. The horse is round, balanced, engaged, off the forehand, and his back and neck are ‘turned off’—not braced.”

In dressage terms, when the horse’s back and neck are “turned off,” the energy that originates in the hindquarters can flow to the forehand without meeting any stiffness or restriction caused by the sustained contraction of the back muscles.
 
Dennis is enthusiastic about the joys of riding a horse that is in self-carriage. “The movements are fluid and elastic, transitions are flowing and soft, the horse is light and easy to guide and willingly yields his body to the rider.”

Jane 101 CoverI think we can all get there, don’t you?

Jane Savoie’s DRESSAGE 101 is available from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information or to order.

And watch for Jane’s new book DRESSAGE BETWEEN THE JUMPS, coming Fall 2019!

 

Trafalgar Square Books, the leading publisher of equestrian books and videos, is a small business based on a farm in rural Vermont.

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GettingtotheCoreofIt-horseandriderbooks

Photo by Jaana Maari Partanen.

Equine core muscles are very difficult to isolate with the traditional training techniques common to horse sports. However, by examining what we do with the human body when faced with a weak core, we can find new methods for conditioning these areas of the equine body. In his new book CORE CONDITIONING FOR HORSES, Visconte Simon Cocozza has taken principles of the human practice of yoga and used them to develop novel ways of reaching deep within the horse’s body and gently “unlock” areas that may be a little “rusty,” improve core fitness, and even relieve pain related to conditions such as kissing spine. In this book, he provides step-by-step instruction explaining easy mounted exercises that enhance the horse’s posture and boost his confidence in his body and movement, making him easier to ride, and ultimately, the dance partner you’ve always imagined.

We caught up with Simon and found out a little more about his exciting core conditioning techniques…as well as discovering he has a penchant for chablis.

CoreConditioningforHorses-horseandriderbooksTSB: Your book CORE CONDITIONING FOR HORSES provides a collection of yoga-inspired ridden exercises for the horse that warm him up and strengthen his core. How did you determine that these particular exercises were of such key benefit to the horse?

SC: Well, training the inside of the horse is rather new territory, so it was a combination of researching our current understanding of equine biomechanics and good, old-fashioned scientific method. The anatomical composition of the horse is very well understood, of course, but core motion dynamics and how it all interacts are still largely theoretical. It helped me to look at the mechanical properties of the skeleton in the real world—in motion and under the rider rather than simply it’s construction. When the weak areas and their ridden causes became clear, it was a case of addressing them one by one. Yoga showed itself as a solution early on as it aims to restore natural alignment to the vertebrae in a calm and kind way, which really resonates with horses. With some adjustment for anatomical scale and the addition of the rider to the mechanism as a whole, I found that it was possible to use yoga’s slow, low-impact movements to isolate the weak areas quite quickly and easily. When this presented itself, I was quite surprised.


 
TSB: Do you practice yoga? If so, what are the benefits you have found it has made in your own life? How does it affect your riding and horsemanship?

SC: Ha! I was hoping nobody would ask me this! The yoga instructor I consulted with for the book is the amazing Alison Robertson, based in France. Alison has kindly taken pity on me and is helping me learn what our horses feel like when asked to bend rusty body parts! Despite being a plank of wood, it is definitely helping me feel looser in the back, and in particular I have noticed yoga  “evening up” the two sides of my body around a (semi) flexible spine, which is definitely helping my symmetry in the saddle. However, it is not as easy as I had imagined!
 
TSB: How do your core conditioning exercises fit into other training and conditioning programs? Can they be used in concert with other techniques and training schedules?

SC: This is an important point and something I was not prepared to compromise. We desperately needed a simple way of helping all horses feel better in themselves and develop their optimal spinal function, no matter their given discipline, age, breeding, or temperament. For this reason, there are different exercise plans in my book to help the horse owner develop a core conditioning warm-up exactly for the individual horse in question. I think this been achieved with the warm-up plans I present (Wellness, Flexibility, Connection, or Agility)—the exercises can be tailored to fit any horse, whether a light, young, Thoroughbred racehorse or a seasoned, heavier dressage horse. At the spinal level, function is identical, yet the approach needs to be just right for that individual horse’s type and lifestyle.
 
TSB: One of the benefits of your core conditioning exercises is they can help horses that have been diagnosed with or are suspected of having kissing spine. Can you tell us how your techniques alleviate pain and improve a horse’s chances of recovering from this issue?

SC: Well, “kissing spine” is rather more common than we thought, unfortunately, yet despite the problems it causes, it is a relatively simple engineering problem. The spine is a finely tuned piece of equipment and only operates correctly when aligned properly—and then its complex design works really, really well. Unfortunately, if the angles are off even slightly, like a bent pair of scissors or a rusty lock, the mechanism catches on itself and causes damage to the delicate structure it relies upon to do its job. To make matters more complicated,  it is covered in nerves, making the horse tense up when s/he feels a pinch anywhere along the back. These tensions unfortunately feel like training or even behavioral problems, which is why they are not diagnosed very quickly, making them become habitual and limiting performance and quality of life. The solution is thankfully very simple, involving strengthening the muscles that are already under the spine to redress and realign the horse’s back. The body knows what is good for it, and when activated, these structures spring into action and everything starts to work properly again.


 
TSB: You were born in Italy, were educated in England, and live in France. How did your background influence your decision to become a professional horseman and devote your time and energy to improving the horse’s health and well-being?

SC: I have been very lucky that my family has a strong history with horses, which has helped enormously. My mother is an instructor, so I was brought up around, on, and under horses, and my Italian family has been composed of almost all swashbuckling military horsemen and women for millennia. Perhaps it is simply in the DNA? Although I am a nerd and wanted to be a scientist, I couldn’t resist the opportunity to work with horses. After a few years working in the commercial side of the horse industry, I became uncomfortable using some of the restrictive and insensitive methods that we employ without question in European training. Restraint and force did not seem to be necessary with such a highly complex and essentially perfectly designed creature as the horse, and I strongly felt that there had to be better way. So I spent a few decades trying to understand how it all worked. This work has, of course, all been done before, long ago, yet I feel I may have reiterated some forgotten knowledge that may allow us to smooth off some of our modern corners.
 
TSB: What is one lesson you hope readers will take away from your book?

SC: By far, it is to put ourselves in the horses’ hooves. When working with these sensitive beings that worry and tense up so easily, we really must show them our love in every moment of our work together, especially when we run into problems. This is when they need us the most.  They are so very, very emotional, and we should remember that there is always an innocent reason for their actions, even if it looks otherwise.


 
TSB: If you were trapped on a desert island with a horse and a book, what breed of horse would it be and which book would you choose?

SC: Oh, I think it would have to be a Pura Raza Espagnol, an Andalusian. These horses are like generous people, that is why we use them in movies, for the High School, such as in Vienna, and for tricks like dancing, performances, and stunt work. Try that sort of thing with a Warmblood and he will just walk away!

I am tempted to say I would read Robinson Crusoe by Daniel Dafoe, but that is a bit obvious, so it would have to be Douglas Adams’ quadrilogy of The Hitchhikers Guide to the Galaxy, which I feel sure the PRE would enjoy me reading to her/him, too.
 
TSB: If you could do one thing on horseback that you haven’t yet done, what would it be?

SC: I am fascinated with Working Equitation, and I love watching it. It has so much potential for perfection and looks like dressage meets “handy pony” meets gymkhana, but for grown-ups. I mean, they gallop over a bridge and carry a spear!
 
TSB: What is the quality you most like in a friend?

SC: Integrity. Without that, nothing else matters.
 
TSB: What is the quality you most like in a horse?

SC: Focus. Some of them look at you and say with their eyes, “Hi! Lets interact!” and they hold focus on you. Time stands still when that happens, and no matter what package s/he is in, your souls connect. This is the essence of a great relationship and the first thing I look for.

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TSB: What is your greatest fear?

SC: A global shortage of olives, Nutella, garlic, or Chablis, in that order. I suppose I ought to say world war, although the former would surely trigger the latter.
 
TSB: What is your greatest extravagance?

SC: I have an unreasonably large collection of Passier saddles. I love them, especially the old ones. They are masterpieces of craftsmanship and each one rides a little differently. I am not even ashamed of this and have instructed my family to bury my favorites with me…preferably after I have died, though.
 
TSB: If you could change one thing about yourself, what would it be?

SC: I would like to be able to fly. But that’s not very realistic. In “Real Life” I would like to be a little taller. When in Germany and Holland I feel child-size—in fact, their children are often taller than me! A short stay (pun intended) in Italy or Portugal usually puts that right.
 
TSB: What’s in your refrigerator at all times?

SC:  Landjaeger sausage. It’s like the Holy Grail of bacon. 
 
TSB: What is your idea of perfect happiness?

SC: Oh, there are so many answers to this one! If I had to choose one it would be waiting, at dusk, for the Spaghetti alle Vongole to come to the table at a little waterside trattoria on the Amalfi Coast, surrounded by people I love.
 
TSB: If you could have a conversation with one famous person, alive or dead, who would it be?

SC: Without question, the physicist Nikola Tesla. He was the twentieth century’s da Vinci. He almost changed the world. Almost!
 
TSB: What is your motto?

SC: May I suggest a quote instead?

“A learning experience is one of those things that says, ‘You know that thing you just did? Don’t do that.” ― Douglas Adams

Simon Cocozza’s book CORE CONDITIONING FOR HORSES is available from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information or to order.

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont.

 

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Whether it was the dawdling pony, ignoring our short, five-year-old legs ricocheting off his sides, or the experienced schoolmaster who knew enough to make us earn a forward ride, we have all struggled to put a horse in front of our leg at one point or another. A common mistake when your walk leaves much to be desired, it would seem, is to actually spend time working on the walk. The short of the long is: Don’t do that.

Christoph Hess, FEI “I” judge in both dressage and eventing, gives us these alternatives to developing a good walk in his book BETTER RIDING WITH CHRISTOPH HESS:

 

A good walk is developed by the rider through correct riding in the basic gaits of trot and canter. This sounds paradoxical at first, but practice shows that a good walk cannot be achieved by always “working” the horse in this gait exclusively. Rather, a good walk is developed by having the horse securely on the rider’s aids, allowing himself to be ridden “through” while stretching and in balance at the basic gaits of trot and canter.

TrainingaGoodWalk-horseandriderbooks

Photo by Peter Prohn

At the walk, the rider can check how rideable her horse really is. She can determine if the horse is supple and relaxed, responding to the driving aids—without the horse being lazy and lethargic—and “seeking” the bit, meaning he is stretching toward the rider’s hand. The rider must always be able to ride forward, and also sideways, at any time. The better and, above all, more responsively the horse accepts the rider’s driving aids, the better the results on the walk will be.

 

HowtoGetaGoodWalkpin-horseandriderbooksRide It Correctly

In dressage tests, the walk scores are given a coefficient of two, which means the walk counts twice. For one, the crucial rhythm, fluidity, and ground cover are scored. For another, the judges pay attention to ensure the rider actually rides the walk and does not just go along as a “passive passenger.” This active riding of the walk is an important criterion for assessing whether or not the rider is on the correct path to training her horse. To accomplish this, the rider applies her driving leg aids at the moment the hind leg on the same side is striking off. This is a process during which the horse ideally “picks up” the driving aid himself. The prerequisite for this is a supple hip joint. At the same time, the rider should follow the nodding of the horse’s head and neck with her hands and have the feeling that the horse is framed between her aids. As this takes place, the horse will stretch forward and downward, opening the angle at his throatlatch, and through this, the line from forehead to nose should come just slightly ahead of the vertical. This is the prerequisite for the horse to establish an even rhythm and achieve ground-covering strides.

Though this sounds easy when put into words, it is really not easy to achieve in practice. In the course of her education, every rider must discover for herself the right feel for riding the walk. On the one hand, she needs to allow the horse to walk on without driving him excessively; on the other hand, she cannot become really passive, which can lead to a considerably worse walk.

RideBetterwithChristophHess-horseandriderbooks

An even walk with a clearly recognizable “V.” This is a visual aid for a clear four-beat rhythm. Under no circumstances should the foreleg and hind leg on the same side come close to moving concurrently. This would indicate a pacing walk. Illustration by Cornelia Koller

 

Trot-Canter Transitions

Doing transitions from trot to canter and canter back to trot is one of the most valuable exercises for effectively improving a horse’s “throughness,” willing cooperation, obedience, and responsiveness to his rider—all necessary for a good walk. I recommend you incorporate these transitions very deliberately into the content of every daily training session. Practice these on a big circle, making sure your horse stays on your driving aids, even as he “shifts up a gear” from trot into canter and then “shifts down a gear” from canter back to trot. On the “downshift,” it is especially important that you maintain the impulsion from the canter as you return to trot, without the trot becoming rushed. You should visualize yourself “cantering into the trot” as you begin to trot. This is only possible when you are supple through your hip joint, following the movement of the new gait, allowing it to carry you along. In order to further optimize your horse’s “throughness,” you should just slightly lengthen the canter strides just before the downward transition to trot, then after the successful transition, just slightly lengthen the first trot strides. As this takes place, the horse must maintain a forward tendency. Under no circumstance, should the transition be from an extended canter into an extended trot (which has a tendency to be a “passage-like” gait). As the actual transition takes place, you must always have the feeling that you could offer a release, typically by moving one or both hands forward along the horse’s neck, or allow the horse to “chew” the reins from your hand.

If you ride the transition from a backward orientation, meaning from short canter strides and/or into short trot strides that lack impulsion, you will not be able to ride a rhythmic, fluid, and efficient walk. At the moment of the transition, take more feel of the horse’s side with your inside calf, which will make the transition so much easier; with a well-trained horse, you will then be able to complete the transition without application of rein aids. You’ll feel, respectively, as if you’re only “listening in closely” to the horse’s mouth with your hands (through your reins). In this way, you will avoid applying inside rein. Doing so blocks the horse’s strikeoff from the inside hind, which leads to a failed transition. The canter-to-trot transition, in particular, has a pivotal significance to harmonious and, thereby, sensitive riding in all three basic gaits.

One more useful tip: a few canter strides before your transition to trot, think leg-yield; if you’re more advanced then think shoulder-fore or shoulder-in. The same applies to the transition from trot to walk.

Ride Better with Christoph Hess REV-horseandriderbooksFor more riding and training tips from Christoph Hess, check out RIDE BETTER WITH CHRISTOPH HESS, available from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information or to order.

 

Are you looking for new ways to rev your riding engines? Jane Savoie’s bestselling equestrian sport psychology book IT’S NOT JUST ABOUT THE RIBBONS is now available in audiobook format!

CLICK HERE to learn more.

Trafalgar Square Books, the leading publisher of equestrian books and videos, is a small company based on a farm in rural Vermont.

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DressageforNoCountry-horseandriderbooks

In the 1970s, the sport of dressage was still in its infancy in the United States. Unlike the countries of Europe, there was neither an established tradition nor a written history to educate and inspire. A rider intent on learning the discipline had to be prepared to travel, to immerse himself in other cultures, and to care only for what those who had already mastered the art might teach him.

DressageforNoCountryPin-horseandriderbooks

Photo by Rose Caslar Belasik

Paul Belasik was this rider, intent on learning all he could about dressage methodology, and willing and able to compare and contrast the various means for achieving related goals: beautiful movement, “lightness,” connection between two beings. In his new book DRESSAGE FOR NO COUNTRY he shares a lifetime of searching and studying, both through stories of his own adventures and thoughtful essays on the subjects he has pondered during the years he has trained and ridden horses. Beginning in northern New York, and traveling to Portugal, and later, Vienna, Belasik serves as a tour guide of the various dressage “paths” he had the chance to explore, including the German system, the Portuguese art of equitation, and the revered institutions of the Spanish Riding School.

Dressage for No CountryArmed with the knowledge and experience he accrued over time, Belasik debates whether classical dressage and competition dressage are at all compatible. Then, he considers the role of mindfulness, how to become a good teacher, and how to be a good student in today’s horse world, providing the guideposts needed to take dressage–and riding, in general–the next step forward.

DRESSAGE FOR NO COUNTRY is available now from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information or to order, and watch the book trailer below!

Did you know? TSB is streaming some of its most popular equestrian videos! We really are! CLICK HERE to visit our streaming library where we are regularly adding new titles.

Trafalgar Square Books, the leading publisher of equestrian books and videos, is a small business based on a farm in rural Vermont.

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RidingintheCloud-horseandriderbooks

I’m guessing I’m like a lot of you–a job, a family, a gym I try to frequent, friends I try to see, books I try to read, promises I try to keep, and oh yeah...horses.

Needless to say, the above list is not compiled in order of preference.

So how, when one is so dang busy, does one actually become a better rider? Obviously, I think books are a pretty great means of continuing an equestrian education…but I’ve recently tried something else that is an awesome fit for those who want to feel closer to the individual imparting the knowledge. I’m taking TSB author Janice Dulak’s Pilates for Dressage® Ridermanship® Course. She calls it a “Clinic in the Cloud” as it is (mostly) all virtual, but at no point do you feel like you are floating or alone! Janice has constructed the course so not only do you feel fully engaged with her–and even other students–but you have plenty of reminders to help ensure you don’t forget that you are working to improve yourself…and that’s not just for you, that’s for your horse, too.

Janice’s course platform is seamless and very simple to use. Everything is laid out in progressive steps and there are interactive checklists that update your experience and allow you to move on when you are ready. Moreover, all the myriad pieces of the course (video instruction, worksheets, audio lessons, chats, and live phone calls) remain archived and easily accessed if you need or want to review at any time.

RidingintheCloudPin-horseandriderbooksSo what are you learning, exactly, up in the Ridermanship cloud?

A former professional dancer, Romana’s Pilates Master Instructor Trainer, and USDF Bronze medalist, Janice specializes in the integration of Pilates concepts and riding. She has created a vocabulary with both the instructor and the rider in mind that is meaningful, and she helps riders understand their bodies and move them differently so they can do what the instructor is asking.

“In Ridermanship,” Janice adds, “you’ll learn to create self-carriage in your body, and practice correct biomechanics to ride your horse with greater feel and harmony. Lessons and exercises will train you how to develop your physical self, so you will know what you need to do in your body to help your horse perform—and the partnership with your horse will be complete.”

Her Ridermanship Course provides guidance and exercises that lead to posture improvement and an independent seat and legs, that refine your seat and enhance your rider influence, and that ensure your overall continued development as a rider. There is no lack of substance–the sheer volume of information provided is impressive! But it is so neatly packaged in friendly and easily consumable parts like video lectures and short workouts, you don’t really notice…until you see it is almost the end of the week and you are only halfway through your checklist of action items! Luckily, Janice keeps the virtual experience a flexible one, and the course automatically adjusts to your busy schedule. You might miss a live call with Janice and your Ridermanship group, but you can listen to the recording after the kids are in bed and ask any questions on the Facebook group page, still getting the help you need almost in real time.

JaniceDulak-horseandriderbooks

Janice Dulak can help us find balance, in and out of the saddle!

It has been such a pleasure to feel that the rest of my busy life hasn’t interfered with my desire and ability to improve as a rider and horse person. Having an option to “fit it in” as best suits each day or week, to do a little or pour a glass of wine and absorb a lot, to practice an exercise with Janice’s guidance before committing to the full workout, and to feel I have her support throughout it all, has been terrifically affirming.

Thank you, Janice. When I’m next in the saddle, I’m sure my horse will thank you, too.

For more information about the Ridermanship “Clinic in the Cloud,” CLICK HERE.

CLICK HERE for Janice Dulak’s books and DVDs.

-Rebecca Didier, Managing Editor

Trafalgar Square Books, the leading publisher of equestrian books and videos, is a small business based on a farm in rural Vermont.

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InspireMe-horseandriderbooks

Photo by Venkat Narayanan

“Being coached” and “being a coach” are two of the topics examined in Eric Smiley’s new book TWO BRAINS, ONE AIM. “The aim of this book is twofold,” Eric says. “Firstly, to improve the relationship between coach (in all its guises) and rider and horse; in other words, help the rider learn how to learn, as well as guide those who help others in an instructional capacity make the way they communicate clearer. Secondly, to give those who do not have regular tutelage techniques and practical exercises to help develop riding and training skills.”

We at TSB know Eric best as a riding coach, clinician, instructor, and mentor, but we got to wondering about Eric’s own experiences as a student. Did he have a coach who influenced him in profound ways? How had he learned his craft through the years? Who did he credit for his equestrian successes? Eric was kind enough to share answers to these questions and more:

Being asked to share the story of my “best coach” has ended up becoming a reflection on who I have become and why. Trying to separate horse from person has become impossible. Surely in true horsemen and women the two become inseparable as we live our lives for and because of “the horse.”

Some of our greatest experiences in life are horse-related. Some of our moral dilemmas that have shaped us as people have their origins in equine situations. So for me to separate horse from person or to identify an individual coach is impossible.
 
Sport coaches are defined as follows:

Sport coaches assist athletes in developing to their full potential. They are responsible for training athletes in a sport by analyzing their performances, instructing in relevant skills, and by providing encouragement. But they are also responsible for the guidance of the athlete in life and their chosen sport.
 
WhyWeNeedtoBeInspired-horseandriderbooksAs a child I used to watch my father come home from a stressful and exhausting day as a consultant thoracic surgeon. None of his surgeries were normal—all were life-threatening and in the midst of the Northern Ireland troubles. I would watch him go to the stables on his way from the car to our house. He would spend some time in the company of his beloved hunter “Bob.” By the time he arrived in the house and joined our family, a semblance of peace had returned to his overstressed mind.
 
Non-commissioned officers in the army have a tendency to be direct and explicit when getting things done. There is little ambiguity or doubt in the minds of those who are at the receiving end of the order. I used to watch Ben Jones ride his army remount horse “Custer.” At the time he had been promoted from Sergeant  to Captain to Chief Instructor at Melton Mowbray. He had previously been an Olympic Rider. I was doing a six-week riding course there. Ben Jones was direct with us and his horses. Always fair, but clear what was required. I watched him school Custer on the flat and over jumps, the clarity of where responsibility lay was clear for all to see. I was left with a certainty of “be clear and fair, but make it happen.”
 
“Now, Eric , what’s your question?” Mrs. Sivewright would ask at the beginning of every riding lesson. After an embarrassing first lesson (no one had told me to be prepared), I made sure I had a question ready to ask at subsequent sessions. This sparked my curiosity forevermore. This was at the beginning of my formative nine months at the Talland School of Equitation as I embarked on my chosen career with horses. My curiosity has continued to make me look and listen to any coaching of any sport that I can and then think about how they are going about fulfilling the definition I shared above and what I can learn about about their method and delivery.
 
Two Brains, One Aim“Enterprise” was not an easy horse. Maybe that was why he was cheap and not really wanted by his previous owner! He was, however, very talented but very misunderstood. I was asked if I would like a lesson with Dr. Reiner Klimke on one of his rare visits to Ireland. What a revelation that turned out to be. Day One was disastrous. Enterprise was SO spooky as to not go anywhere near corners , doors, mirrors, spectators, or Dr. Klimke. Day Two was unbelievably wonderful. With quiet, skillful instruction, Dr. Klimke got into the mind of Enterprise and assured him that it was okay. The work was beyond the expectation of anyone present, especially me. I learned to seek excellence and to be creative in doing so.
 
The joy of living in Ireland is the people one meets and gets to know. While being part of a team setting up a coaching structure in Ireland, I got to know someone called Liam Moggan. At the time he was one of the lecturers at the Sport Coach Development Department of Limerick University. I listened, watched, and was in awe of his unerring positivity and communication skills, and his humanity. It was impossible not to come away from every encounter enriched as a person.
 
As you read this you will begin to see that I have not talked much about many riding instructors that have influenced me. At the ripe old age of (??) I believe that most people today will have had more lessons by the age of twenty than I have had in my whole life. Yes, I have been in clinics, and I have learned from those instructors. But my interest has been largely self-taught. I loved the book The Talent Code by Daniel Coyle. It poses the “nature/nurture” question of talent, but it also gives a method of achievement. Much resonated with how I saw coaching and had been plying my trade for many years. It gives one huge encouragement in what your doing when you read such a well accepted book, saying much the same.
 
However, none of all this really has much meaning or practical use unless we are inspired in some way to make it happen. Inspiration comes from many sources. I would implore you to watch a TED talk given by Dame Ellen MacArthur in 2015 (CLICK HERE).

I’m not making any political statement by recommending it, but listening to her it is impossible not to be inspired.

Eric Smiley’s book TWO BRAINS, ONE AIM is available now from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information or to order.

 

Trafalgar Square Books, the leading publisher of equestrian books and videos, is a small business based on a farm in rural Vermont. 

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