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Judging and Being Judged copy

Over the past decade, on numerous occasions, both top dressage riders and international judges have come under heavy critical fire regarding the treatment and training of competitive dressage horses. The internet is alight with related controversy, and print articles have not been afraid to label judges around the world as “cowards and ignoramuses who are incapable of telling the difference between a horse that is correctly and humanely trained and one that has been forced to perform with dubious methods,” says FEI/USEF dressage judge and former US Dressage Team Technical Advisor Anne Gribbons in her book COLLECTIVE REMARKS.

“How are we supposed to react to this?” Gribbons, who is judging the European Championships this summer in Aachen, Germany, writes. “Ignoring the subject is not an option for anybody involved in the sport. Shrugging it off because we are not personally ‘guilty’ of any sort of deliberate cruelty to our horses is not going to make the problem go away. These kinds of allegations tend to put a dark cloud over the entire dressage community, whatever your position within it happens to be.

“Taking a step back to view dressage objectively is not so easy when you are submerged in the game up to your eyeballs. Still, with some effort, I can see all three sides of this argument, because I wear all the hats at different times.

“To be successful as an international competitor you have to be determined, brave, and incredibly focused on those few minutes in the arena that are the culmination of all your work. If you find and can develop a method that works for you and your horses and gets consistently rewarded by the judges, why should you give it up? In every sport, the pressure is tremendous at the top level, and winning is the object. Since our sport involves a silent partner, the horse, the situation is more complicated. Add to this that the kind of animal that takes the honors in today’s fierce competition is a very sophisticated and high-powered equine, both physically and mentally. Dealing with some of these equine Ferraris, it has been my experience as a trainer, competitor, and judge that anything that is forced or unfair in the training does not come out well in the show ring. It is difficult for me to imagine that training that is one long torture session for the horse could lead to something beautiful to watch in the arena.

“Nevertheless, I know there are some unavoidable conflicts on the road from green-broke to Grand Prix that need to be worked out. Anyone who thinks that a competitive Grand Prix horse offers every movement he has to learn without occasionally questioning the rider has never trained one. The journey from green horse to Grand Prix is a long, sometimes rocky, but mostly inspiring enterprise. It should be a trip horse and rider take together, and they ought to arrive at their destination both proud of their achievements and eager to strut their stuff. Not all horses are comfortable in the show ring—they may have stage fright, or they may not like being in unfamiliar surroundings—but some really enjoy showing off, and those horses are always fun to watch and to ride!

“Being an international judge is a great responsibility and, especially at major events, the pressure can be quite strong to ‘get it right’ according to the riders, the organizers, the audience, and your colleagues. You cannot please all of them all the time. The decision about each score has to be immediate, correct, and fair, and there are thousands to be made in a weekend. The job description of a judge is limited to what occurs in the arena in front of him or her, and it is impossible for him or her to assess what goes on in the warm-up ring. Naturally, most judges can tell if a horse is tense, unhappy, and appears uncomfortable, and there are ways to express your displeasure about that throughout the score sheet. Remember, however, that there is sometimes a fine line between ‘tension’ and ‘brilliance,’ and that a breathtaking performance almost always has to include a certain measure of electricity and tension to become exciting. On this issue, judges tend to disagree more than on the technical aspects, and often it is the amount of tension versus brilliance that makes the judges come out differently in the scoring. Diversity in scores is not usually appreciated by competitors, audiences, or organizers, who want to see all their ducks in a row—even the press will sometimes attack a judge who stands out. It is assumed that this judge is incorrect, while it is quite possible that this was the judge who, at that particular competition, was the only one who had a truly sharp eye and the confidence to honestly express what he or she saw.

“The observer/journalist is the watchdog of the sport, and although neither competitors nor judges cherish criticism, checks and balances are of importance. If the process of reaching the pinnacle of our sport appears to be harmful to our horses, we need to clean up our act. Unfortunately, ‘perception is truth’ to a great extent, and if our equine athletes appear ‘unhappy’ it does us no good to protest and proclaim how much we love and appreciate them. Instead of indignation and lawsuits, riders and judges have to invite both the press and the public to be part of discussion, dialogue, and participation.

“We need to show the world that we are not involved in dressage to make our equine partners miserable but to build strong and proud athletes, which, while they may not be ecstatic all the time, are reasonably pleased with their lot in life as healthy and performing stars.”

 

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For more insight into and history of the sport of dressage, check out COLLECTIVE REMARKS by Anne Gribbons, available now from the TSB online bookstore.

CLICK HERE TO ORDER

 

Trafalgar Square Books, the leading publisher of horse books and DVDs, is a small, privately owned company based on a farm in rural Vermont.

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Background photo by Keron Psillas.

Background photo by Keron Psillas.

 

We all grew to love Janet Foy’s straight talk and sense of humor in her first book DRESSAGE FOR THE NOT-SO-PERFECT HORSE, now a bestseller. Janet is back with new insights in her book DRESSAGE Q & A WITH JANET FOY. In a style intended to be fun to read and easy to learn from, Janet canvased friends, students, and Facebook followers for their dressage questions. Asking, What have you always wanted to know that you’re afraid to ask? and What about dressage is hardest to “get”? she received hundreds of questions that she used as prompts to provide the guidance we need to grow as riders and trainers, while remembering how to keep it all fun.

“It is my hope this book will help your dressage journey,” says Janet. “The Q & As address often-asked questions about dressage, and the commonsense and simple approaches I offer should make your learning easier and more fun. Lastly, by sharing many riders’ ‘Aha!’ moments with you, I hope you won’t have to wait so long to have your own similar breakthroughs!”

DRESSAGE Q & A WITH JANET FOY is like having a heart-to-heart about your riding and the sport of dressage with one of the most sought-after teachers and clinicians in the country. Here’s an example of how it rolls:

Q: I sometimes feel stupid during a lesson when I don’t understand what my instructor is telling me. For example, she told me my horse was “dropping a shoulder.” I didn’t have any idea what she was talking about. I felt embarrassed to tell her that I didn’t understand, especially when there were other people observing my lesson. Is it okay to interrupt a lesson to ask my questions, or should I wait until after the lesson is over, find the answer in a book, or ask a friend?

A: Remember, you are paying the instructor. This means he or she is your employee, and you are the boss. I am a bit worried about your relationship with your instructor if you feel you can’t have open and honest communication. You should not wait to ask because you’ll miss that learning opportunity—when it has just happened, it is the best time to stop and say, “I am sorry, could you explain that to me? I don’t understand.”  You should not be embarrassed. In fact, those watching will no doubt be grateful as well, as they might not understand what she is saying, either!  You will never improve if you don’t get immediate information to help develop your feel and your skills. The teacher will just assume you understand everything unless you speak up!

 

DRESSAGE Q & A WITH JANET FOY is available now from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE TO ORDER NOW

 

Trafalgar Square Books, the leading publisher of horse books and DVDs, is a small, privately owned company based on a farm in rural Vermont.

 

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