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EARTHDAYBLOG

The definition of “recycle” is to convert waste into reusable material. But when it comes to the idea of “recycling,” few of us think of something we waste on a regular basis around the world: perfectly good horses. Just consider how many thousands of horses every year are born and are NOT the fastest, most beautiful, most athletic, or most colorful. They are just horses, in need of a home and a chance to shine in their own individual ways.

Earth Day 2017 is Saturday, April 22, and there will be a lot of much needed talk and action when it comes to trying to make our world a cleaner, healthier place for humans and animals to inhabit. But as we pile up the returnables and separate the plastics, this is also a time to remember that there are many four-legged creatures in need of a new home and a second chance. There are dogs, cats, and indeed horses, that need to be given an opportunity to be something different for someone new. Adopting one is perhaps the ultimate act of recycling.

One example of this is the off-the-track Thoroughbred. According to the Jockey Club, an estimated 22,500 Thoroughbred foals were born in North America in 2016. A fraction of these will go on to careers on the track or as breeding stock. The rest have an uncertain fate. Luckily, the past decade has seen an uptick in the number of OTTB retraining and rehoming facilities, as well as an increase in public awareness through the efforts of organizations such as the Retired Racehorse Project and its popular Thoroughbred Makeover event. This is good news for ex-racehorses, as many of them now find new roles as trail horses, competitive partners, or even just pasture companions.

In her Brookmeade Young Rider Series, TSB author Linda Snow McLoon tells the story of a young girl that is offered the opportunity of a lifetime: to “recycle” a failed racehorse and turn him into an eventing superstar. Here’s an excerpt from the first book in the series, Crown Prince:

Crown Prince_250Sarah stood quietly, watching the horse. There was no movement as he stood facing the far corner, ignoring her. She clucked softly, but there was no response. Her hand dug deep in her pocket in hopes of finding one more carrot, but it was empty. Nothing was left, except perhaps…yes, in her other pocket she felt a peppermint candy, which she withdrew and slowly unwrapped. In response to the crinkling of the cellophane, a slim finely chiseled head turned her way, his ears pricked forward. He wore a halter, but was too far away for her to read the nameplate. She placed her outstretched hand with the peppermint over the stall door and spoke softly. “Prince—come, Prince.”

Slowly the horse turned from the rear wall and cautiously moved toward her. As he got closer, she felt delicate nostrils blow gently on her hand and then the slender muzzle lifted the peppermint away. He studied her as he chewed the candy slowly and deliberately.

He was big. Except for the enormous draft horses she had seen in pulling competitions at the state fair, this horse was larger than any Sarah had ever seen, including Chancellor. The only horse who might possibly match his size was Donegal Lad. But this horse possessed such refinement that his size wasn’t readily evident until he was close. In the dimly lit stall his dark bay coat looked almost black, and his only marking was a small white star in the center of his forehead. The deep straw bedding hid any possible white markings on his legs.

For several moments Sarah and the horse stood looking at each other. Then she lifted the stall door’s latch and let herself inside. As Crown Prince retreated to the corner, she reached back over the door to lower the latch back into position. Slowly she approached the horse, all the while talking softly. “Good boy, good Prince,” she repeated. Once by his side, she reached to touch his long neck and stroked it gently. His coat felt like sleek satin. He turned his head toward her, seeming to know she meant him no harm.

Now she was close enough to make out his halter plate. Sarah read the name in large block letters: CROWN PRINCE. Below it in smaller print his sire and dam were listed: Emperor’s Gold—Northern Princess. Yes! This definitely was the horse with the reputation of an untrainable rogue.

“You beautiful Prince,” she murmured. As Sarah stroked his neck and continued to speak in hushed tones, she felt the horse become more relaxed. His head dropped down to her and gradually his eyes softened, as he clearly enjoyed her touch and gentle voice. He offered no resistance as she gently pulled his head closer and rested her cheek on his muzzle. It was so soft. With his head lowered, she caressed his forehead, tracing the white star, and gently tugged on his ears. She felt as if she had known this horse forever.

Sarah had no idea how long she had been in the stall with Crown Prince when she became aware of a presence outside.

“Sarah, what are you doing? We’ve been looking all over for you.” It was her father’s voice. She turned to see him looking in at her, along with Jack, Sam, and Rudy Dominic. Worry and concern were written all over their faces.

“I’m fine, Dad. Don’t worry. This is Crown Prince. And he’s the horse I want.”

Her father’s jaw tightened as his eyes met Jack’s before he turned back to Sarah and the dark bay horse standing beside her. Crown Prince surveyed them all curiously, the picture of refinement and nobility. Mr. Wagner observed the horse’s beautifully shaped head, which tapered from small ears to large intelligent eyes down to a refined muzzle. His white star contrasted sharply with his deep mahogany coat. Sarah’s father shook his head, acknowledging the horse’s beauty, but anxious for his daughter’s safety.

Rudy Dominic pointed to the horse. “Isn’t he just like I said?”

Jack was too absorbed to answer. He opened the stall door and joined Sarah to get a closer look. He had seen some impressive horseflesh in his life, but this one ranked up there with the best of them. His eyes traveled from the powerful hindquarters to the pleasing topline and nicely sloping shoulder.

“Have you got a shank right there, Rudy?” Jack asked. “I want to get a better look at this fellow outside the stall.”

Rudy nodded to Sam, who left, returning in a few minutes with a lead shank, and let himself into the horse’s stall. “Come on, big horse. Let’s show off for these folks.” As he started to attach the lead to Crown Prince’s halter, the horse playfully grabbed the brass shank with his teeth. “Oh, no you don’t,” Sam said, as he pulled it away. He ran the chain through the halter’s side ring, over the horse’s nose, and attached it to the other side. Turning to Sarah, he said, “If he decided to put his head to the sky, as a short guy I’d be in trouble. But he knows me. He’s not a bad horse around the barn. It’s only when you sit on him he gets rank. I’ll bring him out so you can have a look-see at a real horse.”

Jack opened the stall door, and Sam led the horse to the open area between the barns. The backstretch was quieter now, since most grooms had finished caring for their horses and were having a late breakfast in the track kitchen. Crown Prince walked with a stately dignity and halted when asked, his coat gleaming in the sun’s rays.

Jack moved around him, thinking out loud. “Strong hindquarters, nice length of back, pronounced withers, good bone, and a lovely long neck.” He moved to stand directly in front of the horse before speaking to Rudy. “His conformation is quite correct. No toeing in or out, good width of chest, nice head. They don’t come any better than this. But I’d like to see him move.”

Rudy motioned to Sam. “Walk away and then jog him back, Sam. But be careful. He hasn’t been to the track to gallop in a while, so keep a tight hold on him.” Rudy turned to Sarah and her father. “I’m always surprised at how well behaved he is except when there’s a rider up. Then he becomes a lunatic.”

Jack positioned himself to get a good view before Sam led the horse away from him. Coming back, Prince trotted agreeably beside Sam and stopped when they reached Jack. “He’s a good mover, too—well balanced,” said Jack, “and his ground manners can’t be faulted.”

Sarah’s father was standing back but listening carefully. “He is a beautiful animal. It’s too bad his reputation takes him out of the running for being a horse for Sarah,” he said firmly.

Sarah, who up to now hadn’t taken her eyes off the horse, swung to face her father. “Dad—I don’t believe he can be as bad as Rudy says! He deserves a chance to be a different horse when he gets away from the racetrack and comes to Brookmeade Farm. Maybe he wasn’t meant to be a racehorse, but I think he will be a wonderful horse for me. I just know it!”

Mr. Wagner was quick to respond. “Sarah, this is a large and powerful animal. Above all else, I won’t let you be in harm’s way. From what I’ve heard today, this horse is dangerous. We mustn’t be so taken with his splendid appearance that we lose sight of the big picture. I can’t have you getting hurt by a horse.”

Sarah could see her father was totally serious. He was thinking only of potential disaster. She had to change his mind.

“We can start working with him on a longe line, Dad, until he knows what’s expected of him. I can turn him out in the big pasture where he can run off some energy. He’ll come to trust me. I promise I won’t even think about riding him until Jack gives the okay. You can see he’s well behaved. He’s a special horse, Dad, and he should have another chance.”

“But what about the handsome chestnut horse you like so much?” her father asked, motioning toward the other end of the shed row. “Don’t you think Code of Honor will be the perfect horse for you? And don’t you want a horse you can ride? Who knows how long it will be before you can get on this horse, if ever.”

Sarah looked at her father, her dark eyes pleading. “Dad, I know you want what’s best for me. But this is supposed to be my decision. Please don’t stand in the way. You’ve got to trust me. I want to take Crown Prince back to Brookmeade Farm more than I’ve ever wanted anything in my entire life. I know he’s the right horse for me. He’s the one I’ve been waiting for.”

Jack, who had been quietly studying Crown Prince, turned to them. “’Tis for sure we have a grand animal here. Who knows the heights he and Sarah might reach if we can turn him around? Sometimes Thoroughbreds are completely different when they get away from the racetrack.” Jack walked over and placed a hand on Crown Prince’s shoulder. He stroked the horse, deep in thought.

After a few moments he turned back to Sarah’s father. “I tell you what, Martin. Perhaps we can give this horse a trial run. If we could arrange to take him for a month, I’ll pledge to be deeply involved in his handling, and I mean every part of his care and schooling, to make sure Sarah is safe. I won’t allow her to get on him until I’ve tested those waters myself. I’ll know in thirty days if he will be a suitable mount for her. If by then we’ve made no headway and I decide he’s not the right horse, we’ll notify Hank Bolton and return him to you, Rudy,” Jack added, looking at the trainer. “If this trial scenario is acceptable to you and Hank Bolton, let’s give it a shot.” He paused and looked intently at Sarah’s father. “Martin, I’m willing to make this commitment to ensure your daughter’s safety.”

Sarah stood quietly, her gaze never leaving her father. He was solemn, as he stood deep in thought. She knew he was worried—that above all else, he didn’t want her hurt. Mr. Wagner looked hard at Jack for a few moments before speaking. “Without your encouragement, I would never even consider letting Sarah take a horse with the shady past this one has. But if you can assure me you’ll stay on top of things and manage everything that’s done with him, I’ll go along with your proposal. But remember, this is a trial. At some point in the next month I will look to you, Jack, for an answer. If Sarah is at risk at any time, the horse must go.”

Sarah threw her arms around her father. “Dad, you’re the greatest! I’ll always remember this, that you gave Crown Prince a chance.”

 

CROWN PRINCE and its sequel CROWN PRINCE CHALLENGED are available from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information.

Plus, in honor of Earth Day 2017, you can download a digital copy of ECO-HORSEKEEPING for only $1.99! CLICK HERE to get hundreds of tips for going green affordably, in the barn and in the rest of your horse life!

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small company based on a farm in rural Vermont.

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newwebsite

For over 30 years, a small group of horse people based on a farm in rural Vermont has produced books and DVDs on all things horse. An enterprise that began with Sally Swift’s now classic CENTERED RIDING—one of the bestselling equestrian books of all time—soon included titles spanning all breeds and disciplines. Today, Trafalgar Square Books is proud to continue to strive to publish quality instructional books and DVDs, for every horse person, and always “for the good of the horse.”

With the launch of our new website and online bookstore at www.horseandriderbooks.com, TSB aims to not only share our newest titles with the public, but also provide news and information related to our stable of talented authors: the top riders, trainers, and equine bodywork and horse care professionals in the industry. Visitors will find:

20off

CLICK TO SAVE 20% WHEN YOU ORDER TODAY!

• Tips, exercises, and interviews on our blog (this one!)

Video trailers that provide engaging tours of our newest books and DVDs

• Sales, contests, and special giveaways

• A calendar announcing upcoming author events

• Easy, mobile-friendly access to our bookstore, where you receive free shipping in the United States

In addition, TSB offers free downloads of sample chapters from our newest titles and great deals on money-saving sets from your favorite authors or your chosen discipline! Resellers can scan our inventory of over 600 books and DVDs, get updates on important upcoming release dates, and download press releases for reference and promotion.

Come visit TSB at www.horseandriderbooks.com. We’re excited to share our books, DVDs, and incredible equestrian authors with you!

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont.

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Hang with us on Instagram: https://www.instagram.com/horseandriderbooks/

 

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MYTH: “If you don’t have a ‘rider’s body,’ you’ll never ride well, no matter what you do.”

TRUTH: Regardless of how you’re built, riding well takes work and dedication.

This is one of the big myths Melinda Folse, author of the bestselling SMART WOMAN’S GUIDE TO MIDLIFE HORSES, makes sure she busts well and good in her new book RIDING THROUGH THICK & THIN. Most of us remember a time or place, in the barn or in a lesson, when someone said something (maybe about us…maybe about someone else) like, “She has the perfect body for riding,” or “She’ll always have trouble looking graceful on horseback with her figure.” And no doubt we tucked it away and remembered it, every time we tried to zip up our chaps or pulled on our breeches thereafter.

But the truth actually matters here, so it’s time we’re convinced of it, so let’s let Melinda do the convincing. Here’s what she says in RIDING THROUGH THICK & THIN:

 

body-silhouette-standing-woman-1Yes, riding well does come more easily to some than others, but the biomechanics of riding well are much more important than being “built to ride.” Consider these statements:

“You’re built to ride. You’re going to be a natural!”

“Oh, honey, you’re just not built to ride. You can take some lessons and enjoy riding for fun, but you’ll never be a serious rider.”

Statements like these can put your mind in a dark realm of self-doubt before you ever set foot in a stirrup.

The Greater Truth we need to have a firm grasp on here is a rider with a “perfect rider’s build,” can actually feel heavier to a horse than a stubby, stocky rider who knows how to distribute her weight and balance. Without exception, every single expert I spoke with while researching my book RIDING THROUGH THICK & THIN agreed that it’s not so much how you’re built or how much you weigh as it is how you use the body weight you have that determines whether—and how well—you can ride. Or, as Susan Harris likes to put it, “It’s not what you have, but how you use it that counts.”

And, while it is true that some physical features are an advantage in riding, not having these features is by no means a deal-breaker when it comes to riding well. Harris says that if you’re a larger rider—either with a naturally large “frame” or someone with a smaller frame who has put on some weight—you have options.

“The important thing,” she emphasizes, “is to be as fit as you can be in your core.”

Harris is a firm believer that with solid core strength and a willingness to work on your riding skills, riding—and riding well—is a very achievable goal for anyone. The key, she says, is recognizing that happiness in this pursuit is part balance, part saddle fit, part educating yourself about what kind of horse will make a good choice for you, and part finding the kinds of personal adjustments (across the board) that will bring you the freedom and enjoyment you crave in your experiences with horses.

Here are a few #Hoofpicks to take to the barn with you (you know, some ideas that help clean out the mud, muck, debris, and “poo” in our heads when it comes to how we think we look and how we think that defines what we can do with our horses):

1 Educate yourself on what makes a horse able carry to a little more weight. Using the rule-of-thumb (that actually has nothing to do with thumbs) as your starting point, remember to take into consideration the horse’s build, his level of fitness for the job you’re asking him to do, your level of fitness, and how well you are able to use your own energy to lighten his load.

2 Learn how to “find your spot.” This is not about how you look when you’re trying to get in balance and connect with your horse’s movement and energy. This is about how you feel. When you find it, you’ll know it.

3 Think, listen, and respond to your horse based on your own observations and feel—over the directives or expectations of others. Proper form can be taught, but finding the feel is something you have to do on your own. Listen to your instructors, but listen to your own body and the response of your horse even more.

4 Care for your horse’s body just as you’re learning to care for your own. Taking time to educate yourself and find reliable bodywork practitioners will help you keep your horse’s muscles and frame in good shape for the long haul. Learn to incorporate habits and routines such as stretches, core work, massage, chiropractic, and craniosacral therapy will keep your horse healthy and better able to perform.

riding-thr-thickthin-lgFor more positive, proactive ways to find your way past the perils of poor body image, check out RIDING THROUGH THICK & THIN by Melinda Folse. Happiness in our bodies is not only possible—it may be far easier than we think.

CLICK HERE to see more. Now through December 14, 2016, you can get 20% off plus FREE SHIPPING at www.horseandriderbooks.com.

 

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont.

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GHM-magic

As we watch the Olympic Team Jumping Qualification and the jubilation in the Brazilian camp as members rack up clear rounds in search of a place on the podium in front of their home crowd, we are no doubt a little sad to acknowledge that in Rio, George Morris is focused on the success of someone other than our own American riders. It is, of course, the way of the equestrian world for the most talented coaches to cross international borders on a regular basis, and so we cannot be surprised that George was eventually tempted to help the country he admits is one of his “absolute favorite places” go for gold.

But if the Brazilians do keep it up and George is, in fact, making magic in Rio, one can’t help but wonder if he’s had to apply the same kind of tough love that has not only been his clinic calling card for decades, but also helped guide the US to their success in countless World Equestrian Games, World Championships, and Olympics of years past.

“In 2005, George Morris took over the role of Chef d’Equipe of the U.S. Show Jumping Team,” writes Olympic silver and gold medalist Chris Kappler in his foreword to UNRELENTING, George’s bestselling autobiography, which was released earlier this year. “Shortly after, I received a call from a member of one of his first Nations Cup teams. ‘How did you do this?’ the rider asked. ‘Chris, how did you work for George for twenty years?’ As the new Chef, George was pushing limits…Commanding specific attitudes, turnout, and professionalism, he expected an extraordinary commitment…I have experienced first-hand the zealous pursuit of excellence for which George is famous. ‘If you can take my pressure cooker,’ George would always say, ‘the Olympics will seem like nothing.’”

“I always had childhood dreams of going to the Olympics someday,” adds five-time Olympian Anne Kursinksi in UNRELENTING. “With George’s encouragement…I made it…Horsemanship and what it took to have an Olympic level horse was George’s passion, and it was contagious! George had vision and made it all happen; he took us all with him. It was an amazing time. George helped you figure out how to be your absolute best. For him, there is no other way to be in life.”

Excellence. Passion. Vision. Absolute best. This is where the magic begins, and I can’t begrudge another from wanting to sample from the fountain of success. Ultimately, George’s willingness to share his wealth of knowledge helps improve the level of horsemanship and elevate the level of competition, worldwide. I, for one, can’t wait to see the results.

TSB wishes all riders and horses in the Olympic Equestrian Jumping Competition the best of luck. Have fun, ride safe, and enjoy the remarkable partnership that helped you reach the pinnacle of the sport!

UNRELENTING by George H. Morris is available from the TSB online bookstore, where shipping in the US is FREE.

ORDER NOW and SAVE with our OLYMPIC FEVER SALE! Click here.

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont.

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PILATESDR10

A lot of things can happen in 10 years of riding. Common goals shared by most riders are to have improved their seat; advanced the training of their horses while maintaining soundness; and nurtured connection and communication with their equine partners—that is, find harmony.

There was a time Janice Dulak couldn’t sit a trot. She had great riding instructors, but as one teacher put it, “You just don’t have harmony yet.” Terribly frustrated, Janice realized something was wrong. How could she, a former professional dancer, a Professor of Dance, and a Certified Romana’s Pilates Instructor, not be able to learn how to sit a trot?

 

There was a time when Janice Dulak couldn't sit the trot--all that changed when she developed Pilates for the Dressage Rider.

There was a time when Janice Dulak couldn’t sit the trot—all that changed when she developed Pilates for the Dressage Rider.

It dawned on her that a dancer’s vocabulary was much more specific than riding vocabulary. A riding instructor says, “Use your leg.” A dancing instructor says, “Turn your leg out and lift it to the side with the foot flexed and knee bent.” Exacting vocabulary to create exact movement. This “ah-ha” moment led her to begin asking her mare India “questions”: Janice would create a feeling or movement in her body and listen for India to respond. Within a week, Janice understood how she needed to use her body so her horse could be comfortable, and at last, Janice was able to sit the trot.

Janice began teaching her work to riders around the country, and PILATES FOR THE DRESSAGE RIDER was published in 2006, establishing a new vocabulary that helped riders understand how to use their bodies to create a more harmonious ride. As her methods caught on, Janice was invited to teach Linda Parelli and her students, and to co-present clinics with USDF Gold medalist and Certified Instructor Sarah Martin, which propelled her to the frontlines of a new form of training that ensured happier, more comfortable horses, as well as better, more satisfied riders.

“From Intro to Grand Prix riders, I see that my work elicits change,” Janice says today, reflecting on the past 10 years. “I see horses stop swishing their tails. I see riders learn how to open their hips and stay in the saddle at the sitting trot and canter. I see horses round up without being cranked down with the hands. I see riders learn how to have a steady contact. I see happy horses. I see happy riders.

“In the 10 years since PILATES FOR THE DRESSAGE RIDER was published, my riding and my life has changed. I’m now a USDF Bronze medalist, working toward the Silver this year, and with all the wonderful comments I have received on my books, DVDs, and clinics, I am inspired to continue researching and sharing what I learn. Moving up the levels, it becomes apparent that my work is not done. There is so much more to explain and teach to help riders. For all of you struggling dressage riders, there is hope.”

Janice’s Pilates for Dressage program took her from being unable to sit the trot, to within reach of her USDF Silver, as well as helping thousands of others. She gives us more than hope…she gives us a way forward.

In honor of the 10th Anniversary of PILATES FOR THE DRESSAGE RIDER, the book and DVD are both 20% off from the TSB online bookstore, where shipping in the US is FREE. (Offer good until June 15, 2016.)

CLICK HERE for more information or to order.

 

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Click image to read the entire Street to Stable Review.

Click image to read the entire Street to Stable Review.

 

The first reviews of George Morris’s highly anticipated autobiography UNRELENTING are coming in, and WOW are we excited!

“What lies between the pages of UNRELENTING is very, very good reading,” says Street to Stable Lifestyle. “As we know him, he is still the strongest personality in modern American show jumping. In UNRELENTING, he reveals both the vulnerability and strength that made him into the icon he is today. It is perhaps his bravest move yet.” (Read the full review HERE.)

“This compelling portrait of one of America’s most renowned horsemen will appeal to anyone who is entranced with the horse-show circuit and high-society culture,” says Library Journal. “Even readers who are less familiar with horses may enjoy the glimpse into life with the rich and famous.”

Now is your chance to get a copy of UNRELENTING before it is available in stores! Order from TSB (CLICK HERE) anytime before February 22, 2016, and you’ll not only get George’s autobiography first, you’ll save 15% on the cover price and get FREE SHIPPING in the US!

Watch the book trailer here:

 

And click the image below to order your copy of UNRELENTING by George H. Morris with Karen Robertson Terry.

OrderGeorgeTwitter-CLICK-HERE

 

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small company based on a farm in rural Vermont.

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DSC_1900CROP1

I remember the first time I read the description of the ideal body for riding horses—it said something about long legs and a short waist, and may have specified “slender”—and how I immediately analyzed my own physical attributes to determine whether or not I qualified as perfectly formed for my chosen pursuit. I failed in some way, of course, because there are few women out there who would likely honestly report always being satisfied with their bodies.

“The list of what plagues women about their bodies is long—and quite enough to wear us out,” writes Melinda Folse in her brand new book RIDING THROUGH THICK & THIN. “Chances are, if you’re a woman, there has been a time (for some of us, that would be ‘always’) in which you questioned your size, shape, body type, the length of your legs, or the thickness of your thighs. It might even be safe to say that most of us, at one time or another, have thought we’re too fat, too skinny (yes, I’ve heard they’re out there), too tall, too short, too muscular, too…oh, whatever else you can think of.”

That’s right: our state of dissatisfaction isn’t even just about weight, although that is perhaps the most common issue battled, inside and out. It’s about shape. It’s about proportion. It’s about not meeting an ideal, albeit an ideal that may not be worthy of the kind of sacrifices we’re willing to make to achieve it.

“Life is short. Life with horses is a gift we ought not waste over worries about our size, our shape, or how we look when we ride,” says Folse, who also wrote the bestseller THE SMART WOMAN’S GUIDE TO MIDLIFE HORSES. “But honestly friends, once we have a solid assessment about who we are—and what can and can’t be changed—we can acquire an assortment of tools and develop strategies for making the most of what we have, taking advantage of opportunities that come our way, and reaching the potential that is unique to each one of us.”

RIDING THROUGH THICK & THIN intends to do just that: empower riders everywhere to find ways to feel good about themselves in and out of the saddle. Less about losing weight or getting fit (although there are plenty of helpful ideas for both), Folse’s book taps neuroscience, mindfulness, and fitness realities to reveal why happiness in our bodies is not only possible—it may be far easier than we think.

RIDING THROUGH THICK & THIN is available now from the TSB online bookstore, where shipping in the US is FREE.

 

CLICK HERE to order now and save 30% in TSB’s 30th Anniversary Sitewide Sale! Sale ends tomorrow (December 3, 2015), so hurry!

 

RT3 Here

 

Don’t miss Melinda Folse’s “Life with Horses” blog on Equisearch.com: CLICK HERE to read her CENTERED RIDING “aha” moment!

Trafalgar Square Books, the leading publisher of equestrian books and DVDs for 30 years, is a small business located on a farm in rural Vermont.

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