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Archive for the ‘Author News’ Category

HorseSpeakDVDStream-horseandriderbooks

Now you can learn the easy, practical system for “listening” and “talking” to horses in their language instead of expecting them to comprehend ours! Following up her international bestselling book HORSE SPEAK and spring 2018’s HORSES IN TRANSLATION, Sharon Wilsie has teamed up with Trafalgar Square Books to bring you her first instructional video program. HORSE SPEAK: FIRST CONVERSATIONS shows in real time how  Horse Speak™ can be used by any individual who works with horses, whether riding instructor, colt starter, recreational rider, or avid competitor. It promises improved understanding of what a horse is telling you, as well as providing simple replies you can use to tell him that you “hear” him, you “get it,” and you have ideas you want to share with him, too.

HORSE SPEAK: FIRST CONVERSATIONS is available in both DVD and via streaming from the TSB website. It includes:

» A precise introduction to the 4 Gs of Horse Speak.

» In-depth discussion of the 13 Horse Speak Buttons.

» Illuminating case studies of three different horses with contrasting personality types and communication styles.

» Outstanding definitions, descriptions, and highlights to help identify specific aspects of the horse’s language.

Horse Speak is “a landmark achievement along a path that will lead our kind toward greater compassion for our fellow sentient beings,” says Sy Montgomery, author of the New York Times Bestseller The Soul of an Octopus, How to Be a Good Creature, and The Good Good Pig.

“Sharon Wilsie continues to turn the world of horse whispering on its hooves,” notes Catskill Horse Magazine.

Watch the trailer for HORSE SPEAK: FIRST CONVERSATIONS here:

To order the DVD, CLICK HERE.

To download STREAMING, CLICK HERE.

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont. 

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EA2018-horseandriderbooks

As soon as we turn back the clocks, we all know it is almost that time again…time for Equine Affaire at the Eastern States Exposition in West Springfield, Massachusetts! Tomorrow we’re loading up the horse trailer with our bestselling books and DVDs, as well as all our newest releases, and heading south down Route 91, leaving our Vermont offices behind for four days of horse-centric fun!

Join us in learning from our expert authors who will be on-hand as featured presenters, including:

Mark Rashid (FINDING THE MISSED PATH, JOURNEY TO SOFTNESS, OUT OF THE WILD)

Tik Maynard (IN THE MIDDLE ARE THE HORSEMEN)

Jean Abernethy (our popular FERGUS THE HORSE book series)

Janice Dulak (PILATES FOR THE DRESSAGE RIDER, NINE PILATES PILATES ESSENTIALS FOR THE BALANCED RIDER)

Emma Ford, Cat Hill, and Jessica Dailey (WORLD-CLASS GROOMING FOR HORSES)

Dr. Bob Grisel (EQUINE LAMENESS FOR THE LAYMAN)

 Paula Josa-Jones (OUR HORSES, OURSELVES)

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Get your picture taken with Fergus!

At the TSB booth 846-847 in the Better Living Center, we’ll be hosting author book signings after their presentations, plus show specials, like

Buy two books get 15% off; three or more, 20% off!

Sign up for a drawing for a $150 shopping spree at www.HorseandRiderBooks.com!

Take a photo with FERGUS and meet his creator Jean Abernethy!

Pre-order Denny Emerson’s new book KNOW BETTER TO DO BETTER and receive an autographed bookplate!

Bring this email to us on your phone or as a paper printout and get a free book!

We can’t wait to see you all at Equine Affaire, Thursday, November 8 through Sunday, November 11, 2018.

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont.

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TikBlurbFB1-horseandriderbooks

Horseman and eventer Tik Maynard bared his soul in his hit memoir IN THE MIDDLE ARE THE HORSEMEN, which was released earlier this year and has earned accolades from reviewers and readers across the board. Those who have read the book learned the story of Remarkable, an off-track Thoroughbred Tik retrained, and who, in some ways, is responsible for Tik’s book being published. An article Tik wrote about OTTBs for Practical Horseman Magazine caught our eye at TSB, and when we contacted him to see if he was interested in writing a book—we found out he already had one in the works!

Some of those who have enjoyed IN THE MIDDLE ARE THE HORSEMEN have asked what has happed with Remarkable, so we caught up with Tik—a very busy new father with eventer wife Sinead Halpin—to see whether OTTB was still a favorite acronym.

TSB: In IN THE MIDDLE ARE THE HORSEMEN, you share the story of Mr. Pleasantree, aka Remarkable, the off-track Thoroughbred you purchased and trained in preparation for the 2015 RRP Thoroughbred Makeover. You won the Freestyle competition with Remarkable that year. Three years later, where are you with his training?

TIK: I competed Remarkable for two years after the Makeover and brought him up to the Prelim level of eventing. At Three Lakes Horse Trials in Florida in 2017 we were halfway around the cross-country when there was a five-stride line from a table to an angled brush next to a tree. The brush was higher on the tree side, and we were supposed to jump the low side of the brush away from the tree. But there was a 3-inch gap between the brush and the tree, and somehow Remarkable got his eye on that gap. I think many horses would have stopped or run out, but he seemed to say, “If you want me to try that, I’ll try it.” He got halfway over, and then he couldn’t fit the rest of the way. I got him off okay, and then we reapproached and jumped the correct part of the jump. He didn’t bat an eyelash, and we finished the course. It was a scary situation though. I could not believe how much he trusted me. And I let him down. I can’t think of another horse that has been so wiling to try for me.

TSB: Are you still planning on bringing him up through the levels as an event prospect?

TIK: It took me a year of competing at Preliminary to realize that he does not have the jump to keep moving up the levels. Although I would love to keep competing him, I don’t want to force my goals on him. Just cause I want him to be an upper-level horse does not mean he does. I think he is much happier competing at the lower levels. I would love to lease him out to somebody in our program if the right person came along.

TSB: What are his strengths?

TIK: His try. His heart. His sense of play. His trust in me. Playing with him at liberty.

TSB: What challenges are you currently facing with him? How are you meeting those challenges?

TIK: The biggest challenge is his lack of scope with bigger jumps. I am meeting the challenge by backing down and saying, “If you don’t want to do that, that’s fine. Let’s do something you want to do!”

TSB: If you could name one personal goal you’d like to meet alongside Remarkable, what would it be?

TIK: I’d like to find a horse that complemented him and try to put together a little routine involving two horses at liberty.

TSB: What are some of the things you’ve learned through your work with Remarkable? How has he improved you as a horseman?

TIK: He can be pretty spooky in new situations. I try to give myself time to really feel prepared with him before we do something in new place. For example, the day before competing at the Makeover, during the ring familiarization time, I had a friend and my dad go stand behind all the banners that he was nervous about and feed him treats. Then when we competed he wasn’t spooking away from the rails and toward the in-gate.

He was probably the horse that started the shift in my head from trying to get a horse to do something, to trying to create confidence in a horse so that it is not a big deal. It seems so obvious, but I deal with it almost every day with young horses that are getting used to cross-country obstacles. Am I trying to get them into the water? Or am I trying to get them confident about the water? It is a pretty big paradigm shift in thinking, and often I still have to remind myself which one I’m trying to do.

TSB: Do you plan to compete at the Makeover again in the future?

TIK: In 2016 I went back with two horses, Haxby Park and Johnny Football. My goal was to do a liberty routine with both of them. It did not go according to plan. I’ve since heard that for acts like that you want to show 80 percent of what you can do at home, and I wish I had known that then. My whole act sort of fell apart when Johnny got distracted by the loudspeaker. On the plus side, I learned way more that year than the year that I won. Preparing two horses at once was way out of my comfort zone, and I was just learning nonstop in the lead-up to the competition. Linda and Pat Parelli gave me some lessons while I was still in Ocala, Florida. Then I came to Kentucky early and spent a few days with Dan James, who is amazing at balancing horsemanship and showmanship!

In 2017 I went back to the Makeover as a judge with Dan James for the Freestyle. That was also a great learning experience. It was really interesting to compare so many different acts, and to try to find a way of marking them all fairly. It is 50 percent for harmony, 30 percent for degree of difficulty, and 20 percent for entertainment. For the harmony we were really looking for relaxed happy horses—no tail swishing, no mouth open, nothing out of control. For the difficulty level, though, we were looking for a horse that could be relaxed and happy, but one that could also jump, or gallop, or spin. And that is the same thing that can make a dressage test hard: Can they do snappy transitions, but also have a nice free walk?

In 2018 I again competed at the Makeover, this time with Penny Hallman’s Looking My Way. His barn name is Mason, and although he is a big chestnut like Remarkable, they are very different.

TSB: Knowing what you know now, how did you approach working with a new OTTB in preparation for the event? How was it the same as what you did with Remarkable? How was it different?

TIK: I entered him in the same two divisions, the freestyle and eventing. I think the biggest thing is Remarkable really has a much bigger personality and play drive. It made my job easy, I just had to show him off! With Mason I had to really slow things down, explain things carefully, and take my time a lot more. It does mean some stuff was better, but it also meant I couldn’t necessarily show off such an extravagant gallop and play.  I had to do the little things well. Things that were slow and controlled and thoughtful, like circling around me at the walk and trot, coming to me, and lying down. It worked! Mason and I won the Freestyle competition.

TSB: If others are interested in participating in the Makeover, what advice would you give them?

TIK: The hardest thing for me, but also the most beneficial, is to approach it like a fun event. There is money up for grabs, but I try to forget it and just have a good time. And when I have a good time, usually my horses have a good time. And if the horses are having a good time, usually the judges and the audience can tell.

TSB: How is the Makeover changing the horse world for the better?

TIK: They are really creating more of a demand and a focus on horses that might otherwise not have a home to go to. It is a fantastic event! The underlying problem, of course, is that there are too many horses, dogs, and cats in the world, and not enough good homes to take them. I really support spay-and-neuter programs, and I think everybody should really think twice about breeding animals when there are so many that need homes and don’t have them.

In the Middle Are the Horsemen-horseandriderbooksYou can read the full story of Remarkable in Tik’s bestselling memoir IN THE MIDDLE ARE THE HORSEMEN, available from TSB, where shipping in the US is FREE.

CLICK HERE for more information or to order.

For more information about the Retired Racehorse Project’s Thoroughbred Makeover and how you can be involved CLICK HERE.

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont.

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NEDASymposium-horseandriderbooks

A full house at the 2018 NEDA Fall Symposium featuring Charlotte Dujardin.

TSB was, along with hundreds of others, lucky enough to attend the New England Dressage Association Fall Symposium, hosted by Mount Holyoke Equestrian Center in South Hadley, Massachusetts. Despite beginning in the rain and ending in the cold, it was a beautifully organized event. Hats off to those who planned and ran the operations, decorated the facility with fabulous flair, and ensured everyone there a positive and immensely educational experience.

We were thrilled to be able to bring Charlotte’s autobiography THE GIRL ON THE DANCING HORSE to North America early in 2018, following its major release in her home country across the pond. Charlotte graciously signed hundreds of books for appreciative fans over the weekend in South Hadley, and the thrilled recipients of photos and autographs spilled out of the indoor at the end of each day.

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Charlotte Dujardin with TSB Managing Editor Rebecca Didier.

Of most value, though, was Charlotte’s insight when it came to riding and training, and all in the audience—whatever our age, ability, or riding level—had something to gain from watching the lessons each day. We collected 20 of our favorite quotes from the pages of notes we took to share here.

And yes, she really did mention transitions that many times (it was actually many, many more!)

THE GIRL ON THE DANCING HORSE is available from the TSB online bookstore, where shipping in the US is FREE. CLICK HERE for more information.

20QuotesfromCharlotteDujardin-horseandriderbooks

“Does it mean you will ‘make it’ if your horse is big or small or long or short? No, none of that should really matter.”

“Every transition you ride should be a good one, because this is your foundation.”

“Every person is able and capable, whatever horse you ride, of riding good transitions. It is just about being willing to work on it.”

“For young horses, 20 minutes of work is enough. This is hard for one-horse riders because you feel you should do more.”

“Learn to love your right rein as much as you love the left one.”

“We get so ‘precious,’ we are overthinking ‘doing’ dressage, we end up too busy, when all you need to do is get the horse to think forward.”

“How many transitions should you ride in a session? Hundreds.”

“Don’t override. Let your horse make a mistake, then correct it.”

“People say so many things and make dressage so complicated, but it really isn’t. Half-halt and the horse should come back. Touch with the leg and he should GO. It is black and white.”

“It’s not difficult to make good transitions; all it is is discipline.”

“Hot horses need your legs on and easy horses need your legs off, and it is terribly difficult to do.”

“I tend to go for horses that look really basic and normal, but when I get on, I get that feeling…”

“There are four kinds of canter. Why do we get stuck in one kind? We’d rather feel safe.”

“Can I bend it, can I stretch it, can I straighten it, can I collect it? That’s a supple horse.”

“Training never just goes up. It goes up and down continuously.”

“The best stretch you get from the horse is at the end of the session.”

“That’s what we call slap the rider, pat the horse.”

“A good horse has to be able to do two things: sit and push.”

“People are so quick to want to teach the tricks, and then simple things, like cantering the centerline to a square halt can’t be done correctly.”

“The tricks are the easy part. The basics are the things that bite you in the bum all the way out.”

Read more from Charlotte in her book THE GIRL ON THE DANCING HORSE, available HERE.

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont.

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WEGFLO-horseandriderbooks

The Opening Ceremonies for the FEI World Equestrian Games at the Tryon International Equestrian Center in Mill Spring, North Carolina, are set to begin this evening, Tuesday, September 11, at 6:00 pm EST. The World Equestrian Games, or WEG, are held every four years in the middle of the Olympic cycle. And here’s the thing…they are a REALLY BIG DEAL. Why? Because WEG combines eight World-Championship-caliber equestrian events in one place with competitions spanning 13 days: dressage, show jumping, eventing, reining, driving, endurance, para-dressage, and vaulting. We’re talking the VERY BEST equestrians in the world, and the top horses in all these disciplines, here, in the United States, for two weeks.

The importance of WEG to the equestrian industry, and the significance of it being held here in the US this year, rather than in Europe, makes it a little surprising that of all the press suddenly devoted to the Carolinas and a certain imposing Madame Hurricane, little has been mentioned of this major event and how Florence will likely impact it. The athletes from participating countries and their horses have already arrived and are preparing for competition to begin (with dressage, reining, and endurance on Wednesday, September 12), but hundreds of thousands of individuals planning to attend all or part of the competition as spectators have yet to head out by road, air, or rail. It’s like this big communal breath is held as we wait to see where Flo will track and how mean she plans to be. Mill Spring, North Carolina, is on the western side of the state, and the National Weather Service has a station on site at the Tryon International Equestrian Center, keeping close watch on the hurricane as she develops. All efforts are being made to keep the riders, their horses, and their support teams, safe, whatever the days ahead bring in terms of weather. Of course, the rest of us still have to ask if it makes any sense at all to fly toward a hurricane, when millions under mandatory evacuation order along the coastline are trying to get away?

With that pressing question set momentarily aside, we at TSB have been truly excited in the months leading up to WEG to not only attend, but to have the opportunity to support our many wonderful, talented authors who are judging, competing, performing, speaking, and signing books during the event, including: Anne Gribbons, Ingrid Klimke, Charlotte Dujardin, Carl Hester, Phillip Dutton, Doug Payne, Emma Ford, Dan James, George Morris, Yvonne Barteau, Tik Maynard, and Dr. Bob Grisel.

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TSB author and FEI 5* judge Anne Gribbons is President of the Ground Jury for the dressage competition at WEG 2018. Photo by Sharon Packer.

To find most of our books and related book signings at WEG, visit The Chronicle of the Horse (Booth C3-4 in the World Equine Expo Area). Book signings will be arranged as competitors’ schedules allow.

In addition, those visiting with children can find TSB children’s books to explore and enjoy in the BrookeUSA activity area, as well as for sale in the BrookeUSA Shop (Booth B8). 50% of the proceeds from the sales of these books will go to support the mission of BrookeUSA and its sister charity, Brooke, the official charity of the WEG. Brooke is the world’s largest international working equine welfare charity dedicated to improving the lives of horses, donkeys, mules and the people who depend on those animals in the developing world.

Credit Brooke

TSB author and dressage competitor Charlotte Dujardin is a Brooke Ambassador. Her autobiography THE GIRL ON THE DANCING HORSE will be available at The Chronicle of the Horse Shop at WEG. Photo courtesy of Brooke.

TSB author and former Chef d’Equipe of the US Show Jumping Team George H. Morris will be speaking on two occasions on the WEG grounds:

Saturday, September 15, at 10:00 am, at the Equus Theatre.

Saturday, September 22, at 12:00 pm, on the Coca-Cola® Stage.

George Morris will be signing copies of his book UNRELENTING following each talk, with 50% of the proceeds going to support Brooke.

Fans can also meet George at a special celebration of the George Morris Collection and book signing at Dover Saddlery in Mill Spring on Tuesday, September 18, from 4:00 pm to 5:30 pm.

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TSB author George Morris will speak on two occasions at WEG, as well as participate in a meet-and-greet at Dover Saddlery in Mill Spring. Photo by Tyler Gourley Pictures.

And be sure to stop by the GetSound® Booth (B7-6) to meet Dr. Bob Grisel and hear about his new App to help diagnose lameness in horses, as well as get a copy of his amazing new book EQUINE LAMENESS FOR THE LAYMAN.

We plan to post updates about competition results, author events and signings, and other news here, on Facebook, Twitter, and Instagram—so watch this space! Of course, all of this is pending a crazy-plane-ride toward a hurricane…

See you in Tryon…maybe?

 

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont.

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OurHorsesOurselves-horseandriderbooks

Photo by Pam White

 

TSB is excited to announce a wonderful upcoming event at the Time Out Foundation—a 35-acre farm in beautiful northwest Connecticut that provides children and teens with the time, space, and experiences they need to create positive change in their lives. On May 20, 2018, from 3-5:00 pm, TSB author Paula Josa-Jones will present a playful, collaborative equine event based on her book OUR HORSES, OURSELVES entitled “3 Horse Tales for the 21st Century.” CLICK HERE to hear Josa-Jones talk about the event and what she hopes it will help achieve in a short interview with Marshall Miles on Robin Hood Radio.

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CLICK TO VISIT ROBIN HOOD RADIO

 

A short time ago, we found some time to chat with Josa-Jones about her book and her work as a choreographer and a dancer. It was wonderful to learn a little more about her hopes for the horse world, as well as her creative process. Here’s what she had to say about OUR HORSES, OURSELVES and the differences between working with human dancers and finding ways to “dance” with horses.

 

TSB: Your book OUR HORSES, OURSELVES: DISCOVERING THE COMMON BODY was published in the fall of 2017. Your perspective as a dancer and choreographer offers a different “way in” to that place of connection with the horse everyone strives for. For those who are unfamiliar with your work, how would you explain the relationship between your life as a dancer and your life as a horsewoman?

PJJ: Movement! Between 60 and 80 percent of our communication is nonverbal, spoken in the bodily languages of movement and touch—including conscious and unconscious movements, gestures, postures, and facial expressions.  The whole encyclopedia of our movement is in fact an intricate web of communication. Horses are in fact masters of the this movement language. They are speaking in it all the time. Every movement is expressive and carries meaning.  Much of their communication has such subtlety that even very experienced horsewomen and men find it difficult to parse. 

My own story is that I rode as a young girl, and then horses left my life and dance became primary.  And then I found myself needing to be around horses and ride again as an adult. Almost immediately I wanted to get out of the saddle and explore moving with them on the ground. I wanted to speak with them in the shared language of movement and see what would happen. As an improviser, I was curious about just being still, listening with my body, and letting movement arise from simply being in their presence rather than from “performing” planned or patterned movements.

I am still doing that.  I would say that I try to dance every aspect of my relationship with my horses, and with the work that I do with students and clients.

 

OurHorsesOurselves2-horseandriderbooks

Photo by Jeffrey Anderson

TSB: OUR HORSES, OURSELVES provides dozens of gentle exercises and meditations. How can these simple activities, many of them out of the saddle and away from the horse, improve riding, training, and competitive performance?

PJJ: The idea of many of these exercises is to support riders and horse people in having a more holistic, sense of themselves and their bodies, and understanding that this embodied awareness is an essential foundation for all dimensions of horsemanship. Embodiment means experiencing our bodies in a continuous, feeling, conscious way, what I call “body presence,” meaning a moment-to-moment awareness of the flow of thoughts, feelings, sensations, and energies through our bodily selves. 

So instead of fixing the horse—the neck, the jaw, poll, or inside hind—or making small or big adjustments to the position of our legs, or hands, or seat, we start to feel the whole of ourselves in connection with the whole of the horse. This moves our focus from outside (seeing ourselves as an external viewer) to inside (feeling ourselves from within). 

Mindfulness about our bodies and our movement takes practice! We have to notice the details of our movement and bodily sensations in an ongoing way: how you pick up your cup, hold your steering wheel, sit at the computer, get up, shake someone’s hand, pick up your grooming brushes, move around your horse or your house.

Also, the exercises in my book are intended to move us toward a more “awake” expressive, exploratory, curious, and playful experience of our moving selves in relationship to the horse. So much of our movement is functional—about going somewhere and doing something—and we forget to “dance” our lives, or may not even consider that as possible. I want to challenge the unconscious, the habitual, and look for ways to “wake up” and experience each breath, each ride, as unique—as an opportunity to become more awake and engaged.

 

TSB: What is one lesson you hope readers will take away from your book?

PJJ: That we are not separate. The subtitle of my book is “Discovering the Common Body.” I want to emphasize that your body is not separate from my body or from the body of the horse, the praying mantis, the hummingbird, the manatee or the earth itself.
In his book The Songs of Trees, author David George Haskell, says, “Life is embodied network.”  What that means to me is that all living beings are an interconnected, interspecies, bio-similar, cross-pollinating network in a constant flux of adjustment, response, and transformation. Often, however, we are not feeling that ongoing connectedness; we are not orienting toward the pleasurable dimensions of that relationship with others or ourselves.
 
I believe that the horses can help us with that. There is something so precious and profound about entering the mystery and the silence of connection with them that has little or nothing to do with technique or conventional horsemanship, and everything to do with the deep alignment of relationship.

 

TSB: You have choreographed performances for humans and those for horses with humans. What has been most rewarding in your work with dancers on the stage? With those in the arena and on horseback?

PJJ: Each dance has its own intention and necessity at the time that it is created.  That means that the ideas and the movement materials that were a part of that particular dance took on the quality of an obsession, with a specific, intense urgency. For example, I worked over a period of two years on Ghostdance—with my company and in collaboration with a community of dancers in Mexico, and the composer Pauline Oliveros. That happened to include the year that my father was dying, and so that gave the dance a particular edge, and deepened the work in some unexpected and important ways.

I love each dance that I have made. I would have to say that I love the work into being, into form, and that each one leaves its traces—changes me deeply—and makes way for the next work, and the next. The important thing is to let oneself be drawn to the work, like a surfer waiting for that next perfect, inevitable wave.

With the horse dances, RIDE, the first dance that I created with horses, has a special resonance. I think that is because it grew from a community of riders and horse people (I was living on Martha’s Vineyard at the time) and had a velocity and potency that took us all by surprise. Like that wave, again, we all felt we were being carried. I was also a complete beginner in my adult horsemanship and in making dances with horses, and had all the blessings of beginner’s mind, meaning a strong, eager determination but few preconceptions.

 

OurHorsesOurselves3-horseandriderbooks

Photo by Pam White

 

TSB: If you were trapped on a desert island with a horse and a book, what breed of horse would it be and which book would you choose?

PJJ: Probably a Friesian, like my strong, steady, beautiful Sanne.  On the other hand, perhaps an Andalusian, like my feisty, enthusiastic, gorgeous stallion Capprichio. Both?
I will need two books: the complete poems of Mary Oliver and any mystery by Ruth Rendell.

 

TSB: If you could do one thing on horseback that you haven’t yet done, what would it be?

PJJ: Riding an Icelandic pony in Iceland! I have always wanted to know what tolting feels like.

 

TSB: What is the quality you most like in a friend?

PJJ: Enthusiasm and kindness.

 

TSB: What is the quality you most like in a horse?

PJJ: Curiosity. 

 

TSB: What is your greatest fear?

PJJ: Something happening to someone (animals included) that I love. 

 

TSB: What is your greatest extravagance?

PJJ: The horses, always the horses!

 

TSB: If you could change one thing about yourself, what would it be?

PJJ: I am VERY sensitive, like an anemone.  That is a blessing and a curse—a double-edged sword.  I love that my sensitivity allows me to feel everything so deeply, and wish that I were not quite so vulnerable to the cruelties. On the other hand, my outrage fuels my activism.

 

TSB: What’s in your refrigerator at all times? 

PJJ: Avocados, goat milk, and something green.

 

TSB: What is your idea of perfect happiness?

PJJ: I have more than one! Riding out with my horse on a spring morning or a fall afternoon, tasting the air together, feeling each other. Reading a book while listening to the Caribbean ocean. Swimming in the Caribbean ocean. Standing with Sanne’s nose pressed into my shoulder. Sitting on the porch with a cup of tea and my beloved Pam White. 

 

TSB: If you could have a conversation with one famous person, alive or dead, who would it be?

PJJ: Please don’t make me pick ONE!!! Eleanor Roosevelt. Rachel Carson. Harriet Tubman.

 

TSB: What is your motto?

PJJ: I believe in deepening creativity and awareness playfully, through the body, and finding ways to expand understanding and feeling with all sixty trillion cells, not just the ones perched on our necks. That means having a 24/7, wide-awake, multi-sensory, empathetic bodily experience of the world and ourselves.

 

Our Horses OurselvesPaula Josa-Jones’ book OUR HORSES, OURSELVES is available now from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information or to order.

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont. 

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IngridKlimke-horseandriderbooks

German Olympian Ingrid Klimke is an incredible horsewoman and author, and we’ve long admired her ability to balance her equestrian career with her family, as well as her commitment to educate others, just as her esteemed father Reiner Klimke always did. TSB caught up with Ingrid last month and had a chance to ask her a few questions about her new book and the year ahead.

TSB: You recently wrote TRAINING HORSES THE INGRID KLIMKE WAY, which shares many details about your training philosophy and the horses in your stable. In it, readers can really see how much each individual horse means to you. What is one lesson one of your horses has taught you that you feel has changed you, your riding, or how you work with horses?

IK: Abraxxas (“Braxxi”) taught me one really important lesson in my life: Horses, just like human beings, have strengths and weaknesses, and you have to accept that! Braxxi was always mostly great in the dressage and cross-country…but then the show jumping was not always easy. I eventually found there was no other way forward than to accept this and live with it and find other ways to make him strong. His gift to me was only one rail down in his last run at the CCI**** Burghley 2013!

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Ingrid on Braxxi with just a neck ring. Photo by Horst Streitferdt

TSB: It’s a WEG year—what are your hopes for the competition in Tryon, personally and for the German team?

IK: For sure, GOLD for the team and for Bobby (Hale Bob)!

TSB: Anyone who has tried to balance a riding life and a family will look at you with great admiration, as you compete at the very top of the international scene while still managing to be “Mom.” How do you balance your riding and training career with your family? Do you have any tips for the rest of us?

IK: Good organization is the key. With the perfect team and supporters you have the chance to make everything possible. I must give many thanks to my mum Ruth, as she is always there for me. And my barn manager Carmen, as she knows all the horses—and me—better than anybody else! #teamworkmakesthedreamwork

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Ingrid with her family: Andreas, Greta, and Philippa. Photo by Horst Streitferdt.

TSB: If you were trapped on a desert island with a horse and a book, what breed of horse would it be and which book would you choose?

IK: I would choose a blood horse, and I would take the book Ahlerich, which was written by my father.

TSB: What’s in your refrigerator at all times?

IK: Cheese and fruit.

TSB: What is your idea of perfect happiness?

IK: Perfect happiness for me is to gallop on the beach on a fast horse 🙂

TSB: Tell us about the first time you remember sitting on a horse.

IK: When I was two years old my mum put me on the back of a horse in the stable…

TSB: Tell us about the first time you remember falling off a horse.

IK: …that same time with my mum…I fell off on the concrete!

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With daughter Philippa. Photo by Horst Streitferdt.

TSB: What is the quality you most like in a friend?

IK: I like a sense of humor. A good friend also needs to be tolerant so that we can be like we are and stay like we are.

TSB: What is the quality you most like in a horse?

IK: I like ambitious horses with personality 🙂 It’s great when they have a winning spirit. Its also very nice when they are good jumpers.

TSB: If you could do one thing on horseback that you haven’t yet done, what would it be?

IK: I would love to ride across the Rocky Mountains.

TSB: What is your idea of the perfect meal?

IK: Salad and pasta.

TSB: What is your idea of the perfect vacation?

IK: In my perfect holiday I would love to be out in nature with wild animals, on horseback, along with great people. My partner pferdesafari fulfills this dream perfectly!

pferdesafari

Click image above to visit pferdesafari.

TSB: If you could have a conversation with one famous person, alive or dead, who would it be?

IK: Nelson Mandele.

TSB: What is your motto?

IK: Love what you do and do what you love.

 

Train Horse Ingrid Klimke

Click to Order!

Ingrid’s new book TRAINING HORSES THE INGRID KLIMKE WAY is available from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information or to order.

 

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont.

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CharlotteDujardin-horseandriderbooks

We at TSB are simply thrilled to be the US publisher of Charlotte Dujardin’s autobiography THE GIRL ON THE DANCING HORSE, which will be released in the States on Friday, March 16, 2018.

Charlotte Dujardin and her charismatic horse Valegro burst onto the international sports scene with their record–breaking performance at the 2012 Olympic Games in London. The world was captivated by the young woman with the dazzling smile and her dancing horse. The YouTube clip of their Freestyle performance has since had over 1.7 million views, and Dujardin is considered the dominant dressage rider of her era. When Valegro (affectionately called “Blueberry”) retired from competition at the end of 2016, his farewell performance at the Olympia Grand Hall sold out and the dark bay gelding received a standing ovation.

Dujardin began riding horses at the age of two, but dressage was the domain of the rich–not the life a girl from a middleclass family was born into. Her parents sacrificed to give her as many opportunities as they could, and she left school at 16 to focus on equestrian competition. It was at 22, when she was invited to be a groom for British Olympian Carl Hester, that she met the equine partner that would change her fortune.

THE GIRL ON THE DANCING HORSE shares this story, beginning with Charlotte’s early years restarting naughty ponies and following her equestrian evolution, which eventually led to the Olympic arena and gold medals, as she competed against the best in the world. Readers get an honest look at the road Charlotte took to reach the top, and along the way they gain an intimate understanding of who she is and why she and Valegro were able to connect with each other and develop such an unparalleled partnership.

There are many fascinating details readers learn in the pages of Charlotte’s autobiography. Here are 10 you probably (maybe) didn’t already know:

1 Charlotte grew up battling dyslexia, which led to anxiety at school. But as much as she feared a spelling test, as a child she was never nervous at a horse show. The bigger the crowd, the better. (That changed when she had to memorize dressage tests!)

2 Early in her development as a dressage rider, Charlotte struggled with her sitting trot. So she took up swimming to help develop her core strength, clocking in 50-70 lengths each morning before heading to the barn.

3 Charlotte wears false nails because she wants to disguise her “old lady hands” and arthritic knuckles from years of working and riding outside in the wet and cold.

4 At the barn where she rode with Carl Hester, there was a long concrete driveway that riders would walk the horses up before and after work, and when Charlotte first started at Carl’s, she would always try and finish schooling at the same time as him so they could ride up the driveway together and she could work up the courage to talk to him.

5 Charlotte never rode in a helmet at home and wore a top hat to show until she was bucked off into the wall of the arena one day and ended up in the hospital with a skull fracture. Now she schools and shows in a helmet.

6 Charlotte’s fiancé went to the horse show where they first met intending to find himself a girlfriend. He thought it a likely venue for available young women!

7 The first time Charlotte and Valegro competed against Carl was in a Prix St Georges class at the Royal Windsor Horse Show in May 2009. Charlotte and Valegro won.

8 In 2010 Charlotte lost a bet (by winning a test with Valegro) and had to jump into a hot tub in her riding clothes.

9 Valegro loves performing. There are never monsters lurking in corners or waiting in the flowerpots to get him. He’s always focused and always reliable.

10 Before the Olympics in Rio, Charlotte had a feeling it should be Valegro’s final competition. She wanted him to finish at the top where everybody would remember him as the best horse there was. She didn’t want him to end his career as an older horse, not able to give what he once could. Retiring him while he was still at his best was what she felt was the right thing to do.

Girl on Dancing HorseThe first 100 people to order THE GIRL ON THE DANCING HORSE from the Trafalgar Square Books online bookstore will receive an autographed copy! Plus, shipping in the US is FREE.

CLICK HERE to order your copy now.

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small company based on a farm in rural Vermont. 

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24HoursKendraGale

Winter is not just coming…for those of us in many parts of North America, it is completely, frigidly, and snowily upon us. Any horse person knows that things just get a bit, well, harder when the temp dips below zero. It doesn’t matter what size the manure pile—it all freezes to the ground.

Kendra Gale has been breeding, raising, and training Miniature Horses in Alberta, Canada, for decades, so she’s no stranger to ice in the water trough. Gale is the author of THE BIG BOOK OF MINIATURE HORSES, where she shares sage advice for keeping Miniatures as best suits their equine nature, as well as competing them at the highest levels. Her book is the perfect primer for the horse lover new to Miniatures, or the first-time horse owner, period.

In this segment of TSB’s “Horseworld by the Hour” series, Gale gives us a glimpse of what it’s like to walk a long (but satisfying) day in her winter boots.

***

6:30 am It’s winter in Alberta, so while I usually get up about now, it’s not the “jump out of bed and get going” it might be on a summer day with lessons or workshops or competitions on the schedule. After all, the sun won’t be up for a couple hours yet!

First priority is, of course, to let my Chihuahua, Clara, out to pee. Depending on the amount of snow or degree of Arctic temperatures, sometimes I’m successful in convincing her, sometimes not. In the summer she spends a lot of the day at the barn with me. In the winter, she opts out of the outdoors as much as possible. To be fair, the snow is sometimes deeper than she is tall!

7:00 am Breakfast and I jump onto the computer for a bit. Check emails, Facebook, and any concerns with my online classroom (www.MiniatureHorsemanship.com). Depending on how it goes, I might get some work done, editing videos or building slideshows, or maybe some writing.

8:00 am The sun starts peeking up between now and 8:30 am this time of year, and I usually wait for it before I head out to start chores. I like being able to see my horses in the daylight. They’re Miniature Horses, and lots of them are black…on days when I have to feed in the dark, I’ve been known to literally trip over them.

Before I go outside, I fill my big pail of hay cubes and senior feed with hot water to make a breakfast of mush for my collection of geriatric Miniature Horses. Then it’s time to layer up to head out—the number of layers is directly proportional to the cold. We have a wide range of winter temperatures here, and it could be above freezing, or it could be 40 below, and those two extremes could be in pretty close proximity to each other. Layers are key!

Image, my blind, one-eyed, 28-year-old, is the first to greet me when I get to the barn, with a hungry nicker and a big “downward dog” stretch. Image, along with Robin (age 27, a retired broodmare) and Valdez (age 29, sire of many of the horses on my farm), spend their nights inside in the winter, and their days, too, in nasty weather. Miniature Horses handle the cold really well, but these old folks do better with some extra spoiling.

With warm mush in their bellies, I head outside to feed the rest of the mush to my pen of slightly-less-old geldings (Knight Rider, 26, Spook, 22, and Paco, 21) and dole out some complete feed for some hard-keepers and the two weanlings, eight-month-old Victor and Vodka.

Next, it’s to the hay stack to collect a couple bales onto my calf sled. Currently I’m feeding about a bale and a half, morning and night, except when it’s colder than -20—then I feed more to help the horses stay warm. I distribute hay to the herd, checking everyone as I go to make sure no one is cold, or sick, or losing weight. I touch each horse every day—that’s 32 miniature equines in total.

winterfeeding

The herd. Photo by Kendra Gale.

8:30 am With all the beasties enjoying their breakfast, I love to stop and stand for a moment and enjoy the peace and morning light…unless it’s storming or something.

Next on the list I feed and water my birds. I keep Partridge Chantecler chickens and some mixed-breed ducks that never fail to make me laugh. The birds all do really well in the winter. I check to make sure their heated water dishes are all working and collect any (hopefully not-yet-frozen) eggs.

9:00 am Last week it was -36 and one of my heated, automatic waterers gave up the ghost. Of course, it was the one that the most horses drink from, and with the most run-in sheds in that pasture, I couldn’t move too many horses to other waterers. We got some heated pails to plug in for the herd so they all always had access to that all-important unfrozen water, but it means that next on my to-do list is hauling water: I do about six pails from the hydrant each morning to fill everything up for them.

9:30 am Some days I might head out to teach lessons at a client’s place, or spend the morning working on computer stuff, but today it’s farrier day. I see which horses are due for a trim and bring them into the barn. My farrier comes every two to three weeks and does six Miniatures at a time, which works out to a pretty good rotation. With a little luck, I get them in with enough time to dig the packed snow out of their feet and give them each a quick groom before the farrier arrives.

11:30 am It’s a trickier day for trims—most of the herd is easy, but we’ve got the weanlings on the list today. Victor is perfect, but Vodka used up all his “Good Boy” during treatment for an eye injury earlier this year and is going through a rebellious stage. We’re patient with him and he decides he’ll be a good citizen in the end. The big challenge today is Bentley, my new Miniature Mule: He’s only lived here a few months and is nervous of strangers, especially strangers who want to pick up his feet while holding tools. It takes some time, but it ultimately goes well. The farrier and I are pleased with his progress, and he gets lots of treats for his bravery. Luckily, the other three we trim today are old pros (that’s enough excitement for us for one day). They all get cookies and go back out with their friends to finish their breakfast. At this point, it doesn’t have to be very cold for me to still feel frozen solid—it’s definitely time to get back in the house for a bit!

claravictor

Clara and Victor. Photo by Kendra Gale.

12:00 pm I grab some lunch (and probably some hot tea!) and get back on the computer for a while. Time to get to work on whatever project I’m working on. Currently, I’m organizing a clinic/conference event, preparing for a clinic I’m teaching up north in a few weeks, and building a webinar and a couple promos for my online classroom.

1:30 pm I’m wrapped up in what I’m working on and would love keep at it, but the sun is shining so I head back outside. Time to clean stalls while the old folks are out enjoying some winter sun. Stall cleaning gets more complicated the colder it gets: frozen poop balls bounce away when they fall off the fork, and at times I take the pee spots out in one big frozen chunk, kind of like clumping cat litter. I also haul more water—another six pails midday (I’ll never take my automatic waterers for granted again after this…)

2:00 pm I want to get Rocky’s tail put back up—he’s my breeding stallion (Victor and Vodka’s daddy) and one of my favorite driving horses. I love his long tail and usually keep it up in a sock to protect it. This fall I let it down during fly season, and then I never got it put up again. After the last big snowfall I was laughing at the funny trail it left in the snow, but I’m sure that was pretty hard on it. Now that the weather has improved I’m going to get it up before the next snow and cold snap is scheduled. I set up my video camera so I can make a quick tutorial of the process for my YouTube channel.

2:30 pm Since I have Rocky in, I set up some of the obstacles for the January online Horse Agility competition. Rocky’s been off for a while, so it’s a good refresher for him. I set up the obstacles inside the barn. My barn is a good-sized tent building so I’m able to squeeze in a full agility course if I’m creative. It’s nice to work in out of the wind, and I’m paranoid about my horses slipping on poor footing outside in the winter. I also never drive in the winter, unless there is no snow or ice at all. Luckily, while driving is my favorite discipline, there are lots of other fun things to do with my Miniature Horses, and agility is one of my preferred wintertime activities.

rockyfrost

Rocky with a frosty forelock. Photo by Kendra Gale.

3:00 pm  Now I’ve got the obstacles set up, and I let Johnnie in to play. He does his agility at liberty. Johnnie is coming four, and while he’s one of my tiniest in stature at not quite 31 inches, he’s the biggest personality. I don’t dare practice any obstacle too many times, or he gets bored and invents new ways to do them. We work on standing and waiting until I ask him to come toward me, practice his sidepassing, and then move on to something else. Johnnie has been trained using positive reinforcement. I also want to start him in harness, so today I have a sidepull I’m going to use on him—I’ve driven Rocky bitless some, but I’m really looking forward to starting Johnnie bitless right front the start. We practice giving to pressure on the sidepull, first using a target to help him understand. It’s a fun new game for both of us! I’ve got the video camera running again, as one of my online courses is on starting your Miniature Horse in harness, and I want to add the bitless training process to the content. The toughest part with Johnnie is always convincing him to leave when I’m done playing with him…after demonstrating all kinds of skills at liberty, I actually have to put a halter on him to lead him back out to be with his friends!

3:45 pm I’m cold again, so it’s back in for more tea (Earl Grey with milk and a dribble of maple syrup—my friend named it a “Canadian Fog”) and to download my videos onto the computer. I get started on video editing and laugh at Johnnie’s antics. The bloopers are always my favorite, and if I don’t leave them in, I save them for future amusement.

4:45 pm I haven’t quite warmed up, but it’s getting dark, so I’m back out to start the evening chores. I bring in the old folks and and feed everyone just like in the morning. It’s supposed to extra cold overnight, so I give everybody some additional hay to help them stay warm. I turn on a podcast while I work: I like to listen to Horses In The Morning or Star Trek: The Next Conversation.

5:30 pm The sunset over the mountains is my favorite. I often pause my chores to take photos if it’s particularly spectacular.

I give Robin and Image their medication (Cushings medication for both, and anti-inflammatory for Robin) and haul another six or eight pails of water (I really can’t wait til that waterer is fixed…) before I say goodnight to everyone, close up the coops for the night, and head for the house. I check that the security camera is working in the barn—if anything seems amiss, I can see the stalls from my phone. It’s especially handy during foaling season.

sunset1

Another day done. Photo by Kendra Gale.

6:00 pm It’s back to the house for the evening. A couple times a month I teach a live webinar in the evenings, but most of the time I curl up on the couch with my laptop, enjoying some TV while I keep working away on my current projects. Or I might head over to my grandparents house to watch the game on TV…Go Flames Go!

10:00 pm I let Clara out one last time and we head for bed—a Chihuahua’s favorite time of day!

Kendra Gale’s book THE BIG BOOK OF MINIATURE HORSES is available now from the TSB online bookstore, where shipping in the US is FREE.

Click below to watch the trailer:

Be sure to read the other installments in the TSB “Horseworld by the Hour” blog series:

JEANNE ABERNETHY

YVONNE BARTEAU

JONATHAN FIELD

EMMA FORD

JOCHEN SCHLEESE

HEATHER SMITH THOMAS

LYNN PALM

DANIEL STEWART

DOUG PAYNE

JANET FOY

CLINTON ANDERSON

 

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont. 

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KarenYesScary

Karen Robertson on Carlos at the George Morris clinic. Photo by Lisa Pleasance.

TSB author Karen Robertson shared her hopes and fears for her clinic date with The George in May (click here to read her first post). Now she’s back to tell us how it all went down.

To tell the story about what it was like for me riding with George Morris in late May, I need to start the week before the clinic, when I showed at Sonoma’s Spring Classic Show. It’s a gorgeous place and such a wonderful show, but Carlos and I had a really rough week…. It was the kind of show where the wires get crossed and each day ends with a frustrated feeling of not being strong enough or fast enough or smart enough to ride well enough in any key moment. Seven good jumps didn’t cut it when the eighth was a stop. I got in my head. I started trying different things to end the pattern of choking… a better night’s sleep, more caffeine, or more breakfast. I walked the show grounds with my ear buds in listening to badass music to get myself fired up before I got on for the next class. But at the end of the show, I drove away from Sonoma Horse Park without ever digging myself out of the rut and laying down a solidly good trip. The familiar, consistent feel I’d had all winter with Carlos had been shaken badly; my riding was full of doubt. Needless to say, it was not the kind of show you want to have just days before your first time riding in front of George Morris.

Or, maybe it was.

The eight-hour drive north from Bend, Oregon, to the clinic location went smoothly, but I was full of restless anticipation. After a quick hack in the indoor and settling the horses in for the night, waves of nerves gave me goose bumps as I watched the farm’s crew collecting piles of cut grass from the beautiful front field in preparation for the next day.

In the morning, I was washing Carlos’s legs in the wash stall at the front of the barn when I saw George pull up. I walked out for a quick hello, gave him a kiss on the cheek when he stepped out of the car, and then scurried back in again to get ready. It had been just over a year since I’d seen him last—at the Easter Wellington book signing—and saying hello settled me. I was ready to put the previous week behind me and try my best for him.

When I rode Carlos onto the field less than an hour later, George looked up at me from his perch on the golf cart, paused and said, “Oh, Karen…I didn’t recognize you with your hat on. You look pretty good.”

I nodded with a ghost of a smile as I walked by him. After all the waiting, having registered six months before, it had begun.

As soon as that familiar cadence of George’s teaching—like the lecture of a college professor weaved with pointed instruction—began on that first morning, I found my nerves had passed. I settled into a mindset that stayed with me throughout the clinic: total concentration on following his direction exactly…with a strong dose of hustle. After watching George coach so many other riders in past years, it was absolutely surreal to have his voice speaking to me. It raised my focus to a calm but primed state of being present. I tried to absorb the big picture concepts while also being alert to react quickly.

The first day I was most concerned with riding boldly and not allowing the klutzy moments that had plagued us the week before in Sonoma. Carlos felt great—a little fresh but not wild. He ogled the ditch behind an oxer when we flatted by it, but when it came time to jump it, he didn’t hesitate. I found myself breathing barely whispered “Thank you” and “Good boy” praises to him. Flatwork set us up to feel the difference in our horses and then apply that feel in jumping exercises. George immediately zeroed in on my jumping position, telling me I needed to close my hip angle and lean forward, taking weight off Carlos’s back. This was his major critique of my riding, but throughout the clinic he acknowledged my practicing the adjusted position and encouraged my work to improve.

Looking back now at those three clinic days, I’m so proud that I met the challenges. We jumped a progressively wider water jump and rode well through some difficult exercises that tested flexibility of stride length, straightness, and tight turns. By Day 2, after flatwork and jumping without stirrups, George had me leading the group in most of the jumping exercises, which was exciting because having audited so many clinics, I knew what it meant: he thought I would bring confidence to the rest of the group.

There were definitely also some clumsy moments! Carlos and I haven’t had much practice jumping a bank, and at first we had a stop when he didn’t want to jump down over the small jump set at the bigger end of the bank. After I went to the stick hard and got him off the bank, I had a fire-breathing dragon underneath me for the rest of the day. I also halted at the wrong post in the fence line after someone had already made the same mistake ahead of me…George was very annoyed—and I heard about it. Then when he had us doing rider stretches, reaching down to touch our toes without stirrups, I knocked my helmet loose and my tucked-up ponytail started to slip out. Hair disaster!

As expected, there were the steely, scathing moments of George’s rebuke directed at various riders and auditors when they did not show proper respect or effort. Comments on the degraded state of our country, our general lack of discipline and work ethic, were weaved throughout the lectures each day. One rider had a fall when her horse caught a heel on the edge of the ditch, and George walked over, pointed down at her as she lay prone in the grass, and barked, “You have to keep your leg on at a ditch or a water! You didn’t leg him!”

He was right, of course. But what a picture that rider saw as she looked up at George Morris from the ground.

George also had soft, encouraging moments for riders who struggled. And he had so many words of reward—for everyone—when something was well ridden. “Excellent flying change!” “This girl—she is an educated rider, she is precise!” “That’s it…very good!” “Yeeeeesssss, THAT’S the way to ride that bank!” “This, people, is an excellent student—she listens!”

Every time George gave a compliment to any one of us, it lifted all of us up like we had climbed another step in showing him we, as a generation of riders, were worthy of the opportunity to learn from him. There was a silent, invisible vibration among the riders in my group. Although the rules of the road require that the riders not talk to one another during the clinic or even visibly laugh at George’s jokes (I’ve seen that go badly more than once), we were in it together and rooting for one another. I could feel it.

GEORGE-FRAMED

Speaking of clumsy moments, I had one while serving as jump crew during the 1.20 meter session on Day 1. I raised the top rail two holes on the water jump and stepping back from it, tripped backward over the wing box right in front of the audience and sprawled on hands and heels in the grass. I jumped up trying to recover and blushed hard, incredibly embarrassed. George looked over and said gravely, “Oh Karen, be careful,” and then addressing the crowd, “Karen wrote my book! That’s why she’s blushing…she knows alllll my stories! She knows more about me than my own mother. She even knows the stories that didn’t make the book.”

And just like that, he had taken my flustered moment and made me into a momentary celebrity out of pure sweetness.

George did not disappoint. He never does, does he? I was freaking out about being good enough to be in his clinic and wanting so badly to keep up with the group and belong out there. Now, looking back, I think to myself, “Don’t be silly—of course I belonged out there.” But maybe that’s just the post-George Karen talking. Maybe he instilled a level of certainty in those three days that makes the pre-George Karen a little bit of a stranger.

One thing that solidified that theory was the horse show I had the week following the clinic at the Rose City Opener back down in Bend. Just three days after getting home from the clinic, we were back in the show ring…and it was the best show Carlos and I have had together. We were consistently solid over all five days. We didn’t have a moment of doubt at a single jump. We got great ribbons all week, won the Ariat Medal class, and were Reserve Champion of our Hunter Division. But it was the Derby that felt like a true application of what I had taken with me from riding with George. I had never made it to the second round of a National Hunter Derby in four tries. At Rose City, we not only made it to the second round, but in the end, we were fifth, besting some excellent professional riders.

In my pre-clinic blog post, I wrote that I had hoped for one moment during the clinic when George Morris’s voice would make me feel invincible. Instead of a single moment to take with me, his voice, carrying me through those three clinic days, created a subtle, stream-of-consciousness-George-presence in the background whenever I ride. He is just there with me. In the Derby he was telling me, “Karen, first and foremost: Get it done.”

 

Karen Robertson worked with George Morris on his bestselling autobiography UNRELENTING, which is available from the TSB online bookstore.

CLICK HERE to download a free chapter or to order. 

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont.

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