Archive for the ‘Author News’ Category



We at TSB are simply thrilled to be the US publisher of Charlotte Dujardin’s autobiography THE GIRL ON THE DANCING HORSE, which will be released in the States on Friday, March 16, 2018.

Charlotte Dujardin and her charismatic horse Valegro burst onto the international sports scene with their record–breaking performance at the 2012 Olympic Games in London. The world was captivated by the young woman with the dazzling smile and her dancing horse. The YouTube clip of their Freestyle performance has since had over 1.7 million views, and Dujardin is considered the dominant dressage rider of her era. When Valegro (affectionately called “Blueberry”) retired from competition at the end of 2016, his farewell performance at the Olympia Grand Hall sold out and the dark bay gelding received a standing ovation.

Dujardin began riding horses at the age of two, but dressage was the domain of the rich–not the life a girl from a middleclass family was born into. Her parents sacrificed to give her as many opportunities as they could, and she left school at 16 to focus on equestrian competition. It was at 22, when she was invited to be a groom for British Olympian Carl Hester, that she met the equine partner that would change her fortune.

THE GIRL ON THE DANCING HORSE shares this story, beginning with Charlotte’s early years restarting naughty ponies and following her equestrian evolution, which eventually led to the Olympic arena and gold medals, as she competed against the best in the world. Readers get an honest look at the road Charlotte took to reach the top, and along the way they gain an intimate understanding of who she is and why she and Valegro were able to connect with each other and develop such an unparalleled partnership.

There are many fascinating details readers learn in the pages of Charlotte’s autobiography. Here are 10 you probably (maybe) didn’t already know:

1 Charlotte grew up battling dyslexia, which led to anxiety at school. But as much as she feared a spelling test, as a child she was never nervous at a horse show. The bigger the crowd, the better. (That changed when she had to memorize dressage tests!)

2 Early in her development as a dressage rider, Charlotte struggled with her sitting trot. So she took up swimming to help develop her core strength, clocking in 50-70 lengths each morning before heading to the barn.

3 Charlotte wears false nails because she wants to disguise her “old lady hands” and arthritic knuckles from years of working and riding outside in the wet and cold.

4 At the barn where she rode with Carl Hester, there was a long concrete driveway that riders would walk the horses up before and after work, and when Charlotte first started at Carl’s, she would always try and finish schooling at the same time as him so they could ride up the driveway together and she could work up the courage to talk to him.

5 Charlotte never rode in a helmet at home and wore a top hat to show until she was bucked off into the wall of the arena one day and ended up in the hospital with a skull fracture. Now she schools and shows in a helmet.

6 Charlotte’s fiancé went to the horse show where they first met intending to find himself a girlfriend. He thought it a likely venue for available young women!

7 The first time Charlotte and Valegro competed against Carl was in a Prix St Georges class at the Royal Windsor Horse Show in May 2009. Charlotte and Valegro won.

8 In 2010 Charlotte lost a bet (by winning a test with Valegro) and had to jump into a hot tub in her riding clothes.

9 Valegro loves performing. There are never monsters lurking in corners or waiting in the flowerpots to get him. He’s always focused and always reliable.

10 Before the Olympics in Rio, Charlotte had a feeling it should be Valegro’s final competition. She wanted him to finish at the top where everybody would remember him as the best horse there was. She didn’t want him to end his career as an older horse, not able to give what he once could. Retiring him while he was still at his best was what she felt was the right thing to do.

Girl on Dancing HorseThe first 100 people to order THE GIRL ON THE DANCING HORSE from the Trafalgar Square Books online bookstore will receive an autographed copy! Plus, shipping in the US is FREE.

CLICK HERE to order your copy now.

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small company based on a farm in rural Vermont. 


Read Full Post »


Winter is not just coming…for those of us in many parts of North America, it is completely, frigidly, and snowily upon us. Any horse person knows that things just get a bit, well, harder when the temp dips below zero. It doesn’t matter what size the manure pile—it all freezes to the ground.

Kendra Gale has been breeding, raising, and training Miniature Horses in Alberta, Canada, for decades, so she’s no stranger to ice in the water trough. Gale is the author of THE BIG BOOK OF MINIATURE HORSES, where she shares sage advice for keeping Miniatures as best suits their equine nature, as well as competing them at the highest levels. Her book is the perfect primer for the horse lover new to Miniatures, or the first-time horse owner, period.

In this segment of TSB’s “Horseworld by the Hour” series, Gale gives us a glimpse of what it’s like to walk a long (but satisfying) day in her winter boots.


6:30 am It’s winter in Alberta, so while I usually get up about now, it’s not the “jump out of bed and get going” it might be on a summer day with lessons or workshops or competitions on the schedule. After all, the sun won’t be up for a couple hours yet!

First priority is, of course, to let my Chihuahua, Clara, out to pee. Depending on the amount of snow or degree of Arctic temperatures, sometimes I’m successful in convincing her, sometimes not. In the summer she spends a lot of the day at the barn with me. In the winter, she opts out of the outdoors as much as possible. To be fair, the snow is sometimes deeper than she is tall!

7:00 am Breakfast and I jump onto the computer for a bit. Check emails, Facebook, and any concerns with my online classroom (www.MiniatureHorsemanship.com). Depending on how it goes, I might get some work done, editing videos or building slideshows, or maybe some writing.

8:00 am The sun starts peeking up between now and 8:30 am this time of year, and I usually wait for it before I head out to start chores. I like being able to see my horses in the daylight. They’re Miniature Horses, and lots of them are black…on days when I have to feed in the dark, I’ve been known to literally trip over them.

Before I go outside, I fill my big pail of hay cubes and senior feed with hot water to make a breakfast of mush for my collection of geriatric Miniature Horses. Then it’s time to layer up to head out—the number of layers is directly proportional to the cold. We have a wide range of winter temperatures here, and it could be above freezing, or it could be 40 below, and those two extremes could be in pretty close proximity to each other. Layers are key!

Image, my blind, one-eyed, 28-year-old, is the first to greet me when I get to the barn, with a hungry nicker and a big “downward dog” stretch. Image, along with Robin (age 27, a retired broodmare) and Valdez (age 29, sire of many of the horses on my farm), spend their nights inside in the winter, and their days, too, in nasty weather. Miniature Horses handle the cold really well, but these old folks do better with some extra spoiling.

With warm mush in their bellies, I head outside to feed the rest of the mush to my pen of slightly-less-old geldings (Knight Rider, 26, Spook, 22, and Paco, 21) and dole out some complete feed for some hard-keepers and the two weanlings, eight-month-old Victor and Vodka.

Next, it’s to the hay stack to collect a couple bales onto my calf sled. Currently I’m feeding about a bale and a half, morning and night, except when it’s colder than -20—then I feed more to help the horses stay warm. I distribute hay to the herd, checking everyone as I go to make sure no one is cold, or sick, or losing weight. I touch each horse every day—that’s 32 miniature equines in total.


The herd. Photo by Kendra Gale.

8:30 am With all the beasties enjoying their breakfast, I love to stop and stand for a moment and enjoy the peace and morning light…unless it’s storming or something.

Next on the list I feed and water my birds. I keep Partridge Chantecler chickens and some mixed-breed ducks that never fail to make me laugh. The birds all do really well in the winter. I check to make sure their heated water dishes are all working and collect any (hopefully not-yet-frozen) eggs.

9:00 am Last week it was -36 and one of my heated, automatic waterers gave up the ghost. Of course, it was the one that the most horses drink from, and with the most run-in sheds in that pasture, I couldn’t move too many horses to other waterers. We got some heated pails to plug in for the herd so they all always had access to that all-important unfrozen water, but it means that next on my to-do list is hauling water: I do about six pails from the hydrant each morning to fill everything up for them.

9:30 am Some days I might head out to teach lessons at a client’s place, or spend the morning working on computer stuff, but today it’s farrier day. I see which horses are due for a trim and bring them into the barn. My farrier comes every two to three weeks and does six Miniatures at a time, which works out to a pretty good rotation. With a little luck, I get them in with enough time to dig the packed snow out of their feet and give them each a quick groom before the farrier arrives.

11:30 am It’s a trickier day for trims—most of the herd is easy, but we’ve got the weanlings on the list today. Victor is perfect, but Vodka used up all his “Good Boy” during treatment for an eye injury earlier this year and is going through a rebellious stage. We’re patient with him and he decides he’ll be a good citizen in the end. The big challenge today is Bentley, my new Miniature Mule: He’s only lived here a few months and is nervous of strangers, especially strangers who want to pick up his feet while holding tools. It takes some time, but it ultimately goes well. The farrier and I are pleased with his progress, and he gets lots of treats for his bravery. Luckily, the other three we trim today are old pros (that’s enough excitement for us for one day). They all get cookies and go back out with their friends to finish their breakfast. At this point, it doesn’t have to be very cold for me to still feel frozen solid—it’s definitely time to get back in the house for a bit!


Clara and Victor. Photo by Kendra Gale.

12:00 pm I grab some lunch (and probably some hot tea!) and get back on the computer for a while. Time to get to work on whatever project I’m working on. Currently, I’m organizing a clinic/conference event, preparing for a clinic I’m teaching up north in a few weeks, and building a webinar and a couple promos for my online classroom.

1:30 pm I’m wrapped up in what I’m working on and would love keep at it, but the sun is shining so I head back outside. Time to clean stalls while the old folks are out enjoying some winter sun. Stall cleaning gets more complicated the colder it gets: frozen poop balls bounce away when they fall off the fork, and at times I take the pee spots out in one big frozen chunk, kind of like clumping cat litter. I also haul more water—another six pails midday (I’ll never take my automatic waterers for granted again after this…)

2:00 pm I want to get Rocky’s tail put back up—he’s my breeding stallion (Victor and Vodka’s daddy) and one of my favorite driving horses. I love his long tail and usually keep it up in a sock to protect it. This fall I let it down during fly season, and then I never got it put up again. After the last big snowfall I was laughing at the funny trail it left in the snow, but I’m sure that was pretty hard on it. Now that the weather has improved I’m going to get it up before the next snow and cold snap is scheduled. I set up my video camera so I can make a quick tutorial of the process for my YouTube channel.

2:30 pm Since I have Rocky in, I set up some of the obstacles for the January online Horse Agility competition. Rocky’s been off for a while, so it’s a good refresher for him. I set up the obstacles inside the barn. My barn is a good-sized tent building so I’m able to squeeze in a full agility course if I’m creative. It’s nice to work in out of the wind, and I’m paranoid about my horses slipping on poor footing outside in the winter. I also never drive in the winter, unless there is no snow or ice at all. Luckily, while driving is my favorite discipline, there are lots of other fun things to do with my Miniature Horses, and agility is one of my preferred wintertime activities.


Rocky with a frosty forelock. Photo by Kendra Gale.

3:00 pm  Now I’ve got the obstacles set up, and I let Johnnie in to play. He does his agility at liberty. Johnnie is coming four, and while he’s one of my tiniest in stature at not quite 31 inches, he’s the biggest personality. I don’t dare practice any obstacle too many times, or he gets bored and invents new ways to do them. We work on standing and waiting until I ask him to come toward me, practice his sidepassing, and then move on to something else. Johnnie has been trained using positive reinforcement. I also want to start him in harness, so today I have a sidepull I’m going to use on him—I’ve driven Rocky bitless some, but I’m really looking forward to starting Johnnie bitless right front the start. We practice giving to pressure on the sidepull, first using a target to help him understand. It’s a fun new game for both of us! I’ve got the video camera running again, as one of my online courses is on starting your Miniature Horse in harness, and I want to add the bitless training process to the content. The toughest part with Johnnie is always convincing him to leave when I’m done playing with him…after demonstrating all kinds of skills at liberty, I actually have to put a halter on him to lead him back out to be with his friends!

3:45 pm I’m cold again, so it’s back in for more tea (Earl Grey with milk and a dribble of maple syrup—my friend named it a “Canadian Fog”) and to download my videos onto the computer. I get started on video editing and laugh at Johnnie’s antics. The bloopers are always my favorite, and if I don’t leave them in, I save them for future amusement.

4:45 pm I haven’t quite warmed up, but it’s getting dark, so I’m back out to start the evening chores. I bring in the old folks and and feed everyone just like in the morning. It’s supposed to extra cold overnight, so I give everybody some additional hay to help them stay warm. I turn on a podcast while I work: I like to listen to Horses In The Morning or Star Trek: The Next Conversation.

5:30 pm The sunset over the mountains is my favorite. I often pause my chores to take photos if it’s particularly spectacular.

I give Robin and Image their medication (Cushings medication for both, and anti-inflammatory for Robin) and haul another six or eight pails of water (I really can’t wait til that waterer is fixed…) before I say goodnight to everyone, close up the coops for the night, and head for the house. I check that the security camera is working in the barn—if anything seems amiss, I can see the stalls from my phone. It’s especially handy during foaling season.


Another day done. Photo by Kendra Gale.

6:00 pm It’s back to the house for the evening. A couple times a month I teach a live webinar in the evenings, but most of the time I curl up on the couch with my laptop, enjoying some TV while I keep working away on my current projects. Or I might head over to my grandparents house to watch the game on TV…Go Flames Go!

10:00 pm I let Clara out one last time and we head for bed—a Chihuahua’s favorite time of day!

Kendra Gale’s book THE BIG BOOK OF MINIATURE HORSES is available now from the TSB online bookstore, where shipping in the US is FREE.

Click below to watch the trailer:

Be sure to read the other installments in the TSB “Horseworld by the Hour” blog series:













Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont. 

Read Full Post »


Karen Robertson on Carlos at the George Morris clinic. Photo by Lisa Pleasance.

TSB author Karen Robertson shared her hopes and fears for her clinic date with The George in May (click here to read her first post). Now she’s back to tell us how it all went down.

To tell the story about what it was like for me riding with George Morris in late May, I need to start the week before the clinic, when I showed at Sonoma’s Spring Classic Show. It’s a gorgeous place and such a wonderful show, but Carlos and I had a really rough week…. It was the kind of show where the wires get crossed and each day ends with a frustrated feeling of not being strong enough or fast enough or smart enough to ride well enough in any key moment. Seven good jumps didn’t cut it when the eighth was a stop. I got in my head. I started trying different things to end the pattern of choking… a better night’s sleep, more caffeine, or more breakfast. I walked the show grounds with my ear buds in listening to badass music to get myself fired up before I got on for the next class. But at the end of the show, I drove away from Sonoma Horse Park without ever digging myself out of the rut and laying down a solidly good trip. The familiar, consistent feel I’d had all winter with Carlos had been shaken badly; my riding was full of doubt. Needless to say, it was not the kind of show you want to have just days before your first time riding in front of George Morris.

Or, maybe it was.

The eight-hour drive north from Bend, Oregon, to the clinic location went smoothly, but I was full of restless anticipation. After a quick hack in the indoor and settling the horses in for the night, waves of nerves gave me goose bumps as I watched the farm’s crew collecting piles of cut grass from the beautiful front field in preparation for the next day.

In the morning, I was washing Carlos’s legs in the wash stall at the front of the barn when I saw George pull up. I walked out for a quick hello, gave him a kiss on the cheek when he stepped out of the car, and then scurried back in again to get ready. It had been just over a year since I’d seen him last—at the Easter Wellington book signing—and saying hello settled me. I was ready to put the previous week behind me and try my best for him.

When I rode Carlos onto the field less than an hour later, George looked up at me from his perch on the golf cart, paused and said, “Oh, Karen…I didn’t recognize you with your hat on. You look pretty good.”

I nodded with a ghost of a smile as I walked by him. After all the waiting, having registered six months before, it had begun.

As soon as that familiar cadence of George’s teaching—like the lecture of a college professor weaved with pointed instruction—began on that first morning, I found my nerves had passed. I settled into a mindset that stayed with me throughout the clinic: total concentration on following his direction exactly…with a strong dose of hustle. After watching George coach so many other riders in past years, it was absolutely surreal to have his voice speaking to me. It raised my focus to a calm but primed state of being present. I tried to absorb the big picture concepts while also being alert to react quickly.

The first day I was most concerned with riding boldly and not allowing the klutzy moments that had plagued us the week before in Sonoma. Carlos felt great—a little fresh but not wild. He ogled the ditch behind an oxer when we flatted by it, but when it came time to jump it, he didn’t hesitate. I found myself breathing barely whispered “Thank you” and “Good boy” praises to him. Flatwork set us up to feel the difference in our horses and then apply that feel in jumping exercises. George immediately zeroed in on my jumping position, telling me I needed to close my hip angle and lean forward, taking weight off Carlos’s back. This was his major critique of my riding, but throughout the clinic he acknowledged my practicing the adjusted position and encouraged my work to improve.

Looking back now at those three clinic days, I’m so proud that I met the challenges. We jumped a progressively wider water jump and rode well through some difficult exercises that tested flexibility of stride length, straightness, and tight turns. By Day 2, after flatwork and jumping without stirrups, George had me leading the group in most of the jumping exercises, which was exciting because having audited so many clinics, I knew what it meant: he thought I would bring confidence to the rest of the group.

There were definitely also some clumsy moments! Carlos and I haven’t had much practice jumping a bank, and at first we had a stop when he didn’t want to jump down over the small jump set at the bigger end of the bank. After I went to the stick hard and got him off the bank, I had a fire-breathing dragon underneath me for the rest of the day. I also halted at the wrong post in the fence line after someone had already made the same mistake ahead of me…George was very annoyed—and I heard about it. Then when he had us doing rider stretches, reaching down to touch our toes without stirrups, I knocked my helmet loose and my tucked-up ponytail started to slip out. Hair disaster!

As expected, there were the steely, scathing moments of George’s rebuke directed at various riders and auditors when they did not show proper respect or effort. Comments on the degraded state of our country, our general lack of discipline and work ethic, were weaved throughout the lectures each day. One rider had a fall when her horse caught a heel on the edge of the ditch, and George walked over, pointed down at her as she lay prone in the grass, and barked, “You have to keep your leg on at a ditch or a water! You didn’t leg him!”

He was right, of course. But what a picture that rider saw as she looked up at George Morris from the ground.

George also had soft, encouraging moments for riders who struggled. And he had so many words of reward—for everyone—when something was well ridden. “Excellent flying change!” “This girl—she is an educated rider, she is precise!” “That’s it…very good!” “Yeeeeesssss, THAT’S the way to ride that bank!” “This, people, is an excellent student—she listens!”

Every time George gave a compliment to any one of us, it lifted all of us up like we had climbed another step in showing him we, as a generation of riders, were worthy of the opportunity to learn from him. There was a silent, invisible vibration among the riders in my group. Although the rules of the road require that the riders not talk to one another during the clinic or even visibly laugh at George’s jokes (I’ve seen that go badly more than once), we were in it together and rooting for one another. I could feel it.


Speaking of clumsy moments, I had one while serving as jump crew during the 1.20 meter session on Day 1. I raised the top rail two holes on the water jump and stepping back from it, tripped backward over the wing box right in front of the audience and sprawled on hands and heels in the grass. I jumped up trying to recover and blushed hard, incredibly embarrassed. George looked over and said gravely, “Oh Karen, be careful,” and then addressing the crowd, “Karen wrote my book! That’s why she’s blushing…she knows alllll my stories! She knows more about me than my own mother. She even knows the stories that didn’t make the book.”

And just like that, he had taken my flustered moment and made me into a momentary celebrity out of pure sweetness.

George did not disappoint. He never does, does he? I was freaking out about being good enough to be in his clinic and wanting so badly to keep up with the group and belong out there. Now, looking back, I think to myself, “Don’t be silly—of course I belonged out there.” But maybe that’s just the post-George Karen talking. Maybe he instilled a level of certainty in those three days that makes the pre-George Karen a little bit of a stranger.

One thing that solidified that theory was the horse show I had the week following the clinic at the Rose City Opener back down in Bend. Just three days after getting home from the clinic, we were back in the show ring…and it was the best show Carlos and I have had together. We were consistently solid over all five days. We didn’t have a moment of doubt at a single jump. We got great ribbons all week, won the Ariat Medal class, and were Reserve Champion of our Hunter Division. But it was the Derby that felt like a true application of what I had taken with me from riding with George. I had never made it to the second round of a National Hunter Derby in four tries. At Rose City, we not only made it to the second round, but in the end, we were fifth, besting some excellent professional riders.

In my pre-clinic blog post, I wrote that I had hoped for one moment during the clinic when George Morris’s voice would make me feel invincible. Instead of a single moment to take with me, his voice, carrying me through those three clinic days, created a subtle, stream-of-consciousness-George-presence in the background whenever I ride. He is just there with me. In the Derby he was telling me, “Karen, first and foremost: Get it done.”


Karen Robertson worked with George Morris on his bestselling autobiography UNRELENTING, which is available from the TSB online bookstore.

CLICK HERE to download a free chapter or to order. 

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont.


Read Full Post »


Karen Robertson on Carlos at the Rose City Opener National Hunter Derby, Bend, Oregon (photo courtesy of Barbara Dudley).

TSB author Karen Robertson mulls over her upcoming date with The One and Only.

I started considered riding in a George Morris clinic in recent years. I know, I know… most of you are probably wondering why on earth I’d throw myself into the fire like that. And you’re right – I’m kind of freaking out about it. I’ve been freaking out for months! I haven’t ridden without stirrups enough and I’m not someone who rides five horses a day with a perfect position. George is sure to tell me my stirrup isn’t the correct angle on the ball of my foot, my leg isn’t strong enough, my hand isn’t educated enough, and that I sit “like a soup sandwich.” If I’m really lucky, he might even run behind me with a longe whip while I struggle to jump the water.

All that makes my heart race. Over the past five months I haven’t gone a day without thinking about the clinic. It truly scares me to put myself on a horse in front of George. He has laid eyes on every great hunter or jumper rider in the world for over six decades…and now he’s going to lay eyes on me.


I’m doing this for two reasons: My riding has in the last decade or so (I’m 39) begun resembling correct fundamentals to the extent that I think I can hold my own in this particular clinic that has a 1.00 meter group. And secondly, I helped George pen UNRELENTING, his no-holds-barred autobiography published last year. Working on UNRELENTING with George was like getting a whole new education on my best-loved sport. Just by being in George’s orbit, my ambition caught fire to work harder, be bolder, and take more risks. I’ve watched a dozen clinics first-hand over the past five years, and I know what he expects from riders. Now it’s my turn. And in one week, my friend and I will drive seven hours north with our horses to Potcreek Meadow Farm in Washington to ride with George.


Karen and George working on UNRELENTING in September 2015 (photo courtesy of Barbara Dudley).

Hang on, I had to put my head between my knees and breath deeply for a second there. Whew. Okay. I’m back.

What will it be like for me to ride with George? To feel those eyes that have an unmatched ability to instantly size up a rider and horse and then, in every pair’s case, fit a specific but well-worn key of wisdom into the right lock to help them reach their potential? What will it feel like to hear his deep, satisfied cry of “Thaaaaat’s it!” if I deliver what he commands?

I can only imagine how it will feel, but I hope that I have enough calm in my mind that I can absorb and enjoy the experience. No matter how well I ride each clinic day or what mistakes I ride through, the bottom line is that I will be riding with him: the timid boy too afraid to be off the lead line who became The Godfather of Hunt Seat Equitation and Chef d’Equipe of the Olympic Show Jumping Team; the reproach-impervious master who walks the fiery line between motivator and intimidator; the same coach who fifty years ago inspired a wily crew of American women to reach beyond their wildest dreams on the international show jumping stage and end the decades-long reign of European men.

George is also my dear friend. When I first met him in 2013, it took only hours for us to form a kinship that transcended the book and the horse world. With a kind of glee, we recognized in each other the same kind of professional ambition flanked by a sometimes reckless need for letting ourselves go and being wild. We grew close over the three years, and he listened kindly and gave me advice when I had hardship in my life. George shared his thoughts and feelings with me unreservedly, and I had the honor to hear hundreds of hours of stories from his life…only some of which made the book but which all fit together to help me understand how he wanted to tell his story. I was struck with awe and amusement in the moments I looked in at myself – sitting across from him at lunch or next to him as he drove the car or by his bedside interviewing him – when I wondered, “How did I get here? How is this my life? This is absolutely unbelievable that I get to be here.” It made me want to cry and laugh and collapse in wonder.

Riding with George will be a whole new relationship paradigm for us, and I will ride onto that grass field with no expectations for special treatment. I know he will measure me in a new way: as a rider and horsewoman rather than a writer and a friend. I’m a little afraid that he might lose respect for me if I’m not a sharp enough rider, but I hope so completely that this experience will bring us even closer.

This is scary, to take this risk. But sometimes you say yes to scary and the rewards are better than any ordinary day ever could be.

When I asked my childhood show jumping heroes during interviews for UNRELENTING what it was like to have George take them to the ring when the stakes were high, they all said that their trust in George and his belief that they could win made them feel like they could jump anything – A house! The moon! Besides the incredible learning opportunities, and taking to heart the critical comments (of which there are bound to be many), what I really want to feel in the clinic is just one moment where his voice lifts me up and I feel invincible.



Karen and Carlos at HITS Coachella Desert Circuit, January 2016 (photo by Jose Ruiz).

Read Karen Robertson’s follow-up post, written after her clinic with George Morris, here.


UNRELENTING by George Morris with Karen Robertson, is available from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information.

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont. 


Read Full Post »

The dressage warm-up arena can be a crowded place. Photo by Amber Heintzberger from MODERN EVENTING WITH PHILLIP DUTTON.

Rolex Kentucky Three-Day Event 2017 starts today with the first horse inspection, and the dressage phase kicks off tomorrow morning. To make sure everyone’s ready to go, here are five tips for warming up prior to your dressage test from MODERN EVENTING WITH PHILLIP DUTTON:

1  Start in walk on a 20-meter circle if the warm-up area is large enough. Introduce “inside leg to outside rein.” I usually start on the left rein, because most horses go better to the left and it starts them off well mentally. Get the horse walking nicely forward, slightly bent around your inside leg, and encourage him to reach softly down and forward.

2  Use some leg-yielding exercises to reaffirm your training and get the horse listening to your leg in both directions, left and right. Once you have his attention at the walk, go to rising trot. Rather than thinking about the the test, focus more on the correctness of the horse: You want him reaching for the bit softly; obedient to inside leg to outside rein; and with flexion to the inside.

3  Do lots of changes of direction and transitions within the trot to keep your horse’s attention and prevent him from getting “stuck.” Once his back is supple and loose, do a little bit of sitting trot, then ask for the canter. 

4  Do canter-trot-canter transitions on each rein. This is a great way of testing how well the horse is on the aids. I don’t want him to run or hollow out, and he should stay obedient through the transition.

5  You can practice specific parts of the test a few times, but when there is one horse to go before you, go back and work on your horse’s correctness–getting him in tune with your aids. Do lots of transitions, keeping the horse listening and thinking. Also, vary the horse’s frame. This last part of the warm-up is really to reinforce his attention on you.

Find more eventing advice in MODERN EVENTING WITH PHILLIP DUTTON, available from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE to download a free chapter or to order.

We’re thrilled to have two TSB authors competing at RK3DE this year: Phillip Dutton and Doug Payne. In addition, professional grooms Emma Ford and Cat Hill, and horseman Dan James, are involved in this exciting equestrian event.


Read Full Post »


Photo by Keron Psillas from The Alchemy of Dressage by Dominique Barbier and Dr. Maria Katsamanis

In almost every book we publish, we invite our authors to include a page of acknowledgments; this is their chance to thank those who may have had a hand in their careers or the making of their books. While it isn’t every day that we look back through to see who they’ve thanked over the years, it seems appropriate on this blustery, cold, Vermont afternoon, the day before Thanksgiving 2016. As might be imagined, there is one resounding theme that emerges…have a look at some of the words of gratitude TSB authors have put in print. If your book was about to be published, who would YOU thank?


“They say success has a thousand fathers—I thank from the bottom of my heart all those who have taken an extra minute out of their day to help me down my path.” Jonathan Field in THE ART OF LIBERTY TRAINING FOR HORSES

“Thanks go out to every horse I’ve ever had the pleasure and privilege of riding…they’ve taught me the importance of caring, patience, understanding, selflessness, and hard work.” Daniel Stewart in PRESSURE PROOF YOUR RIDING


TSB author Jonathan Field with his family and "Hal."

TSB author Jonathan Field with his family and “Hal.”


“Most of all my greatest thanks go to Secret, the horse who has taught me so much—she is a horse in a million.” Vanessa Bee in 3-MINUTE HORSEMANSHIP

“We owe the greatest depths of gratitude to the horses.” Phillip Dutton in MODERN EVENTING WITH PHILLIP DUTTON

“Thank you, Santa, for bringing the pony when I was little.” Jean Abernethy in THE ESSENTIAL FERGUS THE HORSE

“Thank you to my partner and wife Conley, without whose moral support and inspiration I would be sitting on a tailgate by the side of the road holding a cardboard sign that reads, ‘Will work on horses for food.'” Jim Masterson in BEYOND HORSE MASSAGE


TSB author Linda Tellington-Jones.

TSB author Linda Tellington-Jones.


“Thank you to my beloved parents. You were so wonderful to let me chart a path with horses, which you knew nothing about.” Lynn Palm in THE RIDER’S GUIDE TO REAL COLLECTION

“I thank my beloved equine partners—my most important teachers.” Dr. Beth Glosten in THE RIDING DOCTOR

“Thank you to all my wonderful students and friends for always being there.” Jane Savoie in IT’S NOT JUST ABOUT THE RIBBONS

“I really need to honor the people who have invited me to work with them and the horses that have allowed me to be with, ride, and train them over the decades. I have learned some things from books, but most from the people and horses I train.” Heather Sansom in FIT TO RIDE IN 9 WEEKS!

“I give thanks for all the horses over the years who have taught me so much.” Linda Tellington-Jones in THE ULTIMATE HORSE BEHAVIOR AND TRAINING BOOK

“I am grateful for all my teachers, two-legged, four-legged, and winged, for all they have taught me through their own journeys.” Dr. Allen Schoen in THE COMPASSIONATE EQUESTRIAN

“Thank you to every horse that came my way over the past 45 years. Each one had lessons to teach me.” Susan Gordon in THE COMPASSIONATE EQUESTRIAN

“I want to thank my parents who finally gave in to the passionate desire of a small child who wanted a horse.” Heather Smith Thomas in GOOD HORSE, BAD HABITS

“Most of all, thank you to all the horses.” Sharon Wilsie in HORSE SPEAK


TSB author Dr. Allen Schoen.

TSB author Dr. Allen Schoen.


“I am extremely thankful to all of the horses in my life. I would not have accomplished so much without them. The horses have been my greatest teachers!” Anne Kursinski in ANNE KURSINSKI’S RIDING & JUMPING CLINIC

“I need to thank all the horses.” Sgt. Rick Pelicano in BETTER THAN BOMBPROOF

“Thank you to students and riders who share my passion in looking deeper into the horse and into themselves.” Dominique Barbier in THE ALCHEMY OF LIGHTNESS

“Thanks go to the many horses that have come into my life. You give me great happiness, humility, and sometimes peace; you always challenge me to become more than I am, and you make my life whole.” Andrea Monsarrat Waldo in BRAIN TRAINING FOR RIDERS


And thank YOU, our readers and fellow horsemen, who are always striving to learn and grow in and out of the saddle, for the good of the horse.

Wishing a very happy and safe Thanksgiving to all!

The Trafalgar Square Books Staff


Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small company based on a farm in rural Vermont.


Read Full Post »

Photo by Erika N. Walsh

Photo by Erika N. Walsh

We’re counting down the days to the 2016 Thoroughbred Makeover and National Symposium, organized by the Retired Racehorse Project (RRP), a nonprofit dedicated to the placement of ex-racehorses in second careers, and sponsored by Thoroughbred Charities of America.

You can join thousands of others who believe that every Thoroughbred deserves a chance to win at life at the beautiful Kentucky Horse Park in Lexington, Kentucky, October 27-30, as top trainers engage in the process of transitioning ex-racehorses to second careers. The Thoroughbred Makeover serves as the only national gathering of the organizations, trainers, and farms dedicated to serving OTTBs and features educational clinics and demonstrations, as well as the Makeover Horse Sale and the $100,000 Thoroughbred Makeover competition.

The 2016 Makeover features over 300 Thoroughbreds that began working with trainers from across the country after the first of the year and who will compete in up to two of ten equestrian disciplines to showcase their talents and trainability.

“The Thoroughbred Makeover is a unique opportunity on so many levels,” says one of the event’s judges, TSB author and president of EquestrianCoach.com Bernie Traurig. “First, it’s a wonderful way to see firsthand the great qualities the Thoroughbred has to offer for so many disciplines. There are over 300 OTTBs competing and demonstrating their versatility in a wide array of sports. Second, for those interested in purchasing an OTTB, many, perhaps half, are available to be tried and purchased. David Hopper and I are judging the jumpers, and we are both really excited to see some of these great Thoroughbreds.”

As supporters of the Retired Racehorse Project, TSB is proud to have a number of authors joining Bernie Traurig (creator of DEVELOPING PERFECT POSITION and other DVDs) in this year’s Makeover. BEYOND THE TRACK author Anna Morgan Ford’s OTTB adoption organization New Vocations always has a significant presence at the event, and both Denny Emerson (HOW GOOD RIDERS GET GOOD) and Yvonne Barteau (THE DRESSAGE HORSE MANIFESTO) worked with OTTBs with the competition in mind.




“I did not know of the RRP Thoroughbred Makeover challenge until my friend Lisa Diersen of the Equus Film Festival mentioned it to me,” recounts Barteau. “Since I spent seven years on racetracks, working with Standardbred and Thoroughbred racehorses, and also a few years training ex-racehorses, it seemed like a good thing for me to do.

“I started working with SeventyTwo (‘Indy’) in February,” she says. “I found him a bit aloof at first and also somewhat challenging. He likes a good argument and will try to drag you into one if you are not careful. He is also funny, charming, and extremely clever. He learns things, (good or bad), super fast, so I have had to stay ahead of him in the training game.

“I am having such fun with Indy, I plan on keeping him and continuing to train him up the levels in dressage as well as making an exhibition horse out of him. I don’t know how he will be when I take him to a new environment (the Makeover), so however he acts there will be just part of our journey together. I’m looking forward to it either way!”

Don’t missing seeing Indy and all the other winning ex-racehorses as they show off what they’ve learned over the last few months and compete to be named America’s Most Wanted Thoroughbred! Tickets for the 2016 Thoroughbred Makeover are on sale now (CLICK HERE).

Watch Yvonne and Indy working together in this short video:



Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont.


Read Full Post »

Older Posts »

%d bloggers like this: