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KarenYesScary

Karen Robertson on Carlos at the George Morris clinic. Photo by Lisa Pleasance.

TSB author Karen Robertson shared her hopes and fears for her clinic date with The George in May (click here to read her first post). Now she’s back to tell us how it all went down.

To tell the story about what it was like for me riding with George Morris in late May, I need to start the week before the clinic, when I showed at Sonoma’s Spring Classic Show. It’s a gorgeous place and such a wonderful show, but Carlos and I had a really rough week…. It was the kind of show where the wires get crossed and each day ends with a frustrated feeling of not being strong enough or fast enough or smart enough to ride well enough in any key moment. Seven good jumps didn’t cut it when the eighth was a stop. I got in my head. I started trying different things to end the pattern of choking… a better night’s sleep, more caffeine, or more breakfast. I walked the show grounds with my ear buds in listening to badass music to get myself fired up before I got on for the next class. But at the end of the show, I drove away from Sonoma Horse Park without ever digging myself out of the rut and laying down a solidly good trip. The familiar, consistent feel I’d had all winter with Carlos had been shaken badly; my riding was full of doubt. Needless to say, it was not the kind of show you want to have just days before your first time riding in front of George Morris.

Or, maybe it was.

The eight-hour drive north from Bend, Oregon, to the clinic location went smoothly, but I was full of restless anticipation. After a quick hack in the indoor and settling the horses in for the night, waves of nerves gave me goose bumps as I watched the farm’s crew collecting piles of cut grass from the beautiful front field in preparation for the next day.

In the morning, I was washing Carlos’s legs in the wash stall at the front of the barn when I saw George pull up. I walked out for a quick hello, gave him a kiss on the cheek when he stepped out of the car, and then scurried back in again to get ready. It had been just over a year since I’d seen him last—at the Easter Wellington book signing—and saying hello settled me. I was ready to put the previous week behind me and try my best for him.

When I rode Carlos onto the field less than an hour later, George looked up at me from his perch on the golf cart, paused and said, “Oh, Karen…I didn’t recognize you with your hat on. You look pretty good.”

I nodded with a ghost of a smile as I walked by him. After all the waiting, having registered six months before, it had begun.

As soon as that familiar cadence of George’s teaching—like the lecture of a college professor weaved with pointed instruction—began on that first morning, I found my nerves had passed. I settled into a mindset that stayed with me throughout the clinic: total concentration on following his direction exactly…with a strong dose of hustle. After watching George coach so many other riders in past years, it was absolutely surreal to have his voice speaking to me. It raised my focus to a calm but primed state of being present. I tried to absorb the big picture concepts while also being alert to react quickly.

The first day I was most concerned with riding boldly and not allowing the klutzy moments that had plagued us the week before in Sonoma. Carlos felt great—a little fresh but not wild. He ogled the ditch behind an oxer when we flatted by it, but when it came time to jump it, he didn’t hesitate. I found myself breathing barely whispered “Thank you” and “Good boy” praises to him. Flatwork set us up to feel the difference in our horses and then apply that feel in jumping exercises. George immediately zeroed in on my jumping position, telling me I needed to close my hip angle and lean forward, taking weight off Carlos’s back. This was his major critique of my riding, but throughout the clinic he acknowledged my practicing the adjusted position and encouraged my work to improve.

Looking back now at those three clinic days, I’m so proud that I met the challenges. We jumped a progressively wider water jump and rode well through some difficult exercises that tested flexibility of stride length, straightness, and tight turns. By Day 2, after flatwork and jumping without stirrups, George had me leading the group in most of the jumping exercises, which was exciting because having audited so many clinics, I knew what it meant: he thought I would bring confidence to the rest of the group.

There were definitely also some clumsy moments! Carlos and I haven’t had much practice jumping a bank, and at first we had a stop when he didn’t want to jump down over the small jump set at the bigger end of the bank. After I went to the stick hard and got him off the bank, I had a fire-breathing dragon underneath me for the rest of the day. I also halted at the wrong post in the fence line after someone had already made the same mistake ahead of me…George was very annoyed—and I heard about it. Then when he had us doing rider stretches, reaching down to touch our toes without stirrups, I knocked my helmet loose and my tucked-up ponytail started to slip out. Hair disaster!

As expected, there were the steely, scathing moments of George’s rebuke directed at various riders and auditors when they did not show proper respect or effort. Comments on the degraded state of our country, our general lack of discipline and work ethic, were weaved throughout the lectures each day. One rider had a fall when her horse caught a heel on the edge of the ditch, and George walked over, pointed down at her as she lay prone in the grass, and barked, “You have to keep your leg on at a ditch or a water! You didn’t leg him!”

He was right, of course. But what a picture that rider saw as she looked up at George Morris from the ground.

George also had soft, encouraging moments for riders who struggled. And he had so many words of reward—for everyone—when something was well ridden. “Excellent flying change!” “This girl—she is an educated rider, she is precise!” “That’s it…very good!” “Yeeeeesssss, THAT’S the way to ride that bank!” “This, people, is an excellent student—she listens!”

Every time George gave a compliment to any one of us, it lifted all of us up like we had climbed another step in showing him we, as a generation of riders, were worthy of the opportunity to learn from him. There was a silent, invisible vibration among the riders in my group. Although the rules of the road require that the riders not talk to one another during the clinic or even visibly laugh at George’s jokes (I’ve seen that go badly more than once), we were in it together and rooting for one another. I could feel it.

GEORGE-FRAMED

Speaking of clumsy moments, I had one while serving as jump crew during the 1.20 meter session on Day 1. I raised the top rail two holes on the water jump and stepping back from it, tripped backward over the wing box right in front of the audience and sprawled on hands and heels in the grass. I jumped up trying to recover and blushed hard, incredibly embarrassed. George looked over and said gravely, “Oh Karen, be careful,” and then addressing the crowd, “Karen wrote my book! That’s why she’s blushing…she knows alllll my stories! She knows more about me than my own mother. She even knows the stories that didn’t make the book.”

And just like that, he had taken my flustered moment and made me into a momentary celebrity out of pure sweetness.

George did not disappoint. He never does, does he? I was freaking out about being good enough to be in his clinic and wanting so badly to keep up with the group and belong out there. Now, looking back, I think to myself, “Don’t be silly—of course I belonged out there.” But maybe that’s just the post-George Karen talking. Maybe he instilled a level of certainty in those three days that makes the pre-George Karen a little bit of a stranger.

One thing that solidified that theory was the horse show I had the week following the clinic at the Rose City Opener back down in Bend. Just three days after getting home from the clinic, we were back in the show ring…and it was the best show Carlos and I have had together. We were consistently solid over all five days. We didn’t have a moment of doubt at a single jump. We got great ribbons all week, won the Ariat Medal class, and were Reserve Champion of our Hunter Division. But it was the Derby that felt like a true application of what I had taken with me from riding with George. I had never made it to the second round of a National Hunter Derby in four tries. At Rose City, we not only made it to the second round, but in the end, we were fifth, besting some excellent professional riders.

In my pre-clinic blog post, I wrote that I had hoped for one moment during the clinic when George Morris’s voice would make me feel invincible. Instead of a single moment to take with me, his voice, carrying me through those three clinic days, created a subtle, stream-of-consciousness-George-presence in the background whenever I ride. He is just there with me. In the Derby he was telling me, “Karen, first and foremost: Get it done.”

 

Karen Robertson worked with George Morris on his bestselling autobiography UNRELENTING, which is available from the TSB online bookstore.

CLICK HERE to download a free chapter or to order. 

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont.

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Karen Robertson on Carlos at the Rose City Opener National Hunter Derby, Bend, Oregon (photo courtesy of Barbara Dudley).

TSB author Karen Robertson mulls over her upcoming date with The One and Only.

I started considered riding in a George Morris clinic in recent years. I know, I know… most of you are probably wondering why on earth I’d throw myself into the fire like that. And you’re right – I’m kind of freaking out about it. I’ve been freaking out for months! I haven’t ridden without stirrups enough and I’m not someone who rides five horses a day with a perfect position. George is sure to tell me my stirrup isn’t the correct angle on the ball of my foot, my leg isn’t strong enough, my hand isn’t educated enough, and that I sit “like a soup sandwich.” If I’m really lucky, he might even run behind me with a longe whip while I struggle to jump the water.

All that makes my heart race. Over the past five months I haven’t gone a day without thinking about the clinic. It truly scares me to put myself on a horse in front of George. He has laid eyes on every great hunter or jumper rider in the world for over six decades…and now he’s going to lay eyes on me.

Gulp.

I’m doing this for two reasons: My riding has in the last decade or so (I’m 39) begun resembling correct fundamentals to the extent that I think I can hold my own in this particular clinic that has a 1.00 meter group. And secondly, I helped George pen UNRELENTING, his no-holds-barred autobiography published last year. Working on UNRELENTING with George was like getting a whole new education on my best-loved sport. Just by being in George’s orbit, my ambition caught fire to work harder, be bolder, and take more risks. I’ve watched a dozen clinics first-hand over the past five years, and I know what he expects from riders. Now it’s my turn. And in one week, my friend and I will drive seven hours north with our horses to Potcreek Meadow Farm in Washington to ride with George.

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Karen and George working on UNRELENTING in September 2015 (photo courtesy of Barbara Dudley).

Hang on, I had to put my head between my knees and breath deeply for a second there. Whew. Okay. I’m back.

What will it be like for me to ride with George? To feel those eyes that have an unmatched ability to instantly size up a rider and horse and then, in every pair’s case, fit a specific but well-worn key of wisdom into the right lock to help them reach their potential? What will it feel like to hear his deep, satisfied cry of “Thaaaaat’s it!” if I deliver what he commands?

I can only imagine how it will feel, but I hope that I have enough calm in my mind that I can absorb and enjoy the experience. No matter how well I ride each clinic day or what mistakes I ride through, the bottom line is that I will be riding with him: the timid boy too afraid to be off the lead line who became The Godfather of Hunt Seat Equitation and Chef d’Equipe of the Olympic Show Jumping Team; the reproach-impervious master who walks the fiery line between motivator and intimidator; the same coach who fifty years ago inspired a wily crew of American women to reach beyond their wildest dreams on the international show jumping stage and end the decades-long reign of European men.

George is also my dear friend. When I first met him in 2013, it took only hours for us to form a kinship that transcended the book and the horse world. With a kind of glee, we recognized in each other the same kind of professional ambition flanked by a sometimes reckless need for letting ourselves go and being wild. We grew close over the three years, and he listened kindly and gave me advice when I had hardship in my life. George shared his thoughts and feelings with me unreservedly, and I had the honor to hear hundreds of hours of stories from his life…only some of which made the book but which all fit together to help me understand how he wanted to tell his story. I was struck with awe and amusement in the moments I looked in at myself – sitting across from him at lunch or next to him as he drove the car or by his bedside interviewing him – when I wondered, “How did I get here? How is this my life? This is absolutely unbelievable that I get to be here.” It made me want to cry and laugh and collapse in wonder.

Riding with George will be a whole new relationship paradigm for us, and I will ride onto that grass field with no expectations for special treatment. I know he will measure me in a new way: as a rider and horsewoman rather than a writer and a friend. I’m a little afraid that he might lose respect for me if I’m not a sharp enough rider, but I hope so completely that this experience will bring us even closer.

This is scary, to take this risk. But sometimes you say yes to scary and the rewards are better than any ordinary day ever could be.

When I asked my childhood show jumping heroes during interviews for UNRELENTING what it was like to have George take them to the ring when the stakes were high, they all said that their trust in George and his belief that they could win made them feel like they could jump anything – A house! The moon! Besides the incredible learning opportunities, and taking to heart the critical comments (of which there are bound to be many), what I really want to feel in the clinic is just one moment where his voice lifts me up and I feel invincible.

 

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Karen and Carlos at HITS Coachella Desert Circuit, January 2016 (photo by Jose Ruiz).

Read Karen Robertson’s follow-up post, written after her clinic with George Morris, here.

 

UNRELENTING by George Morris with Karen Robertson, is available from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE for more information.

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont. 

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The dressage warm-up arena can be a crowded place. Photo by Amber Heintzberger from MODERN EVENTING WITH PHILLIP DUTTON.

Rolex Kentucky Three-Day Event 2017 starts today with the first horse inspection, and the dressage phase kicks off tomorrow morning. To make sure everyone’s ready to go, here are five tips for warming up prior to your dressage test from MODERN EVENTING WITH PHILLIP DUTTON:

1  Start in walk on a 20-meter circle if the warm-up area is large enough. Introduce “inside leg to outside rein.” I usually start on the left rein, because most horses go better to the left and it starts them off well mentally. Get the horse walking nicely forward, slightly bent around your inside leg, and encourage him to reach softly down and forward.

2  Use some leg-yielding exercises to reaffirm your training and get the horse listening to your leg in both directions, left and right. Once you have his attention at the walk, go to rising trot. Rather than thinking about the the test, focus more on the correctness of the horse: You want him reaching for the bit softly; obedient to inside leg to outside rein; and with flexion to the inside.

3  Do lots of changes of direction and transitions within the trot to keep your horse’s attention and prevent him from getting “stuck.” Once his back is supple and loose, do a little bit of sitting trot, then ask for the canter. 

4  Do canter-trot-canter transitions on each rein. This is a great way of testing how well the horse is on the aids. I don’t want him to run or hollow out, and he should stay obedient through the transition.

5  You can practice specific parts of the test a few times, but when there is one horse to go before you, go back and work on your horse’s correctness–getting him in tune with your aids. Do lots of transitions, keeping the horse listening and thinking. Also, vary the horse’s frame. This last part of the warm-up is really to reinforce his attention on you.

Find more eventing advice in MODERN EVENTING WITH PHILLIP DUTTON, available from the TSB online bookstore, where shipping in the US is FREE.

CLICK HERE to download a free chapter or to order.

We’re thrilled to have two TSB authors competing at RK3DE this year: Phillip Dutton and Doug Payne. In addition, professional grooms Emma Ford and Cat Hill, and horseman Dan James, are involved in this exciting equestrian event.

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Photo by Keron Psillas from The Alchemy of Dressage by Dominique Barbier and Dr. Maria Katsamanis

In almost every book we publish, we invite our authors to include a page of acknowledgments; this is their chance to thank those who may have had a hand in their careers or the making of their books. While it isn’t every day that we look back through to see who they’ve thanked over the years, it seems appropriate on this blustery, cold, Vermont afternoon, the day before Thanksgiving 2016. As might be imagined, there is one resounding theme that emerges…have a look at some of the words of gratitude TSB authors have put in print. If your book was about to be published, who would YOU thank?

 

“They say success has a thousand fathers—I thank from the bottom of my heart all those who have taken an extra minute out of their day to help me down my path.” Jonathan Field in THE ART OF LIBERTY TRAINING FOR HORSES

“Thanks go out to every horse I’ve ever had the pleasure and privilege of riding…they’ve taught me the importance of caring, patience, understanding, selflessness, and hard work.” Daniel Stewart in PRESSURE PROOF YOUR RIDING

 

TSB author Jonathan Field with his family and "Hal."

TSB author Jonathan Field with his family and “Hal.”

 

“Most of all my greatest thanks go to Secret, the horse who has taught me so much—she is a horse in a million.” Vanessa Bee in 3-MINUTE HORSEMANSHIP

“We owe the greatest depths of gratitude to the horses.” Phillip Dutton in MODERN EVENTING WITH PHILLIP DUTTON

“Thank you, Santa, for bringing the pony when I was little.” Jean Abernethy in THE ESSENTIAL FERGUS THE HORSE

“Thank you to my partner and wife Conley, without whose moral support and inspiration I would be sitting on a tailgate by the side of the road holding a cardboard sign that reads, ‘Will work on horses for food.'” Jim Masterson in BEYOND HORSE MASSAGE

 

TSB author Linda Tellington-Jones.

TSB author Linda Tellington-Jones.

 

“Thank you to my beloved parents. You were so wonderful to let me chart a path with horses, which you knew nothing about.” Lynn Palm in THE RIDER’S GUIDE TO REAL COLLECTION

“I thank my beloved equine partners—my most important teachers.” Dr. Beth Glosten in THE RIDING DOCTOR

“Thank you to all my wonderful students and friends for always being there.” Jane Savoie in IT’S NOT JUST ABOUT THE RIBBONS

“I really need to honor the people who have invited me to work with them and the horses that have allowed me to be with, ride, and train them over the decades. I have learned some things from books, but most from the people and horses I train.” Heather Sansom in FIT TO RIDE IN 9 WEEKS!

“I give thanks for all the horses over the years who have taught me so much.” Linda Tellington-Jones in THE ULTIMATE HORSE BEHAVIOR AND TRAINING BOOK

“I am grateful for all my teachers, two-legged, four-legged, and winged, for all they have taught me through their own journeys.” Dr. Allen Schoen in THE COMPASSIONATE EQUESTRIAN

“Thank you to every horse that came my way over the past 45 years. Each one had lessons to teach me.” Susan Gordon in THE COMPASSIONATE EQUESTRIAN

“I want to thank my parents who finally gave in to the passionate desire of a small child who wanted a horse.” Heather Smith Thomas in GOOD HORSE, BAD HABITS

“Most of all, thank you to all the horses.” Sharon Wilsie in HORSE SPEAK

 

TSB author Dr. Allen Schoen.

TSB author Dr. Allen Schoen.

 

“I am extremely thankful to all of the horses in my life. I would not have accomplished so much without them. The horses have been my greatest teachers!” Anne Kursinski in ANNE KURSINSKI’S RIDING & JUMPING CLINIC

“I need to thank all the horses.” Sgt. Rick Pelicano in BETTER THAN BOMBPROOF

“Thank you to students and riders who share my passion in looking deeper into the horse and into themselves.” Dominique Barbier in THE ALCHEMY OF LIGHTNESS

“Thanks go to the many horses that have come into my life. You give me great happiness, humility, and sometimes peace; you always challenge me to become more than I am, and you make my life whole.” Andrea Monsarrat Waldo in BRAIN TRAINING FOR RIDERS

 

And thank YOU, our readers and fellow horsemen, who are always striving to learn and grow in and out of the saddle, for the good of the horse.

Wishing a very happy and safe Thanksgiving to all!

The Trafalgar Square Books Staff

 

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small company based on a farm in rural Vermont.

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Photo by Erika N. Walsh

Photo by Erika N. Walsh

We’re counting down the days to the 2016 Thoroughbred Makeover and National Symposium, organized by the Retired Racehorse Project (RRP), a nonprofit dedicated to the placement of ex-racehorses in second careers, and sponsored by Thoroughbred Charities of America.

You can join thousands of others who believe that every Thoroughbred deserves a chance to win at life at the beautiful Kentucky Horse Park in Lexington, Kentucky, October 27-30, as top trainers engage in the process of transitioning ex-racehorses to second careers. The Thoroughbred Makeover serves as the only national gathering of the organizations, trainers, and farms dedicated to serving OTTBs and features educational clinics and demonstrations, as well as the Makeover Horse Sale and the $100,000 Thoroughbred Makeover competition.

The 2016 Makeover features over 300 Thoroughbreds that began working with trainers from across the country after the first of the year and who will compete in up to two of ten equestrian disciplines to showcase their talents and trainability.

“The Thoroughbred Makeover is a unique opportunity on so many levels,” says one of the event’s judges, TSB author and president of EquestrianCoach.com Bernie Traurig. “First, it’s a wonderful way to see firsthand the great qualities the Thoroughbred has to offer for so many disciplines. There are over 300 OTTBs competing and demonstrating their versatility in a wide array of sports. Second, for those interested in purchasing an OTTB, many, perhaps half, are available to be tried and purchased. David Hopper and I are judging the jumpers, and we are both really excited to see some of these great Thoroughbreds.”

As supporters of the Retired Racehorse Project, TSB is proud to have a number of authors joining Bernie Traurig (creator of DEVELOPING PERFECT POSITION and other DVDs) in this year’s Makeover. BEYOND THE TRACK author Anna Morgan Ford’s OTTB adoption organization New Vocations always has a significant presence at the event, and both Denny Emerson (HOW GOOD RIDERS GET GOOD) and Yvonne Barteau (THE DRESSAGE HORSE MANIFESTO) worked with OTTBs with the competition in mind.

 

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“I did not know of the RRP Thoroughbred Makeover challenge until my friend Lisa Diersen of the Equus Film Festival mentioned it to me,” recounts Barteau. “Since I spent seven years on racetracks, working with Standardbred and Thoroughbred racehorses, and also a few years training ex-racehorses, it seemed like a good thing for me to do.

“I started working with SeventyTwo (‘Indy’) in February,” she says. “I found him a bit aloof at first and also somewhat challenging. He likes a good argument and will try to drag you into one if you are not careful. He is also funny, charming, and extremely clever. He learns things, (good or bad), super fast, so I have had to stay ahead of him in the training game.

“I am having such fun with Indy, I plan on keeping him and continuing to train him up the levels in dressage as well as making an exhibition horse out of him. I don’t know how he will be when I take him to a new environment (the Makeover), so however he acts there will be just part of our journey together. I’m looking forward to it either way!”

Don’t missing seeing Indy and all the other winning ex-racehorses as they show off what they’ve learned over the last few months and compete to be named America’s Most Wanted Thoroughbred! Tickets for the 2016 Thoroughbred Makeover are on sale now (CLICK HERE).

Watch Yvonne and Indy working together in this short video:

 

 

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont.

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Photo by Erika N. Walsh

Photo by Erika N. Walsh

 

Yvonne Barteau, author of THE DRESSAGE HORSE MANIFESTO, is a career horsewoman. And while perhaps that doesn’t make her unusual or particularly different from the other authors we have featured in TSB’s “Horseworld by the Hour” blog series, her varied experiences certainly do. She began as a groom, and later, a trainer, at racetracks along the East Coast, before becoming a horsewoman who specialized in restarting “problem horses.” Eventually, she entered the equine theater business, spending over five years as the Director of Entertainment Operations, Principle Trainer, and Feature Performer at the Arabian Nights Dinner Theater in Orlando, Florida. Since then she has devoted herself to dressage and teaching students, training more than ten horses to the Grand Prix level and coaching many riders to year-end and Regional Championships. And she and her husband Kim continue to entertain audiences around the globe with stunning liberty work and theater shows featuring a variety of breeds and disciplines.

So what is the typical day in Yvonne’s life like?

“My life takes on different shapes throughout the year, depending on either the competition or exhibition dates we have on the calendar,” she says. “I have quite a few things I am preparing for now that occupy my hours.”

Here’s a glimpse behind the curtain at what it’s like to walk 24 hours in Yvonne Barteau’s boots.

Yvonne Barteau and her 2016 Thoroughbred Makeover horse, Indy.

Yvonne Barteau and her 2016 Thoroughbred Makeover horse, Indy.

5:00 a.m.  I’m usually up between 4:30 and 5:00 a.m. The good old days of the racetrack have stuck with me a long time. I’ll have one cup of coffee and a couple of cookies for breakfast and let my two dogs, Gimme and Weezer (one a Jack Russell and the other a Jack-Corgi mix) out in the yard to play. If my horse training abilities were judged on how well those two rascals are trained, I would likely go hungry. They kind of do what they want for most of their day and demand something from me every time they see me.

Early morning is my writing and business time, and I try to get done with it by sixish. I then get ready and head down to the barn before my crew gets there. I always visit my good buddy Ray first. He is the Holsteiner stallion I trained to Grand Prix and would let live in the house with me if I could! Sergio our barn manager is usually feeding at this time. Right now I am preparing Indy, my little Thoroughbred, for the Retired Racehorse Thoroughbred Makeover Challenge, so I often get him out and let him have his breakfast “picnic style,” lying down in the arena or the field.

7:00 a.m.  My crew arrives and we talk about the day’s schedules, lessons, and horses to work, deciding who will work what. This is also “meeting time” if we have an upcoming exhibition we are preparing for. Next on our schedule is the Denver Stock Show in January, and we are deciding how we will bring The Sound of Music and Chicago, to life, on horseback. I often put a first ride on Indy about this time so he can then go out for turnout before lunch.

 

Yvonne and her students put on fabulous equine theater productions at major events across the country throughout the year.

Yvonne and her students put on fabulous equine theater productions at major events across the country throughout the year.

8:00 a.m.  Usually Papi, the big 17-hand, 11-year-old Andalusion stallion who is converting from theater work to the dressage arena just this season and starting at the PSG level, gets a ride around now. We have many connection issues and lots of walk work to address, so I may spend over an hour on him, with over half of it at the walk.

9:00 a.m.-12:00 p.m.  I may ride sale horses or teach my daughter Hudi during this time. I also have one regular Adult Amateur at 11:30 who is intent (and succeeding) in moving her horse up the levels with me only helping from the ground. She is fun and motivating to work with.

12:15 p.m.  I usually eat something while I catch up on computer work, which right now is movie editing. Our documentary on the making of an Equine Theater horse, called Into the Spotlight, is going to be in the Equus Film Festival in NYC and a few others this fall. It seems there is always “just one more edit” to do.

 

Yvonne made a name for herself as a horsewoman who can determine a horse's personality type and customize his training to suit.

Yvonne made a name for herself as a horsewoman who can determine a horse’s personality type and customize his training to suit.

1:00- 3:00 p.m. I have regular lessons to give here during this time, as well, and horses I ride or teach on that are in my five-day-a-week program.

3:00-5:00 p.m.  This is when the working students and apprentice trainers get their lessons, unless I have people who have shipped in for help. Right now, I usually get Indy out one more time to work on some Liberty or trick work before calling it a day with him. Project and sale horses are videoed if needed at this time and often it is more toward 7:00 p.m. before we all straggle up to the house.

8:00 p.m.  It is time for dinner, and I am the luckiest person in the world to have Kim, my husband, decide each day to make all of us a fabulous meal. We eat amazing and inventive meals each evening and many who have worked for us say the food and the home-cooked meals, are as much, or more, of an incentive, than the riding and training help they get!

Unless we have other guests over, after dinner we often watch a movie—or for me, part of one!

9-9:30 p.m. I am in bed because I love a good night’s sleep.

 

CLICK IMAGE TO ORDER

CLICK IMAGE TO ORDER

You can read more about Yvonne Barteau and her dressage training philosophy in THE DRESSAGE HORSE MANIFESTO (which, by the way, is written from the horse’s point of view!), available at the TSB online bookstore, where shipping in the US is FREE.

Be sure to read the other installments in the TSB “Horseworld by the Hour” blog series:

JONATHAN FIELD

EMMA FORD

JOCHEN SCHLEESE

HEATHER SMITH THOMAS

LYNN PALM

DANIEL STEWART

DOUG PAYNE

JANET FOY

CLINTON ANDERSON

 

Trafalgar Square Books, the leading publisher of equestrian books and DVDs, is a small business based on a farm in rural Vermont.

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LRblog

When Dan James of Double Dan Horsemanship was growing up in his native Australia, his father stressed the importance of using long-reining as part of early groundwork when starting colts, as well as using the technique as a safe way to troubleshoot issues when restarting older horses with training or behavior problems. But the influx of American horsemanship methods just as Dan James and his business partner Dan Steers began their careers meant the popularity of traditional long-reining techniques waned.

It was when Dan and Dan trained with Heath Harris, one of the world’s elite liberty trainers and the man behind the horses in blockbuster films such as The Man from Snowy River, Phar Lap, The Young Black Stallion, and The Legend of Zorro, that they discovered the true value of long-reining in a horse’s education.

“Heath mounted us up on green Warmbloods that had just come in for training,” Dan and Dan remember in their new book LONG-REINING WITH DOUBLE DAN HORSEMANSHIP. “If one of those ‘giants’ wasn’t well broke and ran away, it could get scary really fast. It became quickly apparent that the more we had these horses bridled up and working well from the ground, the easier it was when we got into the saddle.”

So yes, long-reining is a fantastic intermediate groundwork step that bridges the gap between leading a horse and riding him.

“There are a lot of horses that get ‘lost in translation’ when making that leap,” say Dan and Dan, “so the simpler and smoother you can make the transition, the better. We’re not saying that everything a horse can do when being long-reined he will automatically be able to do with you on his back, but we do find it drastically reduces the level of fear and confusion for most horses. And, colts that are taught long-reining progress much faster starting under saddle than horses that are taught everything from their back.”

Heath Harris also had Dan and Dan work with off-the-track Thoroughbreds and “problem” horses that needed to revisit earlier training to fill in holes in their education. These horses taught them that long-reining is equally useful for building a foundation, working through issues, or refining skills the horses might already possess.

“Since we started teaching long-reining to the public, we’ve learned that the magic it works with horses is only half of its benefits,” say Dan and Dan. “We’ve also discovered it helps people gain confidence with their horsemanship—no small thing.”

Long-reining rapidly builds from basic skills to performing high-level exercises. Many classically trained dressage riders at the Olympian level use a lot of long-reining in their programs, as do some elite Western riders. And of course, we’re all familiar with famous Lipizzaner stallions from the Spanish Riding School in Vienna, Austria, who–alongside their trainers–take long-reining to its highest level of difficulty, entertaining the world with maneuvers that once prepared horses for the immense challenges of the battlefield.

Whether you are into Western or English riding, the long-reining concepts taught in LONG-REINING WITH DOUBLE DAN HORSEMANSHIP are well worth trying!

“If you have ever seen the Double Dans perform a long-reining demonstration, I am sure that you have been amazed by their skill and talent,” says Jen Johnson, Chief Executive Director of North American Western Dressage (NAWD). “At North American Western Dressage, we understand that good horsemanship begins on the ground. Long-reining can help you and your horse develop a great deal of harmony before you ever get in the saddle, and your horse can learn to use his body in a beneficial manner—without the added weight of a rider. Working your horse from the ground enhances physical and emotional fitness, and this is a great step-by-step guide to help you, with lots of terrific exercises.”

“Dan James and his partner in Double Dan Horsemanship, Dan Steers, are very well suited to offer advice in achieving success with long-lining techniques in a friendly, easy-to-follow manner,” agrees FEI 4* judge and long-lining expert Bo Jena.

You can download a free chapter from LONG-REINING WITH DOUBLE DAN HORSEMANSHIP or order a copy of the book from the Trafalgar Square Books storefront, where shipping in the US is FREE.

CLICK HERE for more information.

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